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"Romantik. Journal for the Study of Romanticisms" is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 1780-1840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of the journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms - and not least the connections and disconnections between them - hence, the use of the plural in the subtitle. Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS).

Art / History / Romanticism --- Arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Arts, Primitive --- Art --- History --- Romanticism

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Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general.

Antonio Canova, Sculpture, Art theory, Display, Reception theory. --- History of art. --- Theory of art. --- ART / Sculpture & Installation. --- ART / History / Romanticism. --- ART / European. --- History of art & design styles: c 1800 to c 1900. --- Sculpture, Italian --- Exhibitions --- History --- Canova, Antonio, --- Criticism and interpretation.

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"Accompanies an exhibition at the Getty Center in Los Angeles and explores tonality and black media in nineteenth-century French drawings and prints"--Provided by publisher.

zwart --- grafiek --- tekeningen --- realisme --- romantiek --- fantasie --- dromen --- techniek --- 19de eeuw --- Frankrijk --- black [color] --- Prints, French --- Dessin français --- Estampe française --- Estampe française --- Drawing --- Graphic arts --- drawings [visual works] --- prints [visual works] --- anno 1800-1899 --- France --- Drawing, French --- Dessin français --- Exhibitions. --- Expositions --- Black in art --- kunst --- tekenrkunst --- negentiende eeuw --- kleur --- kleurenleer --- symboliek --- schaduw --- houtskool --- 76.035 --- 741.035 --- 7.035 --- 7.017 --- iconologie --- iconografie --- 7.04 --- Exhibitions --- kleuren, pigmenten en kleurstoffen: zwart --- fantasie, capriccio --- kleuren, pigmenten en kleurstoffen: zwart. --- tekeningen. --- realisme. --- romantiek. --- fantasie, capriccio. --- dromen. --- techniek. --- 19de eeuw. --- Frankrijk. --- 21.22 history of drawing. --- ART / Collections, Catalogs, Exhibitions / Group Shows. --- ART / European. --- ART / History / Romanticism. --- Black in art. --- Drawing, French. --- Noir dans l'art --- Prints, French. --- 1800-1899.