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Kunst. --- Ammannati, Bartolomeo --- Medici --- Vasari, Giorgio --- Florenz.
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Architecture --- Architecture --- Mannerism (Architecture) --- Mannerism. --- Ammannati, Bartolomeo,
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Architecture, Renaissance --- Bibliography --- Ammannati, Bartolomeo, --- Criticism and interpretation --- Bibliography.
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Sculpture --- Ammanati, Bartolomeo --- Ammannati, Bartolomeo, --- Criticism and interpretation. --- Sculpture, Italian --- Sculpture, Renaissance --- Criticism and interpretation --- Sculpture, Italian - Italy - Florence - 16th century - Exhibitions --- Sculpture, Renaissance - Italy - Florence - Exhibitions --- Ammannati, Bartolomeo, - 1511-1592 - Exhibitions --- Ammannati, Bartolomeo, - 1511-1592 - Criticism and interpretation --- Ammannati, Bartolomeo (1511-1592) --- Médicis (famille de) --- Maniérisme (art) --- Catalogues d'exposition --- Critique et interprétation --- Mécénat --- Italie --- Florence (Italie) --- Ammannati, Bartolomeo, - 1511-1592
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Architecture, Renaissance --- Architecture de la Renaissance --- Ammannati, Bartolomeo, --- Congresses --- Renaissance architecture --- Renaissance revival (Architecture) --- Ammanati, Bartolomeo, --- Congresses. --- Architecture, Renaissance - Italy - Congresses --- Ammannati, Bartolomeo, - 1511-1592 - Congresses --- Ammannati, Bartolomeo, - 1511-1592
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Sculpture de la Renaissance --- Thèmes, motifs. --- Neptune (divinité romaine) --- Cellini, Benvenuto --- Bandinelli, Baccio --- Ammannati, Bartolomeo --- Dans l'art --- Florence (Italie) --- Fontana del Nettuno --- Histoire.
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Drawing --- sculpting --- Italian Renaissance-Baroque styles --- Danti, Vincenzo --- Ammanati, Bartolomeo --- Bologna, da, Giovanni --- Florence --- Sculpture, Italian --- Art and architecture --- Art --- Sculpture italienne --- Art et architecture --- History --- Political aspects --- Histoire --- Aspect politique --- Giambologna, --- Ammannati, Bartolommeo, --- Danti, Vincenzo, --- Criticism and interpretation. --- Ammannati, Bartolomeo, --- Criticism and interpretation --- Bologne, Jean de --- Sculpture, Italian - Italy - Florence - History - 16th century --- Art and architecture - Italy - Florence - History - 16th century --- Art - Political aspects - Italy - Florence - History - 16th century --- Giambologna, - 1529-1608 - Criticism and interpretation --- Ammannati, Bartolomeo, - 1511-1592 - Criticism and interpretation --- Danti, Vincenzo, - 1530-1576 - Criticism and interpretation --- Giambologna, - 1529-1608 --- Ammannati, Bartolomeo, - 1511-1592 --- Danti, Vincenzo, - 1530-1576
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"Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors, Giambologna, Bartolomeo Ammanati, and Vincenzo Danti, as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in process.... Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect."--Jacket.
Art and architecture --- Art --- Sculpture, Italian --- History --- Political aspects --- Giambologna, --- Ammannati, Bartolomeo, --- Danti, Vincenzo, --- Criticism and interpretation. --- 1500-1599 --- Italy --- Aby Warburg. --- Adriaen de Vries. --- Alessandro Allori. --- Alessandro Vittoria. --- Andrea Riccio. --- Andrea del Verrocchio. --- Antipope John XXIII. --- Ascanio Condivi. --- Banderole. --- Baptistery. --- Bartolomeo Ammannati. --- Benvenuto Cellini. --- Boboli Gardens. --- Brought to Light. --- Caravaggio. --- Cavalieri. --- Counter-Reformation. --- Daniele da Volterra. --- David (Michelangelo). --- De Re Aedificatoria. --- De rerum natura. --- Desiderio da Settignano. --- Duke of Florence. --- Erwin Panofsky. --- Farnese Hercules. --- Fasti. --- Fibonacci. --- Figurative art. --- Filarete. --- Filippo Brunelleschi. --- Florence Cathedral. --- Francesco Mochi. --- Francesco da Sangallo. --- Friedrich Sustris. --- Galleria Borghese. --- Gerhard Wolf. --- Giambologna. --- Gian Lorenzo Bernini. --- Gian Paolo Lomazzo. --- Giovanni Angelo Montorsoli. --- Giuliano de' Medici. --- Hieronymus Cock. --- Hugo van der Goes. --- Illusionism (art). --- J. Paul Getty Museum. --- Jacopo Sansovino. --- Jan Gossaert. --- Jan van Scorel. --- John Chrysostom. --- Laurentian Library. --- Leone Leoni. --- Luca della Robbia. --- Marzocco. --- Massimo. --- Matteo Civitali. --- Medici Chapel. --- Michel de Montaigne. --- Michelangelo Naccherino. --- Michelangelo. --- Michelozzo. --- Minimalism. --- Modello. --- Monumental sculpture. --- Museo del Prado. --- Non finito. --- Pantheon, Rome. --- Paragone. --- Picturesque. --- Pierino da Vinci. --- Pietra serena. --- Pietro Bernini. --- Pietro Francavilla. --- Pietro Tacca. --- Pontormo. --- Pope Julius II. --- Pope Sixtus V. --- Praxiteles. --- Putto. --- Renaissance art. --- Roman Inquisition. --- Sandro Botticelli. --- Santa Maria sopra Minerva. --- Santa Trinita. --- Sebastiano Serlio. --- Sigismondo. --- Signoria. --- Stefano della Bella. --- Stoldo Lorenzi. --- Strozzi family. --- Taddeo Landini. --- The Work of Art in the Age of Mechanical Reproduction. --- Titian. --- Tomb of Antipope John XXIII. --- Tommaso Laureti. --- Vatican Museums. --- Veduta. --- Venus Genetrix (sculpture). --- Villa Medici. --- Vitruvius. --- Woman Bathing (van Eyck).
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