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The world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. Making Matters spells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable.Collective action often changes the artist’s identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally and globally. These developments have given rise to new kinds of collective art and design practices: artists work together with non-artists, make products for their local environment and take on multiple identities, such as researcher, community activist, computer hacker or business consultant. Making Matters looks at art practices across all continents that do not conform to a Western concept of art nor to traditional distinctions between art, design, research and activism—where the boundaries between art, design, research and activism become blurred or are dissolved.The entries in this vocabulary experiment with concepts and keywords of current art practices that may no longer be recognizable as art.

Art --- art [fine art] --- ecology --- community art --- designs [artistic concepts] --- human ecology --- artists' collectives --- cooperation --- activists --- Kunsttheorie : over artistieke samenwerking ; werking --- Massacultuur ; globalisering ; kritiek op --- Kunst en activisme --- Kunsttheorie ; interactieve kunstpraktijk --- Architectuurtheorie ; over het collectieve en het individuele --- Kunstcollectieven --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- art [discipline]

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Solidarity has re-entered the global zeitgeist with resounding force in the last decades and is especially urgent to consider today. Yet this concept – both a potent ideal and a slippery notion – is one of the least analysed within the arts. Why? It is perhaps because colonialism, Neoliberalism, hyper-individualism and Western-centred concepts of art have eroded visions of a care-based society. Creating a fair and vital social fabric inspired by mutual dependencies between living beings and all entities including fauna, flora, air, land and water, is fundamental for our collective existence. A critical toolbox with intersectional perspectives is needed to examine this minefield and reveal meaningful and inspiring narratives that can guide our future. Working with these complexities, this Reader considers the agency that artists, collectives and art institutions have generated from the 1970s to today to build the radical imaginaries of care and solidarity needed to transform the conditions of our collective existence in the face of local and global crises. Presenting new and historical material, the Reader narrates a series of stories of solidarity across geographies in relation to emergencies connected to ecocide, femicide, genocide, migration, neocolonialism, inter-religious conflicts, class divisions and heteronormativity, amongst others. It also gives a central place to Indigenous perspectives rarely considered when discussing solidarity in the arts.

Art --- art [fine art] --- sociology --- environments [object groupings] --- colonization --- migration [function] --- environmental art --- social classes --- political art --- cooperation --- Beschaving; Cultuur; Vooruitgang --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kunsttheorie ; postkolonialisme --- Kunsttheorie : over artistieke samenwerking ; werking --- Kunst en politiek ; solidariteit Palestijnse kwestie --- Kunst en politiek ; 21ste eeuw --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Développement social des quartiers --- Rapports sociaux --- Communauté --- Mouvement social --- kunst --- kunst en politiek --- twintigste eeuw --- eenentwintigste eeuw --- sociologie --- activisme --- postkolonialisme --- 7.038/039 --- politiek --- kunsttheorie --- art [discipline]

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Hoe gaan kunstenaars en culturele werkers op de werkvloer om met diversiteit? (Bron: covertekst)

cultuursociologie --- kunstparticipatie --- art [fine art] --- Sociology of cultural policy --- kunstprojecten --- kunst --- Art --- Artistic collaboration --- Artistieke samenwerking --- Collaboration artistique --- interculturaliteit --- 600 Cultuur --- 668.6 Multiculturele samenleving --- 7.071 --- 7.01 --- 7.039 --- Beeldende kunst ; podiumkunsten ; diversiteit --- Diversiteit ; interculturele competenties ; Vlaanderen en Brussel --- diversiteit --- cultuur --- 305.81 --- S2007329.JPG --- interculturele communicatie --- multiculturele samenleving --- Kunst ; kunstenaars en beroep --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 2000 - 2050 --- interculturele communicatie, intercultureel zakendoen, cultuurverschillen en interculturaliteit --- 007 --- 7 --- 325 --- 700.7 --- 765.20 --- Creatie en productie - productie --- cultuurbeleid --- projects [artistic concepts] --- 766 --- Theorie van het theater en de film - Kritiek --- art [discipline]

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"Creative work is rarely done by a lone genius. Artists, writers, scientists and other professionals often do their most creative work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Working alone or in pairs, then meeting as a group to discuss their emerging ideas, they forge a new, shared vision that guides their work. When circles work well, the unusual interactions that occur in them draw out creativity in each of the members." "In a study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud and his friends; C.S. Lewis, J.R.R. Tolkien, and the Inklings; social reformers Elizabeth Cady Stanton, Susan B. Anthony, and the "Ultras" in the women's movement; the Fugitive poets; and the writers Joseph Conrad, Ford Maddox Ford, and their friends. Farrell presents vivid narrative accounts of the development of each circle and the roles each member played. He considers how circles form; how the leadership, group rituals, and interpersonal relations change as circles develop; how the dynamics of circles stimulate creative work; and why some circles flourish while others flounder."--Jacket.

Groepsdynamiek --- Group dynamics --- Groupes sociaux --- Social groups --- Sociale groepen --- Artistic collaboration --- Groupes, Dynamique des --- Collaboration artistique --- Social groups. --- Artistic collaboration. --- 7.01 --- Kunsttheorie : over artistieke samenwerking ; werking --- Artist' circles --- Kunstenaarsgroepen ; groepsdynamiek --- Franse Impressionisten --- The Oxford Group ; J.R.R. Tolkien en C.S. Lewis --- Freud, Sigmund ; samenwerking met J.Breuer en W. Fleiss --- The Rye Group ; groep rond Henry James, J. Conrad en Ford Maddox Ford --- The Inklings --- American women's rights movement --- The Fugitive poets --- Artistieke collaboratie en creativiteit --- Kunstenaarsverenigingen --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art --- Association --- Groups, Social --- Associations, institutions, etc. --- Social participation --- Kunst ; theorie, filosofie, esthetica --- Friendship. --- Case studies --- Friendship --- Case studies.