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Film --- anno 1900-1999 --- Russian Federation --- Motion pictures --- Cinéma --- History. --- Histoire --- -Motion pictures --- -#SBIB:309H1320 --- #SBIB:309H1313 --- #SBIB:013.AANKOOP --- Denise J. Youngblood --- film --- filmgeschiedenis --- twintigste eeuw --- Rusland --- Puchalski Eduard --- Chardynin Petr --- Lazarev Ivan --- Goncharov Vasilii --- Starewicz Wladyslaw --- Bauer Evgenii --- Siversen Vladimir --- Gardin Vladimir --- Protazanov Iakov --- Larin Nikolai --- Hansen Kai --- Maître André --- Petrov-Kraevskii E. --- Sabinski Czeslaw --- Arkatov Aleksandr --- Romashkov V. --- Iurevskii Iurii --- Wiesielowski Zygmunt --- Slavinskii Evgenii --- 791.43 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- History and criticism --- Russia --- Cinéma --- #SBIB:309H1320 --- Petrov-Kraevskii E --- Romashkov V --- anno 1900-1909 --- anno 1910-1919

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Motion pictures --- Motion pictures --- Popular culture --- Cinéma --- Cinéma --- Culture populaire --- Social aspects --- Aspect social

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This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten'ka Razin, The Cameraman's Revenge, The Merchant Bashkirov's Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin's Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Authors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood

Motion pictures --- PERFORMING ARTS / Film & Video / History & Criticism. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History. --- History and criticism. --- History and criticism --- Russia --- Russie --- Rossīi︠a︡ --- Rossīĭskai︠a︡ Imperīi︠a︡ --- Russia (Provisional government, 1917) --- Russia (Vremennoe pravitelʹstvo, 1917) --- Russland --- Ṛusastan --- Russia (Tymchasovyĭ uri︠a︡d, 1917) --- Russian Empire --- Rosja --- Russian S.F.S.R. --- Russia (Territory under White armies, 1918-1920) --- Battleship Potemkin. --- Bed and Sofa. --- Chapaev. --- Child of the Big City. --- Circus. --- Earth. --- Eastern Europe. --- Extraordinary Adventures of Mr. West in the Land of the Bolsheviks. --- Ivan the Terrible. --- Man with a Movie Camera. --- Russia. --- Soviet. --- Stalin. --- Sten'ka Razin. --- The Cameraman's Revenge. --- The Merchant Bashkirov's Daughter. --- aesthetics. --- analysis. --- art. --- cinema. --- culture. --- film. --- history. --- motion pictures. --- movies. --- silent film.

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In 1945, Europeans confronted a legacy of mass destruction and death: millions of families had lost their homes and livelihoods; millions of men in uniform had lost their lives; and millions more had been displaced by the war's destruction, and the genocidal policies of the Nazi regime. From a range of methodological historical perspectives--military, cultural, and social, to film and gender and sexuality studies--this volume explores how Europeans came to terms with these multiple pasts. With a focus on distinctive national experiences in both Eastern and Western Europe, it illuminates how postwar stabilization coexisted with persistent insecurities, injuries, and trauma.

Reconstruction (1939-1951) --- World War, 1939-1945 --- Collective memory --- Memory --- Group identity --- Citizenship --- Military art and science --- Fighting --- Military power --- Military science --- Warfare --- Warfare, Primitive --- Naval art and science --- War --- Birthright citizenship --- Citizenship (International law) --- National citizenship --- Nationality (Citizenship) --- Political science --- Public law --- Allegiance --- Civics --- Domicile --- Political rights --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- World War, 1939-1945, in motion pictures --- Retention (Psychology) --- Intellect --- Psychology --- Thought and thinking --- Comprehension --- Executive functions (Neuropsychology) --- Mnemonics --- Perseveration (Psychology) --- Reproduction (Psychology) --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- National characteristics --- Influence. --- History --- Social aspects --- Motion pictures and the war. --- Law and legislation --- Europe