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Cătălin Gheorghe and Mick Wilson – Exhibitionary Acts of Political Imagination. Introduction ; Galit Eilat – The Transparent Museum through the Looking Glass ; Vasıf Kortun and Merve Elveren – What Do We Do Now? ; The space of the exhibition as a space of political potential – A Conversation with Cosmin Costinaș ; Marco Scotini – Not a Just Exhibition, But Just an Exhibition. The Case of Disobedience Archive ; Nick Aikens – Approaching Research-Exhibition Practices ; Carolina Rito – Infrastructures of the Exhibitionary ; Simon Sheikh – The Problem Is Not To Make Political Exhibitions But to Make Exhibitions Politically! ; Maria Lactans – Post-Exhibitionary Ruminations: Summer of 2021 ; Bassam El Baroni – Whither the Exhibition in the Age of Finance? Notes towards a Curatorial Practice of Leveraging
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The future of curatorial practice: how education, research, and institutions can adapt to the expansion of the curatorial field.Today curators are sometimes more famous than the artists whose work they curate, and curatorship involves more than choosing objects for an exhibition. The expansion of the curatorial field in recent decades has raised questions about exhibition-making itself and the politics of production, display, and distribution. The Curatorial Conundrum looks at the burgeoning field of curatorship and tries to imagine its future. Indeed, practitioners and theorists consider a variety of futures: the future of curatorial education; the future of curatorial research; the future of curatorial and artistic practice; and the institutions that will make these other futures possible.The contributors examine the proliferation of graduate programs in curatorial studies over the last twenty years, and consider what can be taught without giving up what is precisely curatorial, within the ever-expanding parameters of curatorial practice in recent times. They discuss curating as collaborative research, asking what happens when exhibition operates as a mode of research in its own right. They explore curatorial practice as an exercise in questioning the world around us; and they speculate about what it will take to build new, innovative, and progressive curatorial research institutions.
museology --- Museology --- Art --- investigation --- Museums --- Curatorship --- Art museum curators --- Philosophy --- kunst --- twintgste eeuw --- eenentwintigste eeuw --- 7.038/039 --- 069 --- tentoonstellingen --- museologie --- exhibition curators --- research [function] --- Musée --- Muséologie --- Conservation --- Protection du patrimoine --- 369.6 --- tentoonstellingsopbouw --- cureren --- kunsteducatie --- 705.9 --- bedrijfseconomie, etaleren - organisatie en inrichting van tentoonstellingen --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Art and Design. --- Art museum curators. --- Art museums --- Conservateurs de musée d'art. --- Conservation (Muséologie) --- Philosophy. --- Philosophie. --- Museums - Curatorship - Philosophy
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Nanotechnology is about to explode as a major shaper of new technologies, as well as a social talking point, yet there are no basic-level texts for students and little understanding among even the educated public on what it actually is. Nanaotechnology aims to brigde the gap between highly detailed specialist publications and the generalities of the speculative science books that, although popular, do not provide a solid background to, or understanding of, the science of this emerging field. Nanotechnology starts with a basic background of the subject and steadily moves on to cover areas such as molecular nanotechnology nanomaterials and nanopowders nanoelectronics optics, photonics and solar energy nanobiamimetrics
nanotechniek --- zonne-energie --- Materials sciences --- Nanotechnology --- 62-039.3 --- 620.3 --- Nanomaterials --- Nanotechnologie --- Nanotechnology. --- 62-039.3 Nanomaterials --- Molecular technology --- Nanoscale technology --- High technology
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Museology --- Art --- art [discipline] --- museology --- art appreciation --- audiences
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Art --- social stratification --- community art --- political art --- public spaces --- interactive art --- philosophy of art --- collaboration --- Böhm, Kathrin
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"Contemporary art and curatorial work, and the institutions that house them, have often been centers of power, hierarchy, control, value, and discipline. Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. This anthology-taking its title from Mary Douglas's 1986 book, How Institutions Think-reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art and curating. Contributors reflect upon how institutions inform art, curatorial, educational, and research practices as much as they shape the world around us. They consider the institution as an object of inquiry across many disciplines, including political theory, organizational science, and sociology. Bringing together an international and multidisciplinary group of writers, How Institutions Think addresses such questions as whether institution building is still possible, feasible, or desirable; if there are emergent institutional models for progressive art and curatorial research practices; and how we can establish ethical principles and build our institutions accordingly. The first part, "Thinking via Institution," moves from the particular to the general; the second part, "Thinking about Institution," considers broader questions about the nature of institutional frameworks." -- Publisher's description
Art museums --- Organizational behavior --- Art, Modern --- Art and society --- Curatorship --- Musée --- Mécénat --- Muséologie --- Collection --- Contemporary art --- Modernism (Art) --- Art --- Art and sociology --- Society and art --- Sociology and art --- Behavior in organizations --- Management --- Organization --- Psychology, Industrial --- Social psychology --- Art curating --- Art curatorial practice --- Art curatorship --- Social aspects --- Art museums - Curatorship --- Art, Modern - 21st century
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Iconography --- Art --- art [discipline] --- public spaces --- kunst in de openbare ruimte
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