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"Les verres émaillés et dorés vénitiens ont fasciné les cours européennes à la fin du XVe siècle et au XVIe siècle. leur succès a entraîné rapidement l'apparition d'ateliers travaillant à la façon de Venise dans le reste de l'Europe. Ce phénomène pose des questions d'attribution complexes auxquelles est venu s'ajouter, au XIXe siècle, un engouement qui s'est traduit par la fabricaition de pièces historicistes et de faux. Confrontant art et science, ce catalgoue concrétise plus de dix années de recherches interdisciplinaires sur les verres émaillés, élargies aux productions françaises du XVIe siècle. Il accompagne une exposition exceptionnelle réunissant plus d'une centaine d'oeuvres et propose de nouvelles perspectives sur les transferts artistiques en jeu dans cette production prestigieuse."

Verrerie de la Renaissance --- Arts décoratifs de la Renaissance --- glaskunst --- renaissance --- email --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- Frankrijk --- Venetië --- Arts décoratifs de la Renaissance --- Exhibitions --- glaskunst. --- renaissance. --- email. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- Frankrijk. --- Venetië.

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"The 1470s - the decade of Lorenzo de'Medici's rise to power - was a remarkable moment in Florence's history. It was a time of intense activity for the city's creative workforce. Beauty had long been an intrinsic part of the city's identity and prestige, and rich and powerful Florentine families saw cultivation of the visual arts as an essential way to assert their influence, commissioning artists and craftsmen to create impressive paintings, objects and monuments to enhance their status." "Published to accompany a major exhibition at the National Gallery, London, this illustrated volume offers an introduction to the principal patrons, projects and artistic personalities within Florence during this period. It concentrates on the activities of the leading artists - Andrea del Verrocchio, Antonio and Piero del Pollaiuolo, Sandro Botticelli, Filippino Lippi and the young Leonardo da Vinci - illustrating their special contributions and highlighting their differences, common sources, ambitions and responses to each other."--Jacket.

Verrocchio, del, Andrea --- Pollaiuolo, Piero --- Pollaiolo, del, Antonio --- Art, Italian --- Art, Renaissance --- Painting, Renaissance --- Sculpture, Renaissance --- Decorative arts, Renaissance --- Art italien --- Art de la Renaissance --- Peinture de la Renaissance --- Sculpture de la Renaissance --- Arts décoratifs de la Renaissance --- Exhibitions. --- Expositions --- 7.034 --- CDL --- Exhibitions --- Arts décoratifs de la Renaissance --- Art [Renaissance ] --- Italy --- Florence (Italy) --- Art patronage --- History --- Artists --- Social networks --- Art and society --- Renaissance art --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Art, Italian - Italy - Florence - Exhibitions --- Art, Renaissance - Italy - Florence - Exhibitions