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"Concentrating on the shifting boundaries and definition of art, Richard Kalina offers a panoramic view of the contemporary art scene over the last 30 years. His focus is on the ongoing development of concepts, the transformation of art worlds and the social matrices in which they are created. Discussing painting in general and abstract painting in particular, his survey takes in photorealism, sculpture and art forms found outside of the modernist tradition. Kalina's group of artists includes Mel Bochner, Joan Mitchell, Cy Twombly, Franz West, Alma Thomas and Richard Tuttle who, in their ongoing projects, explicitly or implicitly questioned the aesthetic assumptions of their times. Merging an examination of animating philosophies and context - political, social, and personal - with a sharply focused look at the works of art themselves, Kalina brings us closer to understanding the social matrices in which art is embedded and responds to bigger questions about the object nature of the work of art in today's world"--

Art, Modern - 20th century - Philosophy --- Art, Modern - 21st century - Philosophy --- Art and society - History - 20th century --- Art and society - History - 21st century --- Aesthetics --- Art, Modern --- Art and society

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Cette histoire des idées, des techniques et des milieux artistiques situe les avant-gardes dans leur contexte culturel, social et artistique. L'auteure présente les goûts, les normes et les idées communes de l'époque afin de mettre en avant le côté novateur et le génie de ces artistes en rupture. ©Electre 2016

Avant-garde (Aesthetics) --- Avant-garde (Esthétique) --- History and criticism --- Histoire et critique --- art criticism --- avant-garde --- Aesthetics of art --- Sociology of culture --- sociology --- Art styles --- anno 1800-1999 --- Avant-garde --- Art and society --- History --- Avant-garde (Aesthetics) - History - 19th century --- Avant-garde (Aesthetics) - History - 20th century --- Art and society - History - 19th century --- Art and society - History - 20th century

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Moholy-Nagy, László --- Lissitzky, Eliezer --- Rodtschenko, Alexander Michajlowitsch --- Modernism (Art) --- Modernisme (Art) --- Modernisme (Kunst) --- Art and society --- Avant-garde (Aesthetics) --- History --- Modernism (Art). --- Avant-Garde (Aesthetics) --- 20th century --- Art and society - History - 20th century. --- Lissitzky, El

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Art --- Art and society --- Art, Modern --- Political aspects --- History --- Art et politique --- Analyse de l'art --- Art - Political aspects - History - 20th century --- Art and society - History - 20th century --- Art, Modern - 20th century

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Publié pour la première fois en 1940, cet ouvrage retrace les origines et l’évolution des académies d’art du XVIe à la première moitié du XXe siècle. Avec simplicité, sans que pèse jamais son érudition, Nikolaus Pevsner expose les circonstances religieuses, politiques, sociales dans lesquelles s’est développée l’éducation des artistes dans les différents pays d’Europe jusqu’à son « académisation » progressive, qu’il a pu lui-même constater et déplorer. On voyagera ainsi de l’école de dessin fondée par Vasari à Florence au XVIe siècle jusqu’au modernisme du Bauhaus, en passant par une institution qui a joué un rôle majeur dans l’enseignement de l’art, l’Académie royale de peinture et de sculpture fondée sous Louis XIV. Considérée sous un angle singulier les conditions de vie des peintres et sculpteurs, les leçons prodiguées, c’est une véritable histoire de l’art occidental qui se dessine ainsi, en même temps qu’une histoire du goût et des modes artistiques.

Écoles des beaux-arts --- Histoire --- Art and society --- Art --- Academic art --- Art schools --- History --- Study and teaching --- Histoire. --- History of education and educational sciences --- Didactics of the arts --- art schools [institutions] --- Art and society - History --- Art - Study and teaching - History