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Hinrichsen, Henri --- Leipzig (Germany) --- Ethnic relations --- Jews --- Germany --- History --- Edition musicale --- C.F. Peters (Firme)
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Critique musicale --- Musical criticism --- Musique--Critique --- Muziekkritiek --- Music --- Musique --- History and criticism. --- Histoire et critique --- Massip, Catherine --- Festschrift - Libri Amicorum --- History and criticism --- Sources --- Edition musicale --- History
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Ancrée au carrefour de tout l'univers musical, l'histoire de son activité éditoriale constitue l'indispensable cheville d'articulation d'une mécanique plus globale, qui est celle de l'histoire des idées et de l'histoire du goût. Par l'essence même de son rôle de passeur, l'édition de musique se frotta à peu près à tous les aspects de la res musicae : du phénomène créateur à sa réception sociale, en passant par les filières d'apprentissage, les modes d'interprétation et leurs multiples répercussions. Partant de pareil angle de vue, cet ouvrage met en lumière les relations qu'entretinrent avec le monde de la musique - sur un territoire considéré, celui de la Belgique naissante - les professionnels de l'édition, en particulier les fondateurs de la Maison Schott Frères, dont les archives privées ont été récemment mises au jour. Si d'aucuns ont dénoncé une certaine faiblesse esthétique de la musique belge du XIXe siècle - considération que l'on aura par ailleurs la sage courtoisie de tempérer -, ce qui nous aura intéressé ici, dans la foulée des travaux fondamentaux de Marie Cornaz sur le XVIIIe siècle, c'est avant tout le vécu de la musique dans ses traces les plus fondamentales : ce qui motiva ceux qui la créèrent, l'interprétèrent, l'écoutèrent, et surtout la diffusèrent.
muziekgeschiedenis --- Music --- anno 1800-1899 --- Belgium --- Musique --- Publishing --- History --- Edition --- Histoire --- Edition musicale --- Brussels (Belgium) --- 19th century --- 78.89 --- 78.21.2 Bruxelles --- Muziekuitgeverijen --- België --- 19e eeuw
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Bach, Johann Sebastian --- Bibliography --- Keyboard instrument music --- Publishing --- Germany --- Leipzig (Germany) --- History --- 19th century --- Edition musicale --- Bach, Johann Sebastian (1685-1750) --- Opera omnia
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Cantatas, Secular --- Music --- History and criticism. --- Scarlatti, Alessandro --- Criticism and interpretation --- Italy --- 16th century --- History and criticism --- 17th century --- 18th century --- Bononcini, Giovanni --- Legrenzi, Giovanni --- Cantatas --- Marcello, Benedetto --- Stradella, Alessandro --- Edition musicale --- Cantatas [Secular ] --- Vinci, Leonardo
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Is editing music a fallacy? It may appear so when consulting the Oxford English Dictionary, which defines editing as "to prepare an edition (of a literary work or works by an earlier author), " or "to prepare, set in order for publication (literary material which is wholly or in part the work of others)." Of course, the parentheses readily allow the musicologist to construct a broadened definition of editing, tacitly declaring music to be akin to literature; but doing so causes a number of other discomforts, for music, while certainly not inimical to words, simply cannot be equated with literature tout court. Even so, the OED mercilessly insists on the origins of the term within the realm of literary text production. Furthermore, as if adding insult to injury, a secondary definition of editing offered by the OED - "to prepare a film for the cinema or recordings for broadcasting, etc.
Music --- Paleography, Musical --- Musique --- Paléographie musicale --- Editing --- Congresses --- Edition --- Congrès --- Music publishing --- Musicology --- Music publishers --- History --- History and criticism. --- Edition musicale --- Congresses. --- Music - Editing - History --- Music publishing - History --- Music - History and criticism. --- Music - Editing
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Music publishers --- Music publishing --- Music --- Editeurs de musique --- Musique --- History --- History and criticism --- Edition --- Histoire --- Histoire et critique --- Novello & Co --- Novello & Company. --- Book history --- anno 1800-1899 --- England --- Edition musicale --- 19th century
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Study of book history focused on the relationship between printed music and other forms of print. Part of Publishing Pathways series. Collection of 8 essays that look at the production, publication, and distribution of printed music from the 16th to the 20th century in the western world.
Book history --- Music --- 094:78 --- 78.075 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Muziek --- Muziekhandelaars. Muziekuitgevers. Muziekproducers. Muziekmanagers --- Conferences - Meetings --- 78.075 Muziekhandelaars. Muziekuitgevers. Muziekproducers. Muziekmanagers --- 094:78 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Muziek --- book history --- Book industries and trade --- Music publishing --- Music trade --- Publishers and publishing --- Music printing --- History --- Publishing --- Edition musicale --- muziekdruk --- Livres --- Editeurs de musique --- Librairie --- Industrie et commerce --- Histoire
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Music --- Computer sound processing --- Webcasting --- Music publishing --- Music Literature --- Music, Dance, Drama & Film --- Music trade --- Publishers and publishing --- Music printing --- Cybercasting --- Internet broadcasting --- Netcasting --- Web broadcasting --- Web casting --- Telecommunication --- Push technology (Computer networks) --- Web publishing --- Sound processing, Computer --- Electronic digital computers --- Sound --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Data processing --- Publishing --- Recording and reproducing --- Digital techniques --- Congresses --- Edition musicale
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