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Exhibitions --- Musée des Beaux-Arts d'Angers (France) --- Drawing --- 16th-19th centuries --- Drawing [European ]

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L'anthropologie historique de Michèle Duchet apparaît, en perspective, comme une longue méditation sur la constitution d'un objet qu'on nommera ethnographiable. Cette œuvre d'inquiétude parle ouvertement de la trahison de l'idéal humaniste des Lumières, de son racisme latent ou avéré. Ainsi qu'elle l'explique, les Philosophes " ont cherché à remédier aux abus, et par là contribué au maintien de l'ordre établi ". Cette perception critique a certainement nourri une ambivalence intime. On a le sentiment que Michèle Duchet aime le siècle des Lumières pour son universalisme et qu'elle en refuse " les refus ". Cette distance lucide lui a permis de considérer l'époque des Lumières non comme un phare pour notre conduite mais, à la manière de Foucault qui voulait penser " l'autre dans le temps de notre propre pensée ", elle y aura vu une sorte de " culture " séparée de notre temps, qu'il convenait d'abord d'étudier dans sa langue propre.

Anthropology --- Philosophy, French --- Enlightenment --- Anthropologie --- Philosophie française --- Siècle des Lumières --- France --- Intellectual life --- Vie intellectuelle --- Language and culture --- Social history --- Literary studies - Historical anthropology - 16th-19th centuries --- Literary studies - Historical anthropology - 16th-19th centuries. --- Anthropology. --- Language and culture. --- Social history. --- Philosophie française --- Siècle des Lumières --- Literary studies --- Historical anthropology --- 16th-19th centuries

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Converting and disciplining, these are the two key words of the book.Starting with the Lutheran Reformation, the Church of Rome realised the need both to defend itself against its enemies, old and new, external and internal, and to 'Christianise' its own faithful, to put in order the numerous contradictions that existed between doctrinal prescriptions and the concrete religious experience of the faithful. The instruments used were many, from confraternities to missionaries, inquisitors, the rediscovery of the first martyrs and the catacombs. What emerges, from the many sources used in the text, is an unruly Christianity, often unaware even of basic dogmas.Through various case studies, the reader is presented with a religious history of the modern age, and in particular of the 18th century, used as a passepartout to understand the changes in popular mentality at a time when the Church was gradually forced to redesign its role in society. Convertire e disciplinare, queste le due parole chiave del volume. A partire dalla Riforma luterana la Chiesa di Roma si rese conto del­la necessità sia di difendersi dai suoi nemici, vecchi e nuovi, esterni e interni, sia di dover “cristianizzare” i suoi stessi fedeli, di mettere ordine alle numerose contraddizioni esistenti tra prescritto dottri­nale e vissuto religioso concreto dei fedeli. Gli strumenti usati furo­no molteplici, dalle confraternite ai missionari, agli inquisitori, alla riscoperta dei primi martiri e delle catacombe. Emerge, dalle molte fonti utilizzate nel testo, una cristianità sregolata e spesso inconsa­pevole perfino dei dogmi basilari.Attraverso vari casi di studio viene presentata al lettore una storia religiosa dell’età moderna, e in particolare del Settecento, utilizzata come passepartout per comprendere i cambiamenti della mentali­tà popolare in un’epoca in cui la Chiesa fu via via costretta a ridise­gnare il proprio ruolo nella società.

History --- Roman Inquisition --- History of Christianity 16th-19th centuries --- Gender History --- Social history of the 18th century --- Rome in the Modern Age

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Converting and disciplining, these are the two key words of the book.Starting with the Lutheran Reformation, the Church of Rome realised the need both to defend itself against its enemies, old and new, external and internal, and to 'Christianise' its own faithful, to put in order the numerous contradictions that existed between doctrinal prescriptions and the concrete religious experience of the faithful. The instruments used were many, from confraternities to missionaries, inquisitors, the rediscovery of the first martyrs and the catacombs. What emerges, from the many sources used in the text, is an unruly Christianity, often unaware even of basic dogmas.Through various case studies, the reader is presented with a religious history of the modern age, and in particular of the 18th century, used as a passepartout to understand the changes in popular mentality at a time when the Church was gradually forced to redesign its role in society. Convertire e disciplinare, queste le due parole chiave del volume. A partire dalla Riforma luterana la Chiesa di Roma si rese conto del­la necessità sia di difendersi dai suoi nemici, vecchi e nuovi, esterni e interni, sia di dover “cristianizzare” i suoi stessi fedeli, di mettere ordine alle numerose contraddizioni esistenti tra prescritto dottri­nale e vissuto religioso concreto dei fedeli. Gli strumenti usati furo­no molteplici, dalle confraternite ai missionari, agli inquisitori, alla riscoperta dei primi martiri e delle catacombe. Emerge, dalle molte fonti utilizzate nel testo, una cristianità sregolata e spesso inconsa­pevole perfino dei dogmi basilari.Attraverso vari casi di studio viene presentata al lettore una storia religiosa dell’età moderna, e in particolare del Settecento, utilizzata come passepartout per comprendere i cambiamenti della mentali­tà popolare in un’epoca in cui la Chiesa fu via via costretta a ridise­gnare il proprio ruolo nella società.

Roman Inquisition --- History of Christianity 16th-19th centuries --- Gender History --- Social history of the 18th century --- Rome in the Modern Age

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Painting --- Frans Halsmuseum [Haarlem] --- anno 1500-1799 --- anno 1800-1899 --- Haarlem --- 16th-19th centuries --- Netherlands --- Haarlem (Netherlands) --- Haarlem. Frans Halsmuseum --- Catalogs --- Frans Hals Museum (Haarlem) --- schilderkunst --- 1500 - 1850 --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw