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Die Kammer der Andacht basiert auf einem Text des flämischen Mystikers und Karmeliten Franciscus Amelry (um 1550), dessen Werk vor kurzem erst wiederentdeckt wurde. Es geht in diesem Text um die Geschichte einer Seele, die sich in Gott verliebt hat. Ihre Begleiterin, die Amme, weist der Seele den Weg in die Liebesekstase hinein - bis hin zur unio mystica. Ein Mystagoge hebt ins Bewusstsein, was mit der Seele geschieht, die Gott immer näher kommt. Das MusikTheaterKöln hat diesen Text als Vorlage für eine Theaterarbeit ausgewählt. Während der Probenzeit wurde eine szenisch-musikalische Improvisationsstruktur erarbeitet. Die Regisseurin Ursula Albrecht hat auf Grund ihrer langjährigen Erfahrung mit Texten aus der christlichen Mystik und durch ihre Lehrtätigkeit im Bereich der szenischen Improvisation einen zielorientierten phänomenologischen Regiestil entwickelt.
Religious drama --- Presentation, etc. --- Religious drama - Presentation, etc.
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Christian dance --- Christian drama --- Liturgy and drama --- Presentation, etc
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Old French literature --- Drama --- Theater --- Religious drama --- History. --- History --- Presentation, etc. --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Religious literature --- Presentation, etc --- -Old French literature --- -Presentation, etc --- -Religious drama --- Theater - France - History --- Theater - History - Medieval, 500-1500 --- Religious drama - Presentation, etc
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Children's plays --- Théâtre pour enfants --- Presentation, etc --- Théâtre pour enfants
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Présentation des différents types de théâtre s'adressant à la jeunesse : marionnettes, opéra-théâtre, commedia dell'arte, arts forains, etc.
Children's plays --- Théâtre pour enfants --- Presentation, etc --- Présentation, etc --- Children's theater. --- Théâtre pour enfants --- Présentation, etc --- Performing arts and youth --- Belgium --- Theater and youth
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Theatrical science --- anno 500-1499 --- Theater --- Religious drama --- History --- Presentation, etc --- 82-251 --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama --- Religious literature --- Religieus toneel --- -82-251 --- -Religieus toneel --- 82-251 Religieus toneel --- Presentation, etc. --- -82-251 Religieus toneel --- Dramatics --- -Religious drama --- Theater - History - Medieval, 500-1500 --- Religious drama - Presentation, etc
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Public buildings --- Theatrical science --- anno 500-1499 --- Arts du spectacle --- Théâtre médiéval --- Théâtre (genre littéraire) français --- Théâtres --- Production et mise en scène --- Histoire et critique --- Scène --- 82-251 --- Religious drama --- -Theater --- -792 --- Elie Konigson --- theater --- scenografie --- middeleeuwen --- 792.02 --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama --- Religious literature --- Religieus toneel --- Presentation, etc --- History --- -History --- Theater. Theaterwetenschap. Toneel --- -Presentation, etc --- -Presentation, etc. --- 792 Theater. Theaterwetenschap. Toneel --- 82-251 Religieus toneel --- Théâtre (genre littéraire) médiéval --- Theater --- Presentation, etc. --- 792 --- Théâtre (genre littéraire) médiéval. --- Histoire et critique. --- 792 Theatre. Stagecraft. Dramatic performances --- Theatre. Stagecraft. Dramatic performances
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"Founded in 1982, Theater Sgaramuch creates challenging plays in terms of content and aesthetics, staged for children and adults alike. The present volume showcases various facets of the company's oeuvre - which aims to be poetic and never didactic - and seeks to assess the current standing of theatre for young audiences in Switzerland"--
Children's theater --- Children's dramatics --- Children's plays --- Theater for children --- Theater for young people --- Young people's theater --- Theater --- Presentation, etc.
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Against a background which included revolutionary changes in religious belief, extensive enlargement of dramatic styles and the technological innovation of printing, this collection of essays about biblical drama offers innovative approaches to text and performance, while reviewing some well-established critical issues. The Bible in the fifteenth and sixteenth centuries appears in a complex of roles in relation to the drama: as an authority and centre of belief, a place of controversy, an emotional experience and, at times, a weapon. This collection brings into focus the new biblical learning, including the re-editing of biblical texts, as well as classical influences, and it gives a unique view of the relationship between the Bible and the drama at a critical time for both.
Bible plays --- Religious drama --- Drama, Medieval --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- History and criticism. --- Presentation, etc. --- 82-251 --- 82-251 Religieus toneel --- Religieus toneel --- History and criticism --- Presentation, etc --- Pièces bibliques --- Théâtre religieux --- Théâtre médiéval --- Histoire et critique --- Présentation, etc --- Drama --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599
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