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Art, Medieval --- Art, Italian --- Christian art and symbolism --- Art médiéval --- Art italien --- Art et symbolisme chrétiens --- Congresses --- Congrès --- Art médiéval --- Art et symbolisme chrétiens --- Congrès --- Congresses. --- Christian art and symbolism - Italy - Rome - Medieval, 500-1500 - Congresses --- Art, Italian - Italy - Rome - 11th century - Congresses --- Art, Italian - Italy - Rome - 12th century - Congresses --- Réforme grégorienne --- Roma
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Art --- Philip Neri --- Christian saints in art --- Art, Italian --- Exhibitions --- Neri, Filippo, --- Exhibitions. --- Christian saints in art - Exhibitions --- Art, Italian - Italy - Rome - Exhibitions --- Neri, Filippo, - Saint, - 1515-1595 - Art - Exhibitions --- Neri, Filippo, - Saint, - 1515-1595
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"Rome in 1600 was the centre of the artistic world. This book examines the art and architecture of the city around that date, at a time when major innovations especially in painting, were being made, largely due to the presence of Annibale Carracci and Caravaggio. 1600 was a Jubilee year, which offered numerous opportunities for artistic patronage, whether in major projects such as St Peter's, or in lesser schemes such as the restoration of older churches, as part of an growing interest in the early church. New religious orders, such as the Jesuits and Oratorians, also required new forms of decoration for their recently built churches. The book considers the patronage of the pope and his nephew, Cardinal Pietro Aldobrandini, as well as major families including the Giustiniani, Mattei and Farnese. Rome was a magnet for artists and architect from all over Europe, who came to study the remains of antiquity and the works of Michelangelo, Raphael and Bramante. The sheer variety of artists working in the city, who came from other parts of Italy, as well as northern Europe, ensured a wide variety of styles, and at times innovative cross-influences. The numerous patrons of the city were spoiled for choice. The book draws on a wide range of contemporary sources and images to reconstruct a snapshot of Rome at this significant time"--Provided by publisher.
Mannerist [Renaissance-Baroque style] --- Baroque --- Art --- Clement VIII [Pope] --- Rome --- Art, Italian --- Architecture --- History --- Clement --- Art patronage. --- Rome (Italy) --- Buildings, structures, etc. --- History. --- Art, Italian - Italy - Rome - History - 16th century. --- Art, Italian - Italy - Rome - History - 17th century. --- Architecture - Italy - Rome - History - 16th century. --- Architecture - Italy - Rome - History. --- Clement - VIII, - Pope, - 1536-1605 - Art patronage. --- Rome (Italy) - Buildings, structures, etc. --- Clement - VIII, - Pope, - 1536-1605 --- Romeinse school
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Human anatomy --- Iconography --- Rome --- Body, Human --- Human figure in art --- Human beings in art --- Dead in art --- Art, Roman --- Art, Italian --- Art --- History --- Social aspects --- Symbolic aspects --- Antiquities --- Body, Human - Rome - History --- Body, Human - Social aspects - Rome --- Body, Human - Symbolic aspects - Rome --- Art, Roman - History --- Art, Italian - Italy - Rome --- Art - Italy - Rome - History --- Roma --- Corps humain --- Rome - Antiquities
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"The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates.
Civilisation --- Art --- anno 1500-1599 --- Rome --- Art, High Renaissance --- Art, Italian --- Art de la Renaissance --- Art italien --- Art, Renaissance --- Architecture, Renaissance --- Renaissance --- Historiography --- Rome (Italy) --- Civilization --- Classical influences --- 72.034 <45 ROMA> --- 72.01 --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië--ROMA --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.034 <45 ROMA> Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië--ROMA --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- High Renaissance art --- High Renaissance --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Art, High Renaissance - Italy - Rome - Congresses --- Art, Renaissance - Italy - Rome - Congresses --- Architecture, Renaissance - Italy - Rome - Congresses --- Art, Italian - Italy - Rome - 16th century - Congresses --- Art, Italian - Historiography - Congresses --- Renaissance - Italy - Rome - Congresses --- Rome (Italy) - Civilization - 16th century - Congresses --- Rome (Italy) - Civilization - Classical influences - Congresses
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This book explores how Pius VI, the last great papal patron of the arts in the Renaissance and Baroque tradition, used the arts as a means of countering growing hostility to the old order and the supremacy of the papacy. Pius' initiatives, included the grand sacristy for St. Peter's, the new Vatican Museum of ancient art, and the re-erection of Egyptian obelisks. These projects, along with Pius' use of prints, paintings, and performances, created his public persona, and helped to anchor Rome's position as the cultural capital of Europe.
Art, Italian --- Christianity and art --- Art --- Catholic Church. --- Political aspects --- History --- Pius --- Art patronage. --- Catholic Church and art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Catholic Church --- Pie --- Pio --- Braschi, Giovanni Angelico --- Braschi, Giovanni Angelo --- Pius VIII --- Art patronage --- Art [Italian ] --- Italy --- Rome --- 18th century --- Braschi, Gianangelo, --- Braschi, Gianangelo --- Art, Primitive --- Art, Italian - Italy - Rome - 18th century. --- Christianity and art - Catholic Church. --- Art - Political aspects - Italy - Rome - History - 18th century. --- Pius - VI, - Pope, - 1717-1799 - Art patronage. --- Pius - VI, - Pope, - 1717-1799
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Art, Baroque --- Art, Italian --- Counter-Reformation in art --- Art baroque --- Art italien --- Contre-Réforme dans l'art --- Clement --- Art patronage --- Counter-Reformation in art. --- 7:32 --- -Art, Italian --- -Counter-Reformation in art. --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Baroque art --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel-:-Politiek. Staatskunde. Staatswetenschappen --(algemeen) --- Clement XI, Pope --- -Art patronage --- 7:32 Kunst. Ruimtelijke ordening. Architectuur. Sport en spel-:-Politiek. Staatskunde. Staatswetenschappen --(algemeen) --- Contre-Réforme dans l'art --- Albani, Giovanni Francesco, --- Clemens --- Clemente --- Art patronage. --- Clément --- Art, Italian - Italy - Rome. --- Art, Baroque - Italy - Rome.
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Art, Italian --- Art, Medieval --- Art patronage --- Art italien --- Art médiéval --- Mécénat --- History. --- Histoire --- History --- 091 <45 ROMA> --- 7 <45 ROMA> "07/13" --- 091.31 <45> --- -Art, Italian --- -Art, Medieval --- -Medieval art --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Handschriftenkunde. Handschriftencatalogi--Italië--ROMA --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië--?"07/13"--ROMA --- Verluchte handschriften--Italië --- -Handschriftenkunde. Handschriftencatalogi--Italië--ROMA --- 091.31 <45> Verluchte handschriften--Italië --- 7 <45 ROMA> "07/13" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië--?"07/13"--ROMA --- 091 <45 ROMA> Handschriftenkunde. Handschriftencatalogi--Italië--ROMA --- Art médiéval --- Mécénat --- Medieval art --- Art, Italian - Italy - Rome --- Art, Medieval - Italy - Rome --- Art patronage - Italy - Rome - History
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Art, Medieval --- Art, Byzantine --- Christian art and symbolism --- Art, Italian --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Medieval art --- Byzantine art --- Art, Medieval. --- Art, Byzantine. --- Christian art and symbolism - Medieval, 500-1500. --- Art, Medieval - Italy - Rome. --- Art, Italian - Italy - Rome. --- Christian art and symbolism - Italy - Rome - Medieval, 500-1500. --- Art, Medieval - Italy. --- Art, Italian - Italy. --- Christian art and symbolism - Italy - Medieval, 500-1500. --- Byzance --- Guiglia, Alessandra
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Religious architecture --- Christian church history --- Art styles --- anno 1600-1699 --- anno 1500-1599 --- Rome --- Vatican City --- Art, Baroque --- Art, Italian --- Art, Renaissance --- Christian art and symbolism --- 72.034.7 --- 726 <45 ROMA> --- -Art, Italian --- -Art, Renaissance --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Renaissance art --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Baroque art --- Barokarchitectuur --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Italië--ROMA --- Paul V, Pope --- -Sixtus V, Pope --- -Art patronage --- Art patronage --- Cappella Paolina (Santa Maria Maggiore (Church : Rome, Italy)) --- Cappella Sistina (Santa Maria Maggiore (Church : Rome, Italy)) --- Sistine Chapel (Santa Maria Maggiore (Church : Rome, Italy)) --- Chapel of the Holy Sacrament (Santa Maria Maggiore (Church : Rome, Italy)) --- Santa Maria Maggiore (Church : Rome, Italy). --- Borghese Chapel (Santa Maria Maggiore (Church : Rome, Italy)) --- Pauline Chapel (Santa Maria Maggiore (Church : Rome, Italy)) --- -Barokarchitectuur --- 726 <45 ROMA> Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Italië--ROMA --- 72.034.7 Barokarchitectuur --- -72.034.7 Barokarchitectuur --- Art, Christian --- Religious art --- Paul --- Sixtus --- Sisto --- Sixte --- Peretti, Felice --- Peretti Montalto, Felice --- Peretti di Montalto, Felice --- Borghese, Camillo, --- Paulus --- Art patronage. --- Modern period, 1500 --- -Italy --- Rome (Italy) --- Art [Italian ] --- Italy --- Art [Renaissance ] --- Art [Baroque ] --- Christian art and symbolism - Modern period, 1500- - Italy - Rome. --- Art, Italian - Italy - Rome. --- Art, Renaissance - Italy - Rome. --- Art, Baroque - Italy - Rome. --- Symbolism in art --- Peretti de Montealto, Felice --- Peretti, Felice, --- Sixte-Quint, --- Burghesius, Camillus
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