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Animals and civilization --- Animals --- Bestiality --- Symbolic aspects --- Animals and civilization. --- Bestiality. --- Symbolic aspects. --- Animals - Symbolic aspects --- Animaux et civilisation --- Bestiaires --- Relations homme-animal --- Symbolisme des animaux

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Animals --- Human-animal relationships --- Animals and civilization --- Animal rights --- Symbolic aspects --- Mensch --- Symbol --- Human-animal relationships. --- Animals and civilization. --- Animal rights. --- Symbol. --- Tiere. --- Tierdarstellung. --- Tiersymbolik. --- Symbolic aspects. --- Westliche Welt. --- Animals - Symbolic aspects

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German literature --- Lions --- Animals --- Symbolic aspects. --- -Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Human-animal relationships --- Zoology --- Symbolic aspects --- -Symbolic aspects --- Lion --- Lions (in religion, folk-lore, etc.) --- Symbolic aspects of animals --- Symbolism of animals --- Symbolism --- Lions - Folklore. --- Animals - Symbolic aspects.

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Iconography --- Zoology --- anno 500-1499 --- Animals and civilization --- Animals in literature. --- Animals in art. --- Animals --- Human-animal relationships --- Civilization, Medieval. --- Animaux et civilisation --- Animaux dans la littérature --- Animaux dans l'art --- Animaux --- Relations homme-animal --- Civilisation médiévale --- History. --- Symbolic aspects. --- Histoire --- Aspect symbolique --- Animals in literature --- Animals in art --- Civilization, Medieval --- History --- Symbolic aspects --- Animaux dans la littérature --- Civilisation médiévale --- Animals and civilization - Europe - History --- Animals - Symbolic aspects --- Human-animal relationships - History

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Human and animal subjectivity converge in a historically unprecedented way within modernism, as evolutionary theory, imperialism, antirationalism, and psychoanalysis all grapple with the place of the human in relation to the animal. Drawing on the thought of Jacques Derrida and Georges Bataille, Carrie Rohman outlines the complex philosophical and ethical stakes involved in theorizing the animal in humanism, including the difficulty in determining an ontological place for the animal, the question of animal consciousness and language, and the paradoxical status of the human as both a primate body and a "human" mind abstracting itself from the physical and material world. Rohman then turns to the work of Joseph Conrad, D. H. Lawrence, H. G. Wells, and Djuna Barnes, authors who were deeply invested in the relationship between animality and identity. The Island of Dr. Moreau embodies a Darwinian nightmare of the evolutionary continuum; The Croquet Player thematizes the dialectic between evolutionary theory and psychoanalysis; and Women in Love, St. Mawr, and Nightwood all refuse to project animality onto others, inverting the traditional humanist position by valuing animal consciousness. A novel treatment of the animal in literature, Stalking the Subject provides vital perspective on modernism's most compelling intellectual and philosophical issues.

Modernism (Literature) --- English literature --- Animals in literature --- Human-animal relationships in literature --- Animals --- History and criticism --- Symbolic aspects --- Animals in literature. --- Ethics in literature. --- Evolution (Biology) in literature. --- Human-animal relationships in literature. --- Symbolic aspects of animals --- Symbolism of animals --- Symbolism --- Symbolic aspects. --- History and criticism. --- Darwin, Charles, --- Freud, Sigmund, --- Freud, Sigmund --- Darwin, Charles, Robert --- Influence. --- Modernism (Literature) - Great Britain --- English literature - 20th century - History and criticism --- Animals - Symbolic aspects