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Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.

Art. --- ART / Performance --- ART / Reference --- Haacke, Hans, --- ART / Performance. --- ART / Reference. --- Art / performance. --- Art / reference. --- Art --- Art conceptuel --- Haacke, Hans --- Haacke, Hans, - 1936 --- -Haacke, Hans 1936 --- -Art conceptuel --- Haacke, Hans 1936 --- -Haacke, Hans, - 1936 --- -Art.

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"The Frick Art Reference Library, founded by Helen Clay Frick, has been part of the international infrastructure of art history since its inception. It has always been innovative--with its photographic field trips, periodical indexing, involvement in the founding of the international photo archive consortium, PHAROS, web archiving, and digital art history. The library is looking back at its work over the last hundred years through one hundred objects, not just from its extensive collection of books, auction catalogs, photographs and archives, but through its spaces, artworks and the traces of some of its actors: Helen Clay Frick herself obviously, but also her French agent Madame Brière, and librarians such as Pauline Wells or Doriece Colle"--Publisher.

collections [object groupings] --- art libraries [institutions] --- Frick Art Reference Library [New York, N.Y.] --- Art libraries --- Frick Art Reference Library. --- Frick Collection. --- Frick Collection, New York. --- Frick Art Reference Library, New York --- Frick Collection --- Special libraries --- 02 <09> <73> --- 82:7 --- 82:7 Literatuur en kunst --- Literatuur en kunst --- 02 <09> <73> Bibliotheekwezen:--algemene geschiedenis--Verenigde Staten van Amerika. VSA. USA --- Bibliotheekwezen:--algemene geschiedenis--Verenigde Staten van Amerika. VSA. USA

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" Spanning six centuries of global design, this far-reaching survey is the first to offer an account of the vast history of decorative arts and design produced in Africa, the Americas, Asia, Europe, the Indian subcontinent, and the Islamic world, from 1400 to the present. Meticulously documented and lavishly illustrated, the volume covers interiors, furniture, textiles and dress, glass, graphics, metalwork, ceramics, exhibitions, product design, landscape and garden design, and theater and film design. Divided into four chronological sections, each of which is subdivided geographically, the authors elucidate the evolution of style, form, materials, and techniques, and address vital issues such as gender, race, patronage, cultural appropriation, continuity versus innovation, and high versus low culture. Leading authorities in design history and decorative arts studies present hundreds of objects in their contemporary contexts, demonstrating the overwhelming extent to which the applied arts have enriched customs, ceremony, and daily life worldwide over the past six hundred years. This ambitious, landmark publication is essential reading, contributing a definitive classic to the existing scholarship on design, decorative arts, and material culture, while also introducing these subjects to new readers in a comprehensive, erudite book with widespread appeal"--Provided by publisher.

Decorative arts --- Arts décoratifs --- History --- Histoire --- DESIGN / Decorative Arts. --- ART / Reference. --- HISTORY / World. --- Arts decoratifs --- History. --- design --- productdesign --- meubelkunst --- Azië --- India --- islam --- Afrika --- Europa --- Amerika --- vormgeving --- decorative arts --- driedimensionale vormgeving --- toegepaste kunsten --- design [discipline] --- Applied arts. Arts and crafts --- three-dimensional --- Arts décoratifs --- Applied arts --- Art industries and trade --- Art --- Handicraft --- decorative arts [discipline]

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This book offers trans-historical and trans-national perspectives on the image of “the artist” as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these “new” media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist’s image?

Mass communications --- Aesthetics of art --- art criticism --- artists [visual artists] --- ART / Performance. --- ART / Reference. --- Art criticism --- Artists --- Mass media and the arts. --- Social aspects. --- Public opinion. --- Artists in popular culture. --- Art --- History. --- Communication. --- Fine arts. --- Culture. --- Digital media. --- Culture—Study and teaching. --- Media and Communication. --- Fine Arts. --- Global/International Culture. --- Digital/New Media. --- Cultural Theory. --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Communication, Primitive --- Mass communication --- Sociology --- Social aspects

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Old English literature --- anno 1200-1499 --- Manuscripts, English (Middle) --- English prose literature --- Manuscripts, Medieval --- Catalogs --- Manuscripts --- Henry E Huntington Library and Art Gallery --- 091 =20 --- 091 <73 SAN MARINO> --- -English prose literature --- -Manuscripts, Medieval --- -Medieval manuscripts --- English literature --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Handschriftenkunde. Handschriftencatalogi--Engels --- Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--SAN MARINO --- Henry E. Huntington Library and Art Gallery --- -Huntington Library and Art Gallery --- Henry E. Huntington Library and Art Gallery, San Marino, Calif. --- Huntington Library, Art Gallery, and Botanical Gardens --- Henry E. Huntington Library, Art Gallery, and Botanical Gardens --- Huntington Library --- Henry E. Huntington Library and Art Collections --- Huntington Library, Art Collections, and Botanical Gardens --- Huntington Art Gallery (San Marino, Calif.) --- Huntington Art Reference Library. --- Catalogs. --- -Handschriftenkunde. Handschriftencatalogi--Engels --- -Catalogs --- 091 <73 SAN MARINO> Handschriftenkunde. Handschriftencatalogi--Verenigde Staten van Amerika. VSA. USA--SAN MARINO --- 091 =20 Handschriftenkunde. Handschriftencatalogi--Engels --- -English manuscripts (Middle) --- Medieval manuscripts --- Manuscripts&delete& --- Huntington Library and Art Gallery --- Huntington Library, Art Museum, and Botanical Gardens --- Manuscripts, English (Middle) - California - San Marino - Catalogs --- English prose literature - Middle English, 1100-1500 - Manuscripts - Catalogs --- Manuscripts, Medieval - California - San Marino - Catalogs --- Mss littérature anglaise Moyen Age --- Mss San Marino (Calif.). Huntington library