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Theory of knowledge --- Architecture --- Deconstructivist --- post-structuralism --- 72.01 <4/9> --- 72.01 <4/9> Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst-- --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst-- --- Philosophy --- architectuurfilosofie

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Architecture is immersed in an immense cultural experiment called imaging. ?Yet the technical status and nature of that imaging must be reevaluated. What happens to the architectural mind when it stops pretending that electronic images of drawings made by computers are drawings? When it finally admits that imaging is not drawing, but is instead something that has already obliterated drawing? These are questions that, in general, architecture has scarcely begun to pose?, ?imagining that somehow its ideas and practices can resist the culture of imaging in which ?the rest of life now either swims or drowns. To patiently describe the world to oneself is to prepare the ground for an as yet unavailable politics. New descriptions can, under the right circumstances, be made to serve as the raw substrate for political impulses that cannot yet be expressed or lived, because their preconditions have not been arranged and articulated. Signal. Image. Architecture.? aims to clarify the status of computational images in contemporary architectural thought and practice by showing what happens if the technical basis of architecture is examined very closely, if its technical terms and concepts are taken very seriously, at times even literally. It is not a theory of architectural images, but rather a brief philosophical description of architecture after imaging.

Architecture --- Image (philosophie) --- Architecture et technologie --- Image (Philosophy) --- Architecture and technology --- Digital images --- Philosophie --- Sémiologie de l'image --- Philosophy --- 72.01 <4/9> --- Digitized images --- Images, Digital --- Pictures --- Technology and architecture --- Technology --- 72.01 <4/9> Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst-- --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst-- --- Architecture and technology. --- Digital images. --- Philosophy. --- Image (Philosophie) --- Images numériques --- Architecture - Philosophy --- architectuurfilosofie

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Une histoire du manifeste de l’architecture moderne, avec un focus sur Mies van der Rohe : l’histoire de l’avant-garde (dans l’art, l’architecture, la littérature) est indissociable de l’histoire de son engagement avec les médias de masse. Ce n’est pas seulement que l’avant-garde a utilisé les médias pour faire connaître son travail ; l’ouvrage n’existait pas avant sa publication. Dans le domaine de l’architecture, Adolf Loos, Le Corbusier et Mies van der Rohe se sont fait connaître grâce à leurs écrits influents et à leurs manifestes publiés dans des journaux, des revues et de petits magazines. Des groupes entiers, de Dada et du surréalisme à De Stijl, sont devenus un effet de leurs manifestes. Le manifeste était le lieu de l’invention de soi, de l’innovation et du débat. Même les bâtiments eux-mêmes pourraient être des manifestes. Les projets les plus extrêmes et les plus radicaux de l’histoire de l’architecture moderne ont été réalisés sous forme de pavillons d’exposition temporaire. Dans le troisième livre de la série Critical Spatial Practice, Beatriz Colomina retrace l’histoire du manifeste de l’architecture moderne, avec un accent particulier sur Mies van der Rohe, et le jeu entre l’écrit et le construit. Cet essai propulse la forme du manifeste dans le futur, à une époque où les médias électroniques sont les principaux lieux de débat, suggérant que de nouvelles formes de manifeste émergent sûrement avec de nouveaux types d’auteur, de déclaration, d’exposition et de débat.

72.01 --- 72.03 --- Mies van der Rohe, Ludwig --- 72.07 --- Architectuur ; manifesten ; tijdschriften ; boeken --- Colomina, Beatriz --- Paviljoenen ; Londen ; Serpentine Gallery Pavillon --- OMA (Office for Metropolitan Architecture) --- SANAA --- Architectuur (theorie) --- Architectuurtheorie --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; theorie, filosofie, esthetica --- Architecture, Modern --- Architectural criticism --- Mies van der Rohe, Ludwig, --- 72.01 <4/9> --- 72.01 <4/9> Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst-- --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst-- --- Avant-garde (Aesthetics) --- Architecture --- Avant-garde (Art) --- Philosophy --- Philosophie --- Théorie de l'architecture

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"Interweaving architecture, philosophy and cultural history, Materials and Meaning in Architecture develops a rich and multi-dimensional exploration of materials and materiality, in an age when architectural practice seems otherwise preoccupied with image and visual representation. Arguing that architecture is primarily experienced by the whole body, rather than chiefly with the eyes, this broad-ranging study shows how the most engaging built works are as tactile as they are sensuous, communicating directly with the bodily senses, especially touch. It explores the theme of 'material imagination' and the power of establishing 'place identity' in an architect's work, to consider the enduring expressive possibilities of material use in architecture. The book's chapters can be dipped into, each individual chapter providing close readings of built works by selected modern masters (Scarpa, Zumthor, Williams and Tsien), insights into key texts and theories (Ruskin, Loos, Bachelard), or short cultural histories of materials (wood, brick, concrete, steel, and glass). And yet, taken together, the chapters build to a powerful book-length argument about how meaning accrues to materials through time, and about the need to reinsert the bodily experience of materiality into architectural design. It is thus also, in part, a manifesto: arguing for architecture to act as a bulwark against the tide of an increasingly depersonalised built environment. With insights for a wide range of readers, ranging from students through to researchers and professional designers, Materials and Meaning in Architecture will cause theorists to rethink their assumptions and designers to see new potential for their projects."

Architecture --- Building materials --- Architectural materials --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Human factors in architecture --- Human engineering --- Architecture and society --- Human factors --- Environmental engineering --- Architectonique --- Matériau --- Composition architecturale --- Sens --- Espace architectural --- Analyse architecturale --- 72.01 <4/9> --- 72.01 <4/9> Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst-- --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst-- --- Affective and dynamic functions --- Building materials. Building technology --- architecture [discipline] --- senses --- architectural theory --- building materials --- Building materials. --- Human factors. --- 72.01 --- Architectuurtheorie ; materialisme ; inmaterialisme --- Architectuurtheorie ; over het zintuiglijke in de architectuur --- Bouwmaterialen --- Architectuur ; theorie, filosofie, esthetica --- Architecture - Human factors