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Laszlo Moholy-Nagy's 60 Fotos published in 1930 as the first book in the planned Fototek series on 'New Photography', 60 Fotos is a complex and multi-layered dialogue using some of Moholy-Nagy's finest examples of 'straight' photographs, negative prints, photograms, and photomontage. Books on Books #12 reproduces every page spread from this classic treatise on photography along with a contemporary essay from the noted photo-historian David Evans.

fotografie --- twintigste eeuw --- Moholy-Nagy Laszlo --- Bauhaus --- Neue Fotografie --- New photography --- modernisme --- 77.071 MOHOLY-NAGY --- Photobooks --- Photograms. --- Photography, Abstract. --- Photomontage. --- History --- Moholy-Nagy, László,

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photography [process] --- artistieke fotografie --- Photography --- Moholy-Nagy, László --- fotografie --- twintigste eeuw --- Moholy-Nagy Laszlo --- fotogrammen --- fotogrammetrie --- Duitsland --- Verenigde Staten --- Bauhaus --- 77.071 MOHOLY-NAGY --- Moholy-Nagy, László, --- Moholy-Nagy, Ladislaus, --- Nagy, László Moholy-, --- Nagy, Ladislaus Moholy-, --- Moholy-Nagy, László, --- departement Beeldende Kunst 09 --- Hongarije --- Moholy-Nagy, Laslo --- Moholy-Nagy, Hattula

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avant-garde --- film --- fotografie --- fotogrammen --- gesamtkunstwerken --- licht --- sociale kunst --- theater --- Moholy-Nagy, László --- Duitsland --- Nederland --- kunst --- twintigste eeuw --- Moholy-Nagy Laszlo --- modernisme --- Bauhaus --- 77.071 MOHOLY-NAGY --- Exhibitions --- theater, toneel, toneelvoorstelling --- sociaal realisme --- licht. --- fotogrammen. --- gesamtkunstwerken. --- film. --- theater, toneel, toneelvoorstelling. --- sociaal realisme. --- avant-garde. --- Moholy-Nagy, László. --- Duitsland. --- Nederland.

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Among the early twentieth-century's avant-garde, Hungarian-born photographer László Moholy-Nagy (1895-1946) was one of the most ardent seekers of the "New Vision." His preoccupation with the phenomenon of light was a defining influence on every period of his work, and one of his great strengths lay in his effortless skill in translating light and spatial dimensions from one medium to another. By the time the first color photographic processes became widely available in the early 1930s, he had mastered black-and-white, and he turned immediately to this next big thing. Color proved to be one of his most important mediums, not only during his early years in Germany, but also as he reestablished himself at the New Bauhaus and the Institute of Design, both of which he initiated upon moving to the United States and settling in Chicago. Until now, with only a few exceptions, his work in color has been unknown. Color in Transparency presents 100 pieces including advertisements, portraits, urban views, New Bauhaus studies and abstract compositions--created between Moholy-Nagy's first experiments with the medium in 1934 and his death in 1946. (Deuxième de couverture)

Bauhaus --- Couleur --- Photographie d'art --- Photography, Artistic --- Portrait photography --- Moholy-nagy, Laszlo --- Moholy-Nagy, László, --- Color photography --- Moholy-Nagy, László, --- Edited by = Herausgegeben von Jeannine Fiedler und Hattula Moholy-Nagy for the = für das Bauhaus-Archiv Berlin --- fotografie --- kleurfotografie --- Moholy-Nagy Laszlo --- twintigste eeuw --- kleur --- 77.071 MOHOLY-NAGY --- Chromophotography --- Heliochromy --- Photography, Color --- Photography --- Moholy-Nagy, Ladislaus, --- Nagy, László Moholy-, --- Nagy, Ladislaus Moholy-, --- Photography, Artistic - Exhibitions --- Portrait photography - Exhibitions --- Moholy-Nagy, László, 1895-1946 --- Moholy-Nagy, László, - 1895-1946 - Exhibitions --- Moholy-Nagy, László, - 1895-1946