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Map
Year: 1941 Publisher: Gotha: J. Perthes,
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Book
ISBN: 9782226446879 2226446877 2226446877 9782226446879 Year: 2019 Publisher: Paris: Albin Michel,
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Monographie sur Goudji, considéré par beaucoup comme étant un des plus grands orfèvres de l'époque contemporaine. Elle revient sur la vie de l'artiste et sur les différentes directions prises par son travail, des bijoux aux pièces de table, des réalisations architecturales aux objets liturgiques. Ces derniers sont visibles dans les cathédrales d'Angers, du Mans, de Chartres et de Paris.
Book
Year: 1941 Publisher: Frankfurt a.M. : Societäts-Verlag,
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Book
Year: 1974 Publisher: Louvain : Université catholique de Louvain, Institut de linguistique (UCL),
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KRISTEVA (JULIA), 1941 --- -KRISTEVA (JULIA), 1941 --- -KRISTEVA (JULIA), 1941-
Book
Year: 2001 Publisher: Paris : Avant-Scène,
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FREARS (STEPHEN), 1941 --- -FREARS (STEPHEN), 1941 --- -FREARS (STEPHEN), 1941-
ISBN: 0786408464 Year: 2000 Publisher: Jefferson : McFarland,
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Rice (anne), 1941 --- -Rice (anne), 1941 --- -Rice (anne), 1941-
ISBN: 0702231576 Year: 2001 Publisher: St. Lucia, Qld. : University of Queensland Press,
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Farmer (beverley), 1941 --- -Farmer (beverley), 1941 --- -Farmer (beverley), 1941-
Book
Year: 1999 Publisher: Gent : Vakgroep Duits-Taalkunde [Gent],
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Maron (monika), 1941 --- -Maron (monika), 1941 --- -Maron (monika), 1941-
Dissertation
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ISBN: 9781644230503 164423050X Year: 2020 Publisher: New York: David Zwirner Books,
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The newest monograph dedicated to the striking new work of internationally acclaimed abstract painter Suzan Frecon. Suzan Frecon features new paintings, which highlight the artist’s ongoing exploration of the interaction of shape, color, texture, and light. Painted over long periods of time, these works are the result of a deliberative process guided by a deep understanding of color and the properties of paint. Frecon has been exploring the issues of horizontality and verticality, asymmetrical balances, and interacting arrangements of color for over five decades. The result is an ongoing dialogue that yields new and surprising paintings at every turn. Frecon’s knowledge of color is deeply rooted in art history; her selection of color brings with it an understanding of the scientific properties of pigments as well as their use by Renaissance painters. Esteemed poet and critic John Yau explores this inspiration in his illuminating essay, in which he teases out the connections between these bold abstract works and historic figurative paintings. Highlighting Frecon’s interest in these paintings for their form and color rather than their narrative, Yau offers a new and intriguing way of looking at both present and past.
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