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architecture [discipline] --- Architecture --- Biennale di Venezia --- History
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Caccia Dominioni, Luigi --- Zucchi, Cino --- CZA-Cino Zucchi Architetti --- Biennale di Venezia --- Biënnale Venetië --- Biennale Venezia --- Corso Italia --- Milaan --- Milano --- Freespace --- 72.07 --- 728.22 --- udc --- Architectuur ; Milaan ; 1955 ; L. Caccia Dominioni --- Trefwoord --- Multifunctionele gebouwen --- Heropbouw ; wederopbouw --- Caccia Dominioni, Luigi 1913-2016 (°Milaan, Italië) --- Architecten. Stedenbouwkundigen A - Z --- Woningbouw ; flatgebouwen, appartementen --- Architecture --- architecture [object genre]
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Le travail de l'architecte Cino Zucchi décrypté à travers la lecture de ses dessins, croquis, pastels, rendus... sous la forme d'un carnet de croquis personnel (sketchbook).
Dessin d'architecture --- Croquis --- Processus de conception --- Zucchi, Cino, --- 72.039 --- 72.07 --- 741:72 --- Zucchi, Cino °1955 (°Milaan, Italië) --- Architectuur ; schetsen ; 2000-2012 ; Cino Zucchi --- Architectuur ; schetsen ; het creatief proces --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- Architecten. Stedenbouwkundigen A - Z --- Tekenkunst ; architectuurtekeningen --- Architecture --- Zucchi, Cino --- Zucchi, Cino, 1955 --- -Architecture --- Zucchi, Cino, 1955-
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In 4 decades, Elsa Prochazka completed a range of projects of varying sizes: from furniture design through Architecture to urban design projects. If there was a Vienna school of superior contemporary interior design, Elsa Prochazka would be a prototypical representative: Her "interiors seem to invite tactile participation, demanding the involvement of the body as an agent of the mind" (Otto Kapfinger). This "e could stand equally for her buildings. Prochazka developed and disseminates her conceptional approach within the framework of her professorships and her international lecturing activities. The book closes the gap in the documentation of significant female Viennese architects. In gut 4 Jahrzehnten realisierte die Architektin Elsa Prochazka recht unterschiedlich große Volumina: vom Möbeldesign über Architektur bis hin zu städtebaulichen Projekten. Gäbe es eine Wiener Schule des gehobenen zeitgenössischen Interieurs, Elsa Prochazka wäre eine prototypische Vertreterin: "Ihre Interieurs forcieren geradezu das Taktile, verlangen die körperliche Beteiligung als Agens der geistigen." (Otto Kapfinger). Dieses Zitat könnte gleichermaßen für ihre Bauten stehen. Prochazka entwickelte und vermittelt ihre konzeptionelle Haltung auch im Rahmen ihrer Professuren und ihrer internationalen Vortragstätigkeit. Das Buch schließt eine Lücke in der Dokumentation prägender Wiener Architektinnen.
Prochazka, Elsa, --- Architecture. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- Architecture, Primitive
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Architecture --- Design --- Furniture --- Interior architecture --- History --- History --- History --- History --- Semper, Gottfried, --- Influence.
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Within a varied contemporary panorama, the exhibition displays a selection of 'design events' of different kinds and of different scales, organised into eight possible actions; eight metamorphoses capable of transforming materials or components into 'artefacts', into active elements of our daily lives and culture.The four categories formulated a hundred and fifty years ago by Gottfried Semper, and doubled in number to bring them up to date with contemporary conditions, are used as a grid to organise the complex structure of the artificial environment; and as the instrument for a possible revision of the axioms and methods of 'modern design', in its constant attempt to adapt them to the problems and aspirations of a complex world.Sempering looks at architecture, landscapes and objects of the last decade crossing the established boundaries of every possible system of the arts, of every division in skills and sectors. Actions such as stacking heavy blocks, connecting light structures, moulding soft materials, engraving fire casings, folding tin sheets, weaving threads, arranging tiles or blowing air can be seen as basic actions capable of inventing unexpected forms by the use of new technologies, but also as the testing of well-established 'customs' of formal traditions in their response to new conditions.
Design --- Architecture, Modern --- History --- 72.012/013 --- 7.012 --- 745 --- Patronen (architectuur) --- 72.037 --- 745.037 --- 747.037 --- Architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Creation (Literary, artistic, etc.) --- Vorm (architectuur) --- Ontwerp (architectuur) --- Ontwerp (kunst) --- Architectuurontwerp --- Architectonisch ontwerp --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- 21ste eeuw (design) --- 21ste eeuw (interieurarchitectuur) --- Eenentwintigste eeuw (interieurarchitectuur) --- Design and construction --- 745.04 --- patronen (design) --- patronen (architectuur) --- design --- design - decoratieve elementen, dessins --- Exhibitions --- 72.011 --- Architectuur ; vormgeving, ontwerp, compositie --- 749.011 --- 749.039 --- Architectuur en design ; ontwerp ; ontwerpen --- Vormanalyse --- Ontwerpproces --- Creatief proces --- Patronen --- Productontwikkeling ; constructiemethoden --- Meubelkunst en design ; vormgeving, ontwerp, compositie --- Meubelkunst en design ; 2000 - 2050 --- Architecture, Primitive --- Design - History - 21st century - Exhibitions --- Architecture, Modern - 21st century - Exhibitions
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