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"What is abstract art good for? What's the use--for us as individuals, or for any society--of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the last five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour of a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works." http://www.loc.gov/catdir/enhancements/fy0654/2006006621-d.html.

abstracte kunst --- minimal art --- Abstract [fine arts style] --- Minimal --- Art --- anno 1900-1999 --- North America --- Art, Abstract --- Art, American --- Art abstrait --- Art américain --- 7.038 <73> --- kunst --- kunsttheorie --- schilderkunst --- abstractie --- beeldhouwkunst --- installaties --- twintigste eeuw --- Verenigde Staten --- tekenkunst --- 7.038 --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst--Verenigde Staten van Amerika. VSA. USA --- Art américain --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Abstract. --- Art, American. --- Abstrakte Kunst. --- Abstrakte Malerei. --- Abstracte kunst. --- 1900-1999. --- Geschichte 1950-2000. --- United States. --- USA. --- Art, Abstract - United States. --- Art, American - 20th century. --- Abstract [modern European style]

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Uitg. bij de tentoonstelling in de Nieuwe Kerk, Amsterdam, 1990. - Met bibliogr.

Art styles --- Iconography --- Art --- Sculpture --- Painting --- History --- painting [image-making] --- art history --- migration [function] --- Abstract [fine arts style] --- private collections --- sculpting --- Frost, Philip --- Frost, Patricia --- Albers, Hans --- Bengelsdorf, Rosalind --- Bisttram, Emil --- Bolotowsky, Ilya --- Bowden, Harry --- Browne, Byron --- Cavallon, Giorgio --- Christie, Arthur N. --- Cushman, Charlotte --- de Laittre, Eleanor --- Drewes, Werner --- Emanuel, Herzl --- Ferren, John --- Gallatin, Albert Eugene --- Garman, Ed --- Goloebov, Maurice --- Grant, Dwinell --- Greene, Balcomb --- Greene, Gertrude --- Harari, Hananiah --- Hillsmith, Fannie --- Holty, Carl Robert --- Jonson, Raymond --- Kamrowski, Gerome --- Knaths, Karl --- Mason, Alice Trumbull --- McNeil, George --- Morris, George Lovett Kingsland --- Opper, John --- Pereira, Irene Rice --- Rosenborg, Ralph --- Schanker, Louis --- Sennhauser, John --- Shaw, Charles Green --- Slobodkina, Esphyr --- Turnbull, Rupert Davidson --- Wiegand, von, Charmion --- Vytlacil, Vaclav --- Walker, Stuart --- Whiteman, Frederick J. --- Xceron, John --- Young, Beckford --- Young, Janet Todd --- Zogbaum, Wilfried --- Moholy-Nagy, László --- Hofmann, Hans --- Reinhardt, Ad --- Hélion, Jean --- Lassaw, Ibram --- anno 1930-1939 --- anno 1940-1949 --- anno 1900-1999 --- anno 2000-2099 --- United States --- art [fine art] --- Art, Abstract --- Art, Modern --- 7.038(73) --- 7.074 --- Arthur N. Christie --- Dwinell Grant --- Balcomb Greene --- Gertrude Greene --- Hananiah Harari --- John Opper --- Ad Reinhardt --- Esphyr Slobodkina --- Kunstgeschiedenis ; 1900 - 1950 ; Verenigde Staten --- Kunstverzamelaars --- Abstract [modern European style] --- private collections [object groupings] --- United States of America --- art [discipline]