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Communist aesthetics --- Aesthetics, Communist --- Aesthetics, Marxist --- Marxist aesthetics --- Communism and art --- Communist aesthetics.

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Political philosophy. Social philosophy --- Aesthetics --- Communist aesthetics --- Aesthetics, Communist --- Aesthetics, Marxist --- Marxist aesthetics --- Communism and art --- Communist aesthetics.

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Communism --- -Communist aesthetics --- -Aesthetics, Communist --- Aesthetics, Marxist --- Marxist aesthetics --- Communism and art --- Bolshevism --- Communist movements --- Leninism --- Maoism --- Marxism --- Trotskyism --- Collectivism --- Totalitarianism --- Post-communism --- Socialism --- Village communities --- History --- -History --- -Communism --- Communist aesthetics --- Aesthetics, Communist --- 20th century

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There has always been a strong connection historically between aesthetics and radical politics, and this is no less true for the global justice movement's current preoccupation Other cultural approaches to political action. The essays collected here seek to engage Other past and present convergences between the theories and practices of artists and writers and the theories and practices of movements for radical social change. There is already a massive amount of literature on Marxist approache...

Aesthetics. --- Radicalism. --- Communist aesthetics. --- Fascist aesthetics. --- Aesthetics --- Aesthetics, Communist --- Aesthetics, Marxist --- Marxist aesthetics --- Communism and art --- Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics

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At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume.

Communism and art --- Communist aesthetics. --- Art --- Art criticism --- Arts --- Criticism --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Aesthetics --- Beautiful, The --- Beauty --- Art and philosophy --- Aesthetics, Communist --- Aesthetics, Marxist --- Marxist aesthetics --- Art and communism --- History. --- Philosophy. --- Analysis, interpretation, appreciation --- Art, Primitive