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African Americans in popular culture --- Afro-Americains dans la culture populaire --- Afro-Amerikanen in de volkscultuur --- African Americans --- African Americans in popular culture. --- Popular culture --- Political culture --- Noirs américains --- Noirs américains dans la culture populaire --- Culture populaire --- Culture politique --- Politics and government --- Political aspects --- Race identity --- Intellectual life. --- Politique et gouvernement --- Aspect politique --- Identité ethnique --- Vie intellectuelle --- United States --- Etats-Unis --- Race relations --- Political aspects. --- Relations raciales --- Noirs américains --- Noirs américains dans la culture populaire --- Identité ethnique --- 20th century --- 21st century --- Intellectual life

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This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family gatherings with food and dancing, and jam sessions at local nightclubs. This lays the foundation for a brilliant discussion of how musical meaning emerges in the private and communal realms of lived experience and how African American music has shaped and reflected identities in the black community. Deeply informed by Ramsey's experience as an accomplished musician, a sophisticated cultural theorist, and an enthusiast brought up in the community he discusses, Race Music explores the global influence and popularity of African American music, its social relevance, and key questions regarding its interpretation and criticism. Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct-possessing its own conventions, performance practices, and formal qualities-each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940's elicited an Afro-modernism that inspired much of the music and culture that followed. Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation.

African Americans in popular culture --- Afro-Americains dans la culture populaire --- Afro-Amerikanen in de volkscultuur --- African Americans - Music - History and criticism. --- African Americans in popular culture. --- Popular music - Social aspects - United States. --- Music History & Criticism, National - Folk, Patriotic, Political --- Music --- Music, Dance, Drama & Film --- African Americans --- Popular music --- History and criticism. --- Social aspects --- Afro-Americans in popular culture --- Popular culture --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- History and criticism --- United States --- african american music. --- african americans. --- afro modernism. --- american history. --- bebop. --- black americans. --- black communities. --- black culture. --- black music. --- black power era. --- chicago. --- cootie williams. --- cultural theorists. --- dinah washington. --- dizzy gillespie. --- ethnocentric. --- gospel music. --- hip hop. --- jam sessions. --- jazz. --- louis jordan. --- mahalia jackson. --- music and culture. --- musical meaning. --- musical styles. --- musicology. --- nonfiction. --- racial issues. --- rhythm and blues. --- social changes.

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The black man suffering at the hands of whites, the white woman sexually threatened by the black man. Both images have long been burned into the American conscience through popular entertainment, and today they exert a powerful and disturbing influence on Americans' understanding of race. So argues Linda Williams in this boldly inquisitive book, where she probes the bitterly divisive racial sentiments aroused by such recent events as O. J. Simpson's criminal trial. Williams, the author of Hard Core, explores how these images took root, beginning with melodramatic theater, where suffering characters acquire virtue through victimization. The racial sympathies and hostilities that surfaced during the trial of the police in the beating of Rodney King and in the O. J. Simpson murder trial are grounded in the melodramatic forms of Uncle Tom's Cabin and The Birth of a Nation. Williams finds that Stowe's beaten black man and Griffith's endangered white woman appear repeatedly throughout popular entertainment, promoting interracial understanding at one moment, interracial hate at another. The black and white racial melodrama has galvanized emotions and fueled the importance of new media forms, such as serious, "integrated" musicals of stage and film, including The Jazz Singer and Show Boat. It also helped create a major event out of the movie Gone With the Wind, while enabling television to assume new moral purpose with the broadcast of Roots. Williams demonstrates how such developments converged to make the televised race trial a form of national entertainment. When prosecutor Christopher Darden accused Simpson's defense team of "playing the race card," which ultimately trumped his own team's gender card, he feared that the jury's sympathy for a targeted black man would be at the expense of the abused white wife. The jury's verdict, Williams concludes, was determined not so much by facts as by the cultural forces of racial melodrama long in the making. Revealing melodrama to be a key element in American culture, Williams argues that the race images it has promoted are deeply ingrained in our minds and that there can be no honest discussion about race until Americans recognize this predicament.

Sociology of minorities --- Sociology of culture --- United States --- African Americans in mass media --- African Americans in popular culture --- Afro-Americains dans la culture populaire --- Afro-Amerikanen in de massamedia --- Afro-Amerikanen in de volkscultuur --- Afro-américains dans les mass media --- Racism in popular culture --- -Melodrama, American --- -Mass media and race relations --- -African Americans in mass media --- African American men --- -White women --- -Popular culture --- #SBIB:309H525 --- #SBIB:309H402 --- #SBIB:316.7C200 --- #SBIB:023.AANKOOP --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- White women --- Afro-American men --- Men, African American --- Men --- Afro-Americans in mass media --- Mass media --- Mass media and race problems --- Race relations and mass media --- Race relations --- American melodrama --- American drama --- Popular culture --- Afro-Americans in popular culture --- Social aspects --- Race identity --- -Psychological aspects. --- Sociologie van de audiovisuele boodschap --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- Sociologie van de cultuuruitingen: algemeen --- African Americans in mass media. --- African Americans in popular culture. --- Mass media and race relations --- Melodrama, American --- Women, White --- Race identity. --- Social aspects. --- Psychological aspects. --- U.S.A. --- Jungtinės Amerikos valstybės --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Zlucheni Derz︠h︡avy --- USA --- US --- Arhab --- Ar. ha-B. --- Artsot ha-Berit --- ولايات المتحدة الامريكية --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- ABSh --- Amerika Birlăshmish Shtatlary --- ABŞ --- Amerika Birlăşmi Ştatları --- Forente stater --- Spojené staty americké --- Severo-Amerikanskie Shtaty --- Sjedinjene Američke Države --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Amerikai Egyesült Államok --- Yhdysvallat --- Verenigde Staten --- Egyesült Államok --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Estados Unidos de América --- United States of America --- Fareyniḳṭe Shṭaṭn --- Artzois Ha'bris --- Estados Unidos da América do Norte --- SShA --- Soedinennye Shtaty Ameriki --- VSA --- États-Unis d'Amérique --- Vereinigte Staaten von Amerika --- Stati Uniti d'America --- Estados Unidos --- EE.UU. --- Stany Zjednoczone --- ĒPA --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- SAD --- Saharat ʻAmērikā --- Hēnomenai Politeiai Amerikēs --- ZSA --- Mei-kuo --- Meiguo --- Mei guo --- ZDA --- Združene države Amerike --- U.S. --- America (Republic) --- Amirika Carékat --- Verenigde State van Amerika --- VS --- ولايات المتحدة --- Wilāyāt al-Muttaḥidah --- ولايات المتّحدة الأمريكيّة --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Estatos Unitos --- Estatos Unitos d'America --- Ètats-Unis d'Amèrica --- Estaos Xuníos d'América --- Estaos Xuníos --- Tetã peteĩ reko Amérikagua --- Istadus Unidus --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Bí-kok --- Amerika Qushma Shtattary --- AQSh --- Злучаныя Штаты Амерыкі --- Zluchanyi︠a︡ Shtaty Ameryki --- Yunaeted Stet blong Amerika --- Yunaeted Stet --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Stadoù-Unanet Amerika --- Sŭedineni amerikanski shtati --- САЩ --- SASht --- Съединените щати --- Sŭedinenite shtati --- Америка (Republic) --- Amerika (Republic) --- Estats Units d'Amèrica --- Америкӑри Пӗрлешӳллӗ Штатсем --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Stati Uniti --- SUA (Stati Uniti d'America) --- Unol Daleithiau America --- Unol Daleithiau --- Amerikas Forenede Stater --- Vereinigte Staaten --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Zjadnośone staty Ameriki --- Ameerika Ühendriigid --- Ηνωμένες Πολιτείες της Αμερικής --- Hēnōmenes Politeies tēs Amerikēs --- Η.Π.Α. --- Ē.P.A. --- Usono --- Unuiĝintaj Ŝtatoj de Ameriko --- Американь Вейтьсэндявкс Штаттнэ --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Ameriketako Estatu Batuak --- Feriene Steaten --- Feriene Steaten fan Amearika --- FS --- Stâts Unîts di Americhe --- Stâts Unîts --- Stáit Aontaithe Mheiriceá --- Steatyn Unnaneysit America --- Steatyn Unnaneysit --- S.U.A. --- Na Stàitean Aonaichte --- NSA --- Mî-koet --- 미국 --- Miguk --- Amerikayi Miatsʻyal Nahangner --- Miatsʻyal Nahangner --- Culture --- Psychological aspects --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Melodrama [American ] --- Stowe, Harriet Elizabeth Beecher --- Griffith, David Wark --- Criticism and interpretation --- Haley, Alex Palmer --- Simpson, O.J. --- Trials, litigation, etc. --- King, Rodney --- Mitchell, Margaret --- Американь Вейтьсэндявкс Штаттнэ --- Spojené obce severoamerické --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, --- États-Unis --- É.-U. --- ÉU --- Africanist concept. --- Aiken, George. --- Baldwin, James. --- Berlant, Lauren. --- Blinn, William. --- Brooks, Peter. --- Calvinist morality. --- Cowley, Malcolm. --- Darden, Christopher. --- Dickens, Charles. --- Dyer, Richard. --- Ferber, Edna. --- Fiedler, Leslie. --- Fuhrman, Mark. --- Gledhill, Christine. --- Goldman, Ron. --- Hale, Grace Elizabeth. --- Hammerstein, Oscar, II. --- Howard, Cordelia. --- Jacobs, Lea. --- James, Henry. --- Kern, Jerome. --- Lincoln, Abraham. --- Malcolm X. --- Mitchell, Margaret. --- Neufield, Peter. --- Powell, Lawrence. --- Robeson, Paul. --- Singer, Melanie. --- affirmative action dismantling. --- civil rights movement. --- escape features. --- imperialist nostalgia. --- patriarchal double standard.