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The extraordinary abundance of French sculptures in the United States is indicative of a specific taste for this area of French art, but also of the close proximity of Franco-American historical and artistic relations. The United States is the country outside of France with the largest number of French sculptures and the latter represent by far the majority of foreign sculptures. Once gathered, combined, connected, they weave the story of a taste. Their study makes it possible to detect trends and periods, to identify the personalities of dealers, collectors and curators, and to understand the supply channels of this transatlantic trade, from the place of production to the place of consumption, from the place of creation to place of appreciation. The purpose of this book is to give life and meaning to these works by placing them in their American context.
Sculpture française --- Collections publiques. --- Collections privées. --- Sculptors --- Sculpture, French --- Art, French --- Art in interior decoration --- Sculpteurs --- Art français --- Art en décoration intérieure --- Art in interior decoration. --- International relations. --- Influence. --- Appreciation --- Collectors and collecting --- Appréciation --- Collectionneurs et collections --- Collectors and collecting. --- France --- United States --- France. --- United States. --- Relations --- Portrait sculpture, French --- Sculpture française --- Sculpture de portraits française
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Brussel binnenskamers' brengt de materiële wooncultuur van ruim driehon- derd huishoudens uit de zeventiende eeuw tot leven. De lezer wandelt als het ware in een vroegmodern Brussels interieur en algauw wordt duidelijk hoe kunst- en luxe-objecten een betekenisvolle rol speelden in het sociale verkeer binnenskamers. Daarbij is Brussel een bijzondere casus: naast de ontwikkeling van een gedemocratiseerde kunst- en luxemarkt is er de 0wisselwerking tussen hof en stad, de gestage demografische groei en het groeiende belang van de hofstad in de steden-hiërarchie van de Neder landen. In de consumptieve transformatieprocessen die zich voltrokken tijdens de lange zeventiende eeuw plaatst Brussel zich tussen het concen- trische hofmodel van Norbert Elias en het burgerlijk-stedelijk model van Jan de Vries in.
social status --- wealth --- History of civilization --- Art --- interior decoration --- anno 1700-1799 --- anno 1600-1699 --- Brussels --- Interior decoration --- Architecture, Domestic --- Art in interior decoration --- Luxuries --- Décoration intérieure --- Architecture domestique --- Art en décoration intérieure --- Produits de luxe --- History --- Social aspects --- Histoire --- Aspect social --- Brussels (Belgium) --- Bruxelles (Belgique) --- Social life and customs --- Moeurs et coutumes --- Furniture --- Material culture --- Social life and customs. --- Décoration intérieure --- Art en décoration intérieure --- Belgium --- 17th century --- Collectors and collecting --- Kunst--Brussel--17de eeuw --- Kunst--Brussel--18de eeuw --- 706.5 --- Brussel--17de eeuw --- Brussel--18de eeuw --- Brussel Brussel 938.1 --- consumptie van kunst --- hofcultuur --- collecting, Low countries --- luxury --- stadscultuur --- wooncultuur --- stadselite
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