Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Painting --- Christian religion --- iconography --- hagiographic prints --- Iconography --- anno 1600-1699 --- anno 1500-1599 --- Italy --- Christian saints in art --- Portrait painting, Italian --- Christian art and symbolism --- Neri, Filippo, --- Charles Borromeo, --- Ignatius, --- 246 <45> --- #GBIB: jesuitica --- 246 <45> Christelijke kunst en symbolisme--Italië --- Christelijke kunst en symbolisme--Italië --- 246 <45> Art et symbolisme chretiens--Italië --- Art et symbolisme chretiens--Italië --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Italian portrait painting --- Symbolism in art --- Portrait painting, Italian - 16th century --- Portrait painting, Italian - 17th century --- Christian art and symbolism - Italy - Modern period, 1500 --- -Saints --- Iconographie --- Trento --- Conciles --- Neri, Filippo, - Saint, - 1515-1595 - Portraits --- Charles Borromeo, - Saint, - 1538-1584 - Portraits --- Ignatius, - of Loyola, Saint, - 1491-1556 - Portraits --- Saints --- Neri, Filippo, - Saint, - 1515-1595 --- Charles Borromeo, - Saint, - 1538-1584 --- Ignatius, - of Loyola, Saint, - 1491-1556

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

On account of the artists’ collaborative practice, Sebastiano del Piombo’s oeuvre is often misconstrued as a coloristic supplement to Michelangelo’s disegno or as a mere extension of the older master’s drawings and ideas. Marsha Libina’s book complicates this narrative by offering a critical reevaluation of the devotional art of Sebastiano del Piombo (1485–1547), an important Venetian artist whose Roman work stands at the nexus of questions regarding art, religious reform and the largely unexplored history of artistic collaboration. Investigating new ways of understanding Sebastiano’s interest in soliciting Michelangelo’s drawings as catalysts of invention, Libina tells the story of a collaboration driven neither by a compliant imitation of Michelangelo nor the reconciliation of opposing regional styles but, rather, by an interest in hermeneutically productive difference – generating complementary yet divergent approaches to art as a vehicle of reform. This volume presents an in-depth exploration of how Sebastiano’s experiments with the sacred image – like Michelangelo’s – were formulated in response to the early years of Catholic reform. The years preceding the Council of Trent saw the rise of divisive investigations into the repercussions of an increasingly mediated knowledge of the divine. Libina reveals how these concerns converge in Sebastiano’s new language of devotional painting, which embraces an aesthetic of figural stillness, isolation and psychological detachment. At a moment when religious debates and questions about the role of image-based devotion took center stage, Sebastiano’s work offered a reflection on what it meant to view and meditate on the body of Christ in the Renaissance altarpiece.

Painting, Renaissance --- Christian art and symbolism --- Sebastiano, --- Art chrétien. --- Contre-Réforme et art. --- Michel-Ange --- Sebastiano del Piombo --- Influence. --- Critique et interprétation. --- Art chrétien --- Création collective (art) --- Counter-Reformation and art --- Art and religion --- Michelangelo Buonarroti, --- Michelangelo --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי, --- Luciani, Sebastiano, --- Piombo, Sebastiano Luciani, --- Sebastiano del Piombo, --- Criticism and interpretation. --- Christian art. --- Series Christian art --- 75.034 <45 ROMA> --- 246 "15/17" --- 246 <45> --- 246 <45> Christelijke kunst en symbolisme--Italië --- Christelijke kunst en symbolisme--Italië --- 246 <45> Art et symbolisme chretiens--Italië --- Art et symbolisme chretiens--Italië --- 246 "15/17" Art et symbolisme chretiens--Temps Modernes --- 246 "15/17" Christelijke kunst en symbolisme--Nieuwe Tijd --- Art et symbolisme chretiens--Temps Modernes --- Christelijke kunst en symbolisme--Nieuwe Tijd --- 75.034 <45 ROMA> Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- Schilderkunst van de renaissance; barok; rococo--Italië--ROMA --- Sebastiano --- Luciani, Sebastiano --- Piombo, Sebastiano Luciani --- Criticism and interpretation --- Christian art --- Christian religion --- religious art --- samenwerking van meerdere kunstenaars --- kunst en godsdienst