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Wharton, Edith, --- Criticism and interpretation --- American Literature --- Gouorton, Intith, --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Jones, Edith Newbold --- Уортон, Эдит,
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Wharton, Edith, --- Criticism and interpretation --- Gouorton, Intith, --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Jones, Edith Newbold --- Уортон, Эдит,
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Professor Beer's study provides an introduction to the whole range of Edith Wharton's work in the novel, short story, novella, travel writing, criticism and autobiography. The opening chapter provides an overview of recent scholarship in Wharton studies including an appraisal of biographical texts, and subsequent chapters treat recurrent themes and ideas in her fiction and non-fiction, and the American and European context of her work. The major novels, as well as those less well-known, are discussed as are: contemporary reception of her work, American responses to her expatriation, her friendships with the leading artists of her day, and the influence of the First World War on her work.
Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation.
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Examining the personal library and the making of self When writer Edith Wharton died in 1937, without any children, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. What a Library Means to a Woman examines personal libraries as technologies of self-creation in modern America, focusing on Wharton and her remarkable collection of books. Sheila Liming explores the connection between libraries and self-making in late nineteenth- and early twentieth-century American culture, from the 1860s to the 1930s. She tells the story of Wharton's library in concert with Wharton scholarship and treatises from this era concerning the wider fields of book history, material and print culture, and the histories (and pathologies) of collecting. Liming's study blends literary and historical analysis while engaging with modern discussions about gender, inheritance, and hoarding. It offers a review of the many meanings of a library collection, while reading one specific collection in light of its owner's literary celebrity. What a Library Means to a Woman was born from Liming's ongoing work digitizing the Wharton library collection. It ultimately argues for a multifaceted understanding of authorship by linking Wharton's literary persona to her library, which was, as she saw it, the site of her self-making.
Wharton, Edith --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation. --- E-books
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Edith Wharton: Matters of Mind and Spirit, first published in 1995, makes the case for Wharton as a novelist of morals rather than of manners; a novelist who sought answers to profound spiritual and metaphysical questions. Focusing on Wharton's treatment of Anglicanism, Calvinism, Transcendentalism, and Catholicism, Carol Singley analyzes the short stories and seven novels in the light of religious and philosophical developments in Wharton's life and fiction. Singley situates Wharton in the context of turn-of-the-century science, historicism, and aestheticism, reading her religious and philosophical outlook as an evolving response to the cultural crisis of belief. She invokes the dynamics of class and gender as central to Wharton's quest, describing how the author accepted and yet transformed both the classical and Christian traditions that she inherited. By locating Wharton in the library rather than the drawing room, Matters of Mind and Spirit gives this writer her literary and intellectual due, and offers fresh ways of interpreting her life and fiction.
Women and literature --- History --- Wharton, Edith, --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation. --- Jones, Edith Newbold --- Wharton, Edith. --- Arts and Humanities --- Literature
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Edith Wharton (1862- 1937), who lived nearly half of her life during the cinema age when she published many of her well-known works, acknowledged that she disliked the movies, characterizing them as an enemy of the imagination. Yet her fiction often referenced film and popular Hollywood culture, and she even sold the rights to several of her novels to Hollywood studios. Edith Wharton on Film explores these seeming contradictions and examines the relationships among Wharton' s writings, the popular culture in which she published them, and the sub
Visual perception in literature. --- American fiction --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Knowledge --- Film adaptations. --- Criticism and interpretation. --- Art.
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Edith Wharton was one of America's most popular and prolific writers, becoming the first woman to win the Pulitzer Prize for Fiction in 1921. In a publishing career spanning seven decades, Wharton lived and wrote through a period of tremendous social, cultural and historical change. Bringing together a team of international scholars, this volume provides the first substantial text dedicated to the various contexts that frame Wharton's remarkable career. Each essay offers a clearly argued and lucid assessment of Wharton's work as it relates to seven key areas: life and works, critical receptions, book and publishing history, arts and aesthetics, social designs, time and place, and literary milieux. These sections provide a broad and accessible resource for students coming to Wharton for the first time while offering scholars new critical insights.
Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation. --- Arts and Humanities --- Literature
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'Edith Wharton and Cosmopolitanism' explores Edith Wharton's relation to the concept of cosmopolitanism, as it extended toward her politics, her aesthetics, and her vision of cultural differences. Essays explore Wharton's cosmopolitan ideas and ideals, influences such as American art historian Charles Eliot Norton; her attitudes toward transatlanticism and globalization; and her art-historical discoveries in Europe.
Women intellectuals --- Cosmopolitanism. --- Authors, American --- Intellectuals --- Political science --- Internationalism --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith,
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Women and literature --- History --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation.
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The New Edith Wharton Studies uncovers new evidence and presents new ideas that invite us to reconsider our understanding of one of America's most highly acclaimed, versatile, and prolific writers. The volume addresses themes that have previously been missed or underdeveloped, and examines areas where previous scholarship does not take account of key, contemporary issues: Wharton and ecocriticism, Wharton and queer studies, Wharton and animal studies, Wharton and whiteness, and Wharton and contemporary psychology. Essays explore Wharton's treatment of the poor in her emerging career, the ways in which French thinkers helped her envision community, the importance of Greece to Wharton, her transnationalism, the ongoing revelations of the author's archives, and new perspectives on her agency in the literary marketplace. It addresses key themes and examines contemporary issues, while reassessing Edith Wharton's life and career.
Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation. --- Women and literature --- History
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