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Em Dar corpo ao impossível, Vladimir Safatle parte de uma reflexão a respeito do sentido da última figura da dialética que o pensamento filosófico conheceu, a saber, a dialética negativa de Theodor Adorno. Ele recusa as interpretações deceptivas da dialética negativa, tão presentes até hoje, a fim de explorar suas dinâmicas de produtividade e as modificações que ela produz em conceitos como: totalidade, materialismo, sujeito, diferença e infinito. Isso leva Safatle a propor uma articulação de estrutura entre a dialética negativa e aquelas de matriz hegeliana e marxista. Articulação esta que procura compreender o sentido mais profundo das relações entre configurações da dialética e determinações históricas específicas. Trata-se ainda de se perguntar sobre o que a reatualização da dialética proposta por Adorno deve à psicanálise freudiana e à confrontação incessante à fenomenologia de Martin Heidegger. Ao final, Dar corpo ao impossível serve-se do saldo de tais reflexões para repensar a recusa da dialética que anima a filosofia francesa contemporânea, em especial através do anti-hegelianismo de Gilles Deleuze, assim como para retomar o uso que a dialética, enquanto experiência crítica, conheceu no Brasil, em especial graças a Paulo Arantes.
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"This chapter is intended to provide the reader with a brief biographical overview of Adorno's life and thought, with an emphasis on the key turning points in his career. It discusses his childhood, his education in Frankfurt, his musical studies, his emigration first to Oxford and then to the United States, his return to Germany after World War Two, his tenure as professor at the Goethe Universität Frankfurt and his prominence as a public intellectual, and his confrontation with students. Together with biographical details the chapter also offers a simple overview of Adorno's major concerns as a philosopher"--
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"A systematic account of the interconnectedness of philosophy and sociology by one of the leading figures of critical theory"--
Sociology - Philosophy --- Critical theory --- Adorno, Theodor W., - 1903-1969 --- Sociology
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It has been fifty years since Theodor Adorno's Aesthetic Theory was first published in 1970, a year after his death. The work appeared at a historical moment when political tension on the left was at its height and the movements of pop art and postmodernism began eclipsing the modernist aesthetic values Adorno cherished. Aesthetic Theory was met with initial resistance, in part because its aesthetic criteria appeared antiquated. This issue reckons with the dialectical complexity of this often misunderstood and misinterpreted work. Essay topics include the metaphysics of landscapes, the potential of film as a medium for social critique, Adorno's conception of the spiritual in art, and a nuanced reading of his polemic against Oswald Spengler's Decline of the West. Bringing together philosophers, art historians, musicologists, and literary theorists, this issue shows that Aesthetic Theory still has lessons that extend beyond disciplinary bounds. Contributors. J. M. Bernstein, Hent de Vries, Peter E. Gordon, Eva Geulen, Martin Jay, Sherry Lee, Max Pensky, with two additional essays on Adorno by Mikko Immanen and Ricardo Samaniego de la Fuente
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