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Artworks: Rosa Barba, Carol Bove, Anna Craycroft, Rachel Harrison, Louise Lawler, Mark Lackey, Pierre Leguillon, Goshka Macuga, Christian Marclay, Xaviera Simmons, Rosemarie Trockel, Sara VanDerBeek
Lawler, Louise --- VanDerBeek, Sara --- Leguillon, Pierre --- Marclay, Christian --- Craycroft, Anna --- Leckey, Mark --- Trockel, Rosemarie --- Barba, Rosa --- Simmons, Xaviera --- Macuga, Goshka --- Harrison, Rachel --- Bove, Carol --- Art, Modern --- Installations (Art) --- Art, Modern - 21st century - Exhibitions --- Installations (Art) - United States - Exhibitions
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Broodthaers, Marcel --- Foulon, Olivier --- Olesen, Henrik --- Pieroth, Kirsten --- Prina, Stephen --- Tuerlinckx, Joëlle --- Christmann, Inka --- Winterling, Susanne M. --- Wyn Evans, Cerith --- Dean , Tacita --- Hope, Andy --- Art, Modern --- Influence --- Art, Modern - 21st century - Exhibitions --- Broodthaers, Marcel - Influence - Exhibitions --- Broodthaers, Marcel - Exhibitions
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Forty years after Drawing Now, the legendary exhibition mounted jointly with the MoMA in New York, 2015 will see the ALBERTINA Museum once again attempt to take stock of what drawing means or can mean today. In the present showing, selected works by 36 international artists and artist groups turn the spotlight on relevant movements of the past ten years. Drawing Now: 2015 illustrates the broad spectrum of present-day tendencies of drawing in art: its range of featured works runs from the abstract to the figurative and from sketches to large-scale projects planned in great detail. In terms of content, the artists devote their works to private experiences, simple everyday observations, and political events. They also reflect on the medium of drawing itself, examining the conditions and possibilities of such works’ production while also making a theme of appropriated drawing and drawing as a performative or collaborative act. The participating artists are: Tomma Abts | Silvia Bächli | Anna Barriball | Marc Bauer | Michaël Borremans | Andrea Bowers | Olga Chernysheva | Amy Cutler | Tacita Dean | Sonja Gangl | Nikolaus Gansterer | Monika Grzymala | Toba Khedoori | Los Carpinteros | Constantin Luser | Lotte Lyon | Julie Mehretu | Aleksandra Mir | Muntean/Rosenblum | Paul Noble | Jockum Nordström | Micha Payer + Martin Gabriel | Fritz Panzer | Dan Perjovschi | Chloe Piene | Rainer Prohaska | Robin Rhode | Mithu Sen | David Shrigley | Paul Sietsema | Tatiana Trouvé | Ignacio Uriarte | Marcel van Eeden | Erik van Lieshout | Sandra Vásquez de la Horra | Jorinde Voigt
Drawing --- drawing [image-making] --- anno 2010-2019 --- 741.039 --- Tekenkunst ; 21ste eeuw ; 2005-2015 --- Tentoonstellingscatalogi ; Gent ; S.M.A.K. Stedelijk Museum voor Actuele Kunst --- Art, Modern --- Drawings --- Sketching --- Art --- Graphic arts --- Illustration of books --- Manual training --- Tekenkunst ; 2000 - 2050 --- Exhibitions --- Dessin --- Art contemporain --- drawings [visual works] --- Contemporary [style of art] --- tekenkunst --- Art, Modern - 21st century - Exhibitions. --- Drawing - 21st century - Exhibitions.
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This publication has been produced for the exhibition Fetish Modernity, organised as part of the European project 'Ethnography Museums & World Cultures'. The exhibition will be presented in Tervuren from 8 April to 4 September 2011 and will travel to five partner museums until 2014. Lead Museum: Royal Museum for Central Africa (Belgium).Partner Museums: Musée du quai Branly (France), Pitt Rivers Museum (England), Müseum für Völkerkunde (Austria), National Museums of World Culture (Sweden), National Museum of Ethnology.
kunst --- fetisjen --- Afrika --- Kongo --- etnografie --- Melanesië --- Kayapo --- 7.03 --- Exhibitions --- Fetishism in art --- Art [Modern ] --- 20th century --- Ethnological museums and collections --- Ethnology in art - Exhibitions --- Fetishism in art - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Civilization, Modern - Exhibitions --- Ethnological museums and collections - Exhibitions
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Gelatin ; Bock, John ; Tyson, Keith ; Hyber, Fabrice ; Geers, Kendell ; Rhoades, Jason ; McCarthy, Paul ; Kersels, Martin ; Meese, Jonathan ; Farrell, Malachi ; Jackson, Richard ; Büchel, Christoph ; Cattelan, Maurizio ; Hirschhorn, Thomas
Art, Modern --- Bock, John --- BÜchel, Christoph --- Cattelan, Maurizio --- Farrell, Malachi --- Geers, Kendell --- Gelatin --- Hirschhorn, Thomas --- Hyber, Fabrice --- Jackson, Richard --- Kersels, Martin --- Mccarthy, Paul --- Meese, Jonathan --- Rhoades, Jason --- Tyson, Keith --- Hirschhorn, Thomas, --- Art, Modern - 21st century - Exhibitions --- Hirschhorn, Thomas, 1957 --- -Hyber, Fabrice
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Catalogue qui rassemble les oeuvres présentées lors du concours d'illustrations organisé par le Salon du livre et de la presse jeunesse de Seine-Saint-Denis en France. Le thème choisi en 2004 étant le Petit Chaperon Rouge, près de 2000 candidats ont rivalisé d'audace et de créativité. Ce catalogue ploge dans l'univers du Petit Chaperon Rouge à travers l'univers graphique de dizaines d'artistes
Graphic arts --- Art graphique --- Iconographie --- Illustration, livre pour enfant --- Imaginaire --- Art, Modern --- Little Red Riding Hood (Tale) --- Children's literature --- Fairy tales --- Art, Modern - 21st century - Exhibitions --- Little Red Riding Hood (Tale) - Illustrations - Exhibitions --- Children's literature - Illustrations - Exhibitions --- Fairy tales - Illustrations - Exhibitions
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The documenta 14 guide will take the form of a daybook, emphasizing the 163 calendar days of the exhibitions in Athens and Kassel - a first-time extension of the usual 100-day project of past documenta - and the personal and subjective nature of the spectator's relationship to them. Each documenta 14 artist will be granted a day in this daybook, which will be accompanied by a newly commissioned text on that artist's practice, as well as an image of artwork commissioned by the artist specifically for the publication. The critical texts will be authored by a wide variety of practitioners - critics, curators, novelists, historians, and poets - and the images will be singular and created by the artists especially for the daybook itself.
kunst --- eenentwintigste eeuw --- Athene --- 7.039 --- kunst en politiek --- Documenta --- Kassel --- Exhibitions --- exhibition catalogs --- Art --- Kunstgeschiedenis ; 2000 - 2050 --- Art, Modern --- Arts, Modern --- Arts --- Exhibitions. --- Expositions --- Documenta (Exhibition) --- Beeldende kunst ; Documenta XIV (14) (2017) --- Kassel ; Documenta XIV ; curator Adam Szymczyk --- Kunst en politiek --- Kunsttentoonstellingen ; internationale --- art [fine art] --- political art --- refugees --- Art, Modern - 21st century - Exhibitions --- Photographie --- Exposition --- Art contemporain --- Manifestation artistique --- art [discipline] --- dekolonisatie
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Le visible semble littéralement déborder d'images (plus de trois milliards d'entre elles circulent chaque jour sur les réseaux sociaux). Ce trop-plein, cette surproduction, il faut les gérer. Il faut stocker les images, les transporter, les formater, organiser leurs échanges et leurs flux. Elles requièrent des infrastructures routières (les câbles Internet), des formes inédites de travail (les modérateurs de contenu, les ouvriers du clic). Et elles transforment notre regard, elles le mobilisent comme il ne l'a jamais été. En observant les mutations parallèles de l'économie financiarisée à l'ère des cryptomonnaies, les oeuvres et les textes ici réunis cherchent à saisir, à penser cette nouvelle iconomie de la visibilité (4e de couverture)
Image (Philosophy) --- Visual perception --- Art, Modern --- Illustrations, images, etc. --- Représentation (esthétique) --- Perception visuelle --- Installations (Art) --- Photography, Artistic --- Pictures --- Pictures in art --- Picture archiving and communication systems --- Economic aspects --- Communication visuelle --- Image --- Perception --- Image (Philosophy) - Exhibitions --- Visual perception - Exhibitions --- Art, Modern - 21st century - Exhibitions
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The work of influential Swiss artist John Armleder (born 1948) has spanned many mediums, from his distinctive Furniture Sculptures to his Fluxus performances with the Écart collective, from his diverse painting series to his drawing practice, from his striking installations and wall paintings to his numerous collaborative works. Published to accompany two simultaneous exhibitions--one a rare retrospective, and one an exhibition of installation and total environments--'John Armleder: The Grand Tour' immerses the reader in the artist's world. Each copy of the book features a unique cover by the artist, treated with special color inks and glitter. An extensive interview with the artist, an essay about Armleder's painting and its historical relevance by curator Heidi Zuckerman, and a complete biography and bibliography supply a grand synthesis of Armleder's influential oeuvre. As Zuckerman puts it in her essay, underlining how Armleder has served as a role model for generations of younger contemporary artists: "In a time when the attempt to categorize as a means to understand as well as self-locate is prevalent in both life and art, John Armleder remains known for having no restrictions or fixed ways of working."Exhibition: Kanal-Centre Pompidou, Brussels, Belgium (04.04.-01.11.2020) / Rockbund Art Museum, Shanghai, China (Fall 2020).
Art --- furniture --- sculpture [visual works] --- installations [visual works] --- easel paintings [paintings by form] --- ready-mades --- gantries [construction equipment] --- Armleder, John M. --- Installations (Art) --- Art, Modern --- Armleder, John --- Museo d'arte contemporanea Donnaregina --- Museion (Bolzano, Trentino-Alto Adige, Italy) --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Armleder, John - Exhibitions --- paintings [visual works] --- ready-mades [found objects]
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The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize. Lonzi’s recurring demand for deculturizzazione, echoed in the book’s title, is based on her proclamation that women’s inclusion in society must be understood as a constant colonization. Their ensuing “impotence, lack of history, lack of culture” and “insignificance” can thus only be abolished through the establishment of an “unexpected” (female) subjectivation. Rather than continuing to be the object of historical-social power dynamics, women must become the subject of their own life practices through their continuous withdrawal from (patriarchal) norms. The book’s authors explore if and to what degree Lonzi’s radical feminist approach is based on art terms and concepts, or historical or contemporary art practices. The motivation was the exhibition Doing Deculturalization, presented at Museion, Bolzano, in 2019, and the related desire to address the (historically ambivalent) relationship between (Italian) female art and the formation of feminist theory. Essays by Sabeth Buchmann, Laura Iamurri, Marco Scotini and Elvira Vannini, and Giovanna Zapperi focus on this by analyzing works by women artists whose practices are related to Lonzi’s deculturizzazione concept. The contributions by artists Claire Fontaine, Ariane Müller, Margherita Morgantin (in conversation with Lia Cigarini) and Suzanne Santoro (in conversation with Ilse Lafer) present specific reflections on Lonzi’s feminist legacy, which is always related to the individual artist’s own artistic-feminist practice. Juxtaposed with these are philosophical and analytical concepts developed by Marc Rölli and Annarosa Buttarelli, who reconstruct Lonzi’s theory of deculturizzazione based on its historical reference points and update it for the present.
Art --- art [fine art] --- museology --- avant-garde --- feminism --- gender issues --- patriarchies --- Italy --- vrouw in de kunst --- toxic masculinity --- feminisme --- Multiculturalism in art --- Art, Modern --- Identité de genre --- Féminisme --- Lonzi, Carla --- Multiculturalism in art - Exhibitions --- Art, Modern - 21st century - Exhibitions --- art [discipline] --- Feminist art --- Gender --- Migration --- Book --- Catalogue --- Decolonization
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