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In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930's, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.
Berger, Arthur, -- 1912-2003. --- Electronic books. -- local. --- Music -- United States -- History and criticism. --- Music History & Criticism, General --- Music --- Music, Dance, Drama & Film --- Berger, Arthur, --- Berger, Arthur Victor, --- History and criticism. --- 1930s. --- 20th century. --- aaron copland. --- american composers. --- american music. --- art scene. --- autobiography. --- avant garde music. --- biography. --- boretz. --- boston. --- communism. --- composers. --- conductor. --- essays. --- malkin conservatory. --- memoir. --- modernism. --- music composition. --- music criticism. --- music history. --- music theory. --- music. --- musicians. --- nationalism. --- new york. --- nonfiction. --- piano variations. --- popular culture. --- red scare. --- schoenberg. --- short symphony. --- statements. --- stravinsky. --- wpa.
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This authoritative volume of 453 letters written by and to composer Charles Ives (1874-1954) provides unparalleled insight into one of the most extraordinary and paradoxical careers in American music history. The most comprehensive collection of Ives's correspondence in print, this book opens a direct window on Ives's complex personality and his creative process. Though Ives spent much of his career out of the mainstream of professional music-making, he corresponded with a surprisingly large group of musicians and critics, including John J. Becker, Henry Bellamann, Leonard Bernstein, John Cage, Aaron Copland, Henry Cowell, Ingolf Dahl, Walter Damrosch, Lehman Engel, Clifton J. Furness, Lou Harrison, Bernard Herrmann, John Kirkpatrick, Serge Koussevitzky, John Lomax, Francesco Malipiero, Radiana Pazmor, Paul Rosenfeld, Carl Ruggles, E. Robert Schmitz, Nicolas Slonimsky, and Peter Yates.
Composers --- Ives, Charles, --- Ives, Charles Edward, --- Aĭvz, Ch., --- Aĭvz, Charlʹz, --- Ives, Charles E. --- Ives, Charles --- Ives, Charles Edward --- aaron copland. --- american music. --- autobiography. --- bellamann. --- bernard herrmann. --- biography. --- carl ruggles. --- charles ives. --- composer. --- composers. --- correspondence. --- creative process. --- creativity. --- francesco malipiero. --- henry cowell. --- ingolf dahl. --- john cage. --- john kirkpatrick. --- john lomax. --- lehman engel. --- leonard bernstein. --- letters. --- lou harrison. --- memoir. --- music books. --- music compositon. --- music history. --- music theory. --- musicians. --- nicolas slonimsky. --- nonfiction. --- paul rosenfeld. --- peter yates. --- radiana pazmor. --- serge koussevitzky. --- walter damrosch.
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Breaking down walls between genres that are usually discussed separately-classical, jazz, and popular-this highly engaging book offers a compelling new integrated view of twentieth-century music. Placing Duke Ellington (1899-1974) at the center of the story, David Schiff explores music written during the composer's lifetime in terms of broad ideas such as rhythm, melody, and harmony. He shows how composers and performers across genres shared the common pursuit of representing the rapidly changing conditions of modern life. The Ellington Century demonstrates how Duke Ellington's music is as vital to musical modernism as anything by Stravinsky, more influential than anything by Schoenberg, and has had a lasting impact on jazz and pop that reaches from Gershwin to contemporary R&B.
Jazz --- Music --- History and criticism. --- Analysis, appreciation. --- Ellington, Duke, --- Duke, Obie, --- Ėllington, Di︠u︡k, --- Ellington, Edward Kennedy, --- Ellington, Obie Duke, --- Greer, Sonny, --- Turner, Joe, --- Criticism and interpretation. --- Ellington, Duke --- Criticism and interpretation --- History and criticism --- Analysis, appreciation --- 20th century --- 20th century classical music. --- 20th century history. --- 20th century music. --- aaron copland. --- book club reads. --- books for music lovers. --- discussion books. --- easy to read. --- educational books. --- engaging. --- evolution of music. --- gifts for music lovers. --- history of music. --- how music changed modern life. --- igor stravinsky. --- jazz history. --- jazz. --- learning about composers. --- learning from experts. --- leisure reads. --- music and culture. --- music exploration. --- music. --- musicians. --- nonfiction. --- page turner. --- pop music. --- timeless music. --- vacation reads.
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Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.
Legends --- Music --- Folk tales --- Traditions --- Urban legends --- Folklore --- History and criticism. --- West (U.S.) --- American West --- Trans-Mississippi West (U.S.) --- United States, Western --- Western States (U.S.) --- Western United States --- History --- Social life and customs --- United States --- 20th century --- History and criticism --- 1848-1950 --- West (U.S.) - Social life and customs - 20th century. --- aaron copland. --- american culture. --- book club books. --- books about music composers. --- books for music lovers. --- books for reluctant readers. --- career. --- culture and music. --- discussion books. --- easy to read. --- engaging. --- evolution of american music. --- gifts for friends. --- history. --- how to become a musician. --- how was music created. --- learning about american music history. --- music books. --- music evolution. --- page turner. --- performing arts. --- politics in the music world. --- the wild west. --- theater. --- vacation reads. --- what was the wild west.
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This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.
Ives, Charles, --- Criticism and interpretation. --- Correspondence. --- Critique et interprétation --- Correspondance --- Critique et interprétation --- Ives, Charles Edward --- Criticism and interpretation --- Correspondence --- Ives, Charles, - 1874-1954 - Criticism and interpretation. --- Ives, Charles, - 1874-1954 - Correspondence. --- Composers --- Muziekwerken. --- Aufsatzsammlung --- Ives, Charles. --- Ives, Charles --- Critique et interpretation. --- Aaron Copland. --- Alexander Scriabin. --- American Tune. --- American popular music. --- Antonín Dvorák. --- Arnold Schoenberg. --- Art music. --- Atonality. --- Bernard Herrmann. --- Career. --- Carl Ruggles. --- Charles Ives. --- Choir. --- Church music. --- Claude Debussy. --- Composer. --- Contemporary classical music. --- Creative work. --- Dissonant. --- Dudley Buck. --- E. Robert Schmitz. --- Early music. --- Entrance (musician). --- Ernest Walker (composer). --- Example (musician). --- Experimental music. --- Felix Mendelssohn. --- For Example. --- Franz Liszt. --- Gilbert and Sullivan. --- Gospel Song (19th century). --- Gustav Mahler. --- Half note. --- Harry Lauder. --- Hear the Music. --- Henry Bellamann. --- Henry Cowell. --- Horatio Parker. --- Hymn tune. --- Igor Stravinsky. --- Illustration. --- Improvisation. --- Insurance. --- Johann Sebastian Bach. --- Johannes Brahms. --- John Cage. --- La mer (Debussy). --- Leon Botstein. --- Leonard Bernstein. --- Lou Harrison. --- Ludwig van Beethoven. --- Maynard Solomon. --- Metre (music). --- Modernism (music). --- Modulation (music). --- Music Is. --- Music history. --- Music theory. --- Musical "ation. --- Musical composition. --- Musical expression. --- Musician. --- New York Philharmonic. --- Newspaper. --- Nicolas Slonimsky. --- Olin Downes. --- Orchestra. --- Organist. --- Paul Hindemith. --- Philosopher. --- Phrase (music). --- Piano Music (Louie). --- Piano. --- Polyrhythm. --- Polytonality. --- Popular music. --- Prose. --- Rhythm. --- Richard Strauss. --- Schumann. --- Singing. --- Sonata in B minor (Liszt). --- Songwriter. --- Stuart. --- Symphony No. 3 (Beethoven). --- Symphony No. 5 (Beethoven). --- The Musical Quarterly. --- The New York Times. --- The Orchestra. --- Three Places in New England. --- Time signature. --- Tonality. --- Tone cluster. --- Transcendentalism. --- Universe Symphony (Ives). --- Vachel Lindsay. --- Virgil Thomson. --- Writing. --- Yaddo. --- Yale University. --- Songwriters --- Musicians --- Muziekgeschiedenis --- Biografieën --- Brieven --- Essays --- Iconografie --- Muziekkritiek --- Recensies --- Stijlstudies --- Amerika --- Noord-Amerika --- Verenigde Staten van Amerika --- 20e eeuw --- Beiträge --- Einzelbeiträge --- Sammelwerk --- Aĭvz, Ch., --- Aĭvz, Charlʹz, --- Ives, Charles E. --- Ives, Charles Edward, --- Ives, Ch. E. --- Ajvz, Čarlz --- Komponist --- Danbury, Conn. --- New York, NY --- Ives, Harmony T. --- Ives, George E. --- 1874-1954 --- 20.10.1874-19.05.1954
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