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Une étude des évolutions techniques et artistiques qui ont marqué dix siècles d'animation japonaise. Entre conte, romance, aventure, cyberpunk, fantastique, etc., ce phénomène de société regroupe tous les genres et inspire de nombreux artistes internationaux. L'ouvrage présente également des réalisateurs et des producteurs comme Tezuka Osamu et le studio Tôei, Hayao Miyazaki et le studio Ghibli...

Animation (Cinematography) --- Animated films --- Animators --- Animation (Cinéma) --- Dessins animés --- Animateurs (Cinéma) --- History and criticism --- Histoire et critique --- Animated television programs --- Drawings --- Themes, motives --- Animation (Cinéma) --- Dessins animés --- Animateurs (Cinéma) --- Japan --- Animated films - Japan - Drawings - History and criticism --- Animated films - Japan - Themes, motives - History and criticism --- Animated television programs - Japan - History and criticism --- Art --- Drawing --- Graphic artists --- kunst --- beeldverhalen --- History and criticism.

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Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the 'animetic machine' encourages a specific approach to thinking about technology.

Sociology of knowledge --- Film --- Japan --- Animated films -- Japan -- History and criticism. --- Animated films --- History and criticism. --- J6848 --- -animatie --- film --- animatietheorie --- anime --- gender studies --- 791.46 --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Japan: Media arts and entertainment -- anime --- animatie --- History and criticism

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In recent years, otaku culture has emerged as one of Japan's major cultural exports and as a genuinely transnational phenomenon. This timely volume investigates how this once marginalized popular culture has come to play a major role in Japan's identity at home and abroad. In the American context, the word otaku is best translated as “geek”—an ardent fan with highly specialized knowledge and interests. But it is associated especially with fans of specific Japan-based cultural genres, including anime, manga, and video games. Most important of all, as this collection shows, is the way otaku culture represents a newly participatory fan culture in which fans not only organize around niche interests but produce and distribute their own media content. In this collection of essays, Japanese and American scholars offer richly detailed descriptions of how this once stigmatized Japanese youth culture created its own alternative markets and cultural products such as fan fiction, comics, costumes, and remixes, becoming a major international force that can challenge the dominance of commercial media. By exploring the rich variety of otaku culture from multiple perspectives, this groundbreaking collection provides fascinating insights into the present and future of cultural production and distribution in the digital age.

Animated films -- Japan -- History and criticism. --- Comic books, strips, etc. -- Japan -- History and criticism. --- Fans (Persons). --- Japan -- Civilization -- 1945-. --- Popular culture -- Japan. --- Popular culture -- Japanese influences. --- Subculture -- Japan. --- Fans (Persons) --- Mass media and culture --- Subculture --- Popular culture --- Animated films --- Comic books, strips, etc --- Sociology & Social History --- Journalism & Communications --- Social Sciences --- Social Change --- Recreation & Sports --- Communication & Mass Media --- J4143 --- J5960 --- J6848 --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Subcultures --- Culture and mass media --- Aficionados --- Devotees --- Enthusiasts (Fans) --- Supporters (Persons) --- Japanese influences --- History and criticism --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Japan: Literature -- modern fiction and prose -- manga --- Japan: Media arts and entertainment -- anime --- E-books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Persons --- Hobbyists --- Comic books, strips, etc. --- Animated films -- Japan -- History and criticism --- Comic books, strips, etc. -- Japan -- History and criticism --- Japan -- Civilization -- 1945 --- -Popular culture -- Japan --- Popular culture -- Japanese influences --- Subculture -- Japan --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Japanese influences. --- History and criticism. --- Japan --- Civilization --- Subculture. --- Manhua (Comic books) --- Manhwa (Comic books)

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From sushi and karaoke to martial arts and technoware, the currency of made-in-Japan cultural goods has skyrocketed in the global marketplace during the past decade. The globalization of Japanese "cool" is led by youth products: video games, manga (comic books), anime (animation), and cute characters that have fostered kid crazes from Hong Kong to Canada. Examining the crossover traffic between Japan and the United States, Millennial Monsters explores the global popularity of Japanese youth goods today while it questions the make-up of the fantasies and the capitalistic conditions of the play involved. Arguing that part of the appeal of such dream worlds is the polymorphous perversity with which they scramble identity and character, the author traces the postindustrial milieux from which such fantasies have arisen in postwar Japan and been popularly received in the United States.

Toys --- Games --- Animated films --- Video games --- Consumer goods --- Toy industry --- Philosophy, Japanese. --- Japanese philosophy --- Amusements --- Children's paraphernalia --- Infants' supplies --- Miniature objects --- Leisure industry --- Consumer products --- Consumers' goods --- Goods, Consumer --- Commercial products --- Television games --- Videogames --- Electronic games --- Games, Japanese --- Marketing. --- Japan --- Social life and customs. --- Philosophy, Japanese --- J6852 --- Marketing --- Japan: Games, toys and hobbies -- toys --- 745.036 --- 745.04 --- animatie --- animatiefilms --- anime --- Anne Allison ; Foreword by Gary Cross --- beeldverhaal --- cultuurgeschiedenis --- design --- eenentwintigste eeuw --- games --- globalisering --- manga --- popcultuur --- speelgoed --- tekenkunst --- twintigste eeuw --- Verenigde Staten --- videospellen --- virtual reality --- Jouets --- Jeux --- Dessins animés --- Jeux vidéo --- Biens de consommation --- Philosophie japonaise --- Industrie --- Commercialisation --- Japon --- Social life and customs --- Moeurs et coutumes --- Toys - Japan --- Games - Japan --- Animated films - Japan --- Video games - Japan --- Consumer goods - Japan --- Toy industry - Japan --- Toys - Japan - Marketing --- Japan - Social life and customs --- Computer games --- Internet games --- america. --- animation. --- anime. --- canada. --- capitalism. --- comic books. --- cultural goods. --- cultural studies. --- global consumption. --- global culture. --- global imagination. --- global marketplace. --- globalization. --- hong kong. --- japan. --- japanese culture. --- japanese toys. --- karaoke. --- made in japan. --- manga. --- martial arts. --- media studies. --- millennials. --- nonfiction. --- popular toys. --- postindustrial. --- postwar japan. --- social science. --- sushi. --- technoware. --- toy industry. --- united states. --- video games. --- youth products.