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Mentre il toscano e la lingua letteraria italiana basata sul toscano trecentesco prevedono il sistema tripartito dei deittici spaziali, l'italiano contemporaneo presenta il sistema bipartito. Nel volume si indagano le sorti dei deittici pronominali e avverbiali, e dei verbi deittici andare/venire nella lingua del Cinquecento. Il secolo sedicesimo è cruciale per la codificazione normativa dell'italiano, e per l'affermarsi del sistema della deissi spaziale. In quel periodo, infatti, appaiono sul mercato editoriale le prime grammatiche della lingua italiana. Ne consegue che le norme relative alla
Italian drama --- Theater in art --- Art and theater --- History and criticism. --- History.
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Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia -related aspects of visual, dramatic and festival culture, in and beyond Italy.
Commedia dell'arte --- Literature [Comic] --- Pictorial works --- Painting --- Theater in art. --- Art and theater --- History and criticism. --- Themes, motives. --- Subjects
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Theatrical science --- Callot, Jacques --- Theater in art --- Callot, Jacques, --- Art and theater --- Theater in art. --- Kallo, Zhak, --- Callot, Jacques, - 1592-1635
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This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Theater --- Theaters --- Art and theater --- Design, Theatrical --- Scenery (Stage) --- Scenography --- Setting (Stage) --- Stage guides --- Stage scenery --- Stage-setting --- Staging --- Theatrical scenery --- Theater in art --- Scene painting --- History --- Stage-setting and scenery. --- Models --- Sound effects --- Set designers
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This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.
Theater in art. --- Art and society --- Theater and society --- Performing arts --- Actors --- Society and theater --- Theater --- Art --- Art and sociology --- Society and art --- Sociology and art --- Art and theater --- Show business --- Arts --- Performance art --- History --- Social aspects --- Social status
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Scenography - the manipulation and orchestration of the performance environment - is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.
Stage design. Scenography --- Scene painting --- Theaters --- Scénographie --- Théâtre --- Stage-setting and scenery. --- Décors et mise en scène --- Scénographie --- Théâtre --- Décors et mise en scène --- Art and theater --- Design, Theatrical --- Scenery (Stage) --- Scenography --- Setting (Stage) --- Stage guides --- Stage scenery --- Stage-setting --- Staging --- Theatrical scenery --- Theater in art --- Set designers
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Vase-painting, Greek --- Theater in art. --- Greek drama (Tragedy) --- Peinture de vases grecque --- Théâtre dans l'art --- Tragédie grecque --- Themes, motives. --- Illustrations. --- Thèmes, motifs --- Illustrations --- Théâtre dans l'art --- Tragédie grecque --- Thèmes, motifs --- Theater in art --- Art and theater --- Greek drama --- Themes, motives
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Set designers --- Theaters --- Art and theater --- Design, Theatrical --- Scenery (Stage) --- Scenography --- Setting (Stage) --- Stage guides --- Stage scenery --- Stage-setting --- Staging --- Theatrical scenery --- Theater in art --- Scene painting --- Stage designers --- Designers --- Stage-setting and scenery --- Models --- Sound effects --- Messel, Oliver, --- Scenographers --- Messel, oliver (1904-1978) --- Decorateurs de theatre --- Grande-bretagne --- Biographie
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regie --- Stage design. Scenography --- decors --- Toneel ; decors ; enscenering ; kostuums ; belichting --- Toneelrekwisieten --- Theater ; theatertechnieken, scenografie --- 792.02 --- Stage management --- Theaters --- Art and theater --- Design, Theatrical --- Scenery (Stage) --- Scenography --- Setting (Stage) --- Stage guides --- Stage scenery --- Stage-setting --- Staging --- Theatrical scenery --- Stage-setting and scenery --- Theater in art --- Scene painting --- Theater --- Models --- Sound effects --- Production and direction --- Set designers
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decorbouw --- decors --- toneel --- toneeldesign --- podiumbouw --- podiumkunsten --- scenografie --- 792 --- theater en ballet --- Toneeldecors. --- Toneelrekwisieten. --- Stage props --- Theaters --- Art and theater --- Design, Theatrical --- Scenery (Stage) --- Scenography --- Setting (Stage) --- Stage guides --- Stage scenery --- Stage-setting --- Staging --- Theatrical scenery --- Theater in art --- Scene painting --- Properties, Stage --- Props, Stage --- Set props --- Stage properties --- Motion pictures --- Television --- Stage-setting and scenery --- Models --- Sound effects --- Setting and scenery --- Set designers
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