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Reader-response criticism --- Aesthetics [Medieval ] --- Chaucer, Geoffrey, - d. 1400 - Appreciation - England. --- English poetry - Middle English, 1100-1500 - History and criticism - Theory, etc. --- Authors and readers - England - History.

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Marginalia, annotations, and insertions - of flowers or locks of hair, for example - make parts of a book's history particularly visible... We have seen a mother mourn her daughter on the flyleaf of her copy of Hemans ; a husband attach a memorial flower to the book of poems that his wife read on her deathbed ; a group of women add evaluative comments in the margins of a narrative romance ; a former soldier inscribe a copy of Tennyson to a friend based on his memories of reading together during the Civil War ; a woman annotate her beloved's copy of Longfellow and revisit those annotations many years later to lament his loss ; and many more examples of the personal alteration of nineteenth-century books. These instances clarify the fact that the meanings of all books are tied intextricably to their specific material forms and the reception of those forms across time. Books are and advanced technology of memory, each one a complex recond of its own making and use. Copies with marginalia and other legible interventions throw this general truth into sharp relief, as they give us rich scenes of history in the making.

Books and reading --- Authors and readers --- English literature --- Marginalia --- Research libraries --- History --- History and criticism. --- Book collections --- Conservation and restoration. --- Books and reading - England - History - 19th century. --- Authors and readers - England - History - 19th century. --- English literature - 19th century - History and criticism. --- Marginalia - History - 19th century. --- Research libraries - Book collections - Conservation and restoration.

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Non-fiction --- Old English literature --- Manuscripts. Epigraphy. Paleography --- anno 1400-1499 --- Manuscripts, Medieval --- Authors and readers --- Scriptoria --- History --- John Capgrave, --- criticism and interpretation --- Manuscripts --- 091 CAPGRAVE, JOHN --- 091 =20 --- 091 =71 --- 091.5 --- 930.85.42 <41> --- Handschriftenkunde. Handschriftencatalogi--CAPGRAVE, JOHN --- Handschriftenkunde. Handschriftencatalogi--Engels --- Handschriftenkunde. Handschriftencatalogi--Latijn --- Autografen --- Cultuurgeschiedenis: Middeleeuwen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 930.85.42 <41> Cultuurgeschiedenis: Middeleeuwen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 091.5 Autografen --- 091 =71 Handschriftenkunde. Handschriftencatalogi--Latijn --- 091 =20 Handschriftenkunde. Handschriftencatalogi--Engels --- 091 CAPGRAVE, JOHN Handschriftenkunde. Handschriftencatalogi--CAPGRAVE, JOHN --- Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Monasteries --- Monastic libraries --- Medieval manuscripts --- Readers and authors --- Authorship --- Reproduction --- Capgrave, John, --- Criticism and interpretation. --- Manuscripts. --- Manuscripts [Medieval ] --- England --- Capgrave, John, - 1393-1464 - Criticism and interpretation. --- Capgrave, John, - 1393-1464 - Manuscripts. --- Manuscripts, Medieval - England - History --- Authors and readers - England - History --- Scriptoria - England - History --- John Capgrave, - 1393-1464 - criticism and interpretation --- John Capgrave, - 1393-1464 - Manuscripts --- John Capgrave, - 1393-1464

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In this groundbreaking study, Lukas Erne argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. The usual distinction that has been set up between Ben Jonson on the one hand, carefully preparing his manuscripts for publication, and Shakespeare the man of the theatre, writing for his actors and audience, indifferent to his plays as literature, is questioned in this book. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these ‘literary’ texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V, and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays.

Authors and readers --- -Authors and readers --- -English language --- -Germanic languages --- Readers and authors --- Authorship --- History --- -History --- -Style --- Shakespeare, William --- Literary style. --- Criticism, Textual. --- English language --- Style --- Šekspir, Vil'jam --- Style. --- Shakespeare, William, --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Germanic languages --- Authors and readers - England - History - 16th century. --- Authors and readers - England - History - 17th century. --- English language - Early modern, 1500-1700 - Style. --- Shakespeare, William, - 1564-1616 - Literary style. --- Shakespeare, William, - 1564-1616 - Criticism, Textual. --- Shakespeare, William, - 1564-1616

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Byron, George G.N. --- Authors and readers --- Ecrivains et lecteurs --- Byron, George Gordon Byron, --- Criticism and interpretation --- History --- Byron, George Gordon Byron --- Appreciation --- -Readers and authors --- Authorship --- -Byron, George Gordon Byron Baron --- -Appreciation --- -Authors and readers --- -History --- -Byron [Lord] --- Byron [Lord] --- Readers and authors --- Baĭron, Dzhordzh Gordon, --- Baĭron, G., --- Baĭron, Jorj, --- Bairon, --- Bajron, Džordž Gordon, --- Bajron, --- Bajroni, Xhorxh, --- Bayrěn, --- Bayron, --- Bayron, Tzōrtz Gkorton Bayron, --- Bayrūn, --- Byron, George Gordon Noël Byron, --- Byron, Jerzy Gordon, --- Byron, --- Gordon, George, --- Mpayron, Tzōrtz Nkorton Mpayron, --- Pai-lun, --- Payrěn, --- Vyrōn, --- בײראָן, לאָרד --- בירון --- בירון, לורד --- בירון, ג׳ורג׳ גורדון נואל, --- בירון, ג'ורג' גורדון בירון, --- בייראן --- בייראן, --- בייראן, לארד --- ביירון, לורד --- ביירון, --- Criticism and interpretation. --- Baĭron, Dzhordzh Gordon --- Baĭron, G. --- Bajron, Džordž Gordon --- Bajroni, Xhorxh --- Bayron, Tzōrtz Gkorton Bayron --- Bayrūn --- Byron, George Gordon Noël Byron --- Byron, Jerzy Gordon --- Gordon, George --- Mpayron, Tzōrtz Nkorton Mpayron --- Pai-lun --- Payrěn --- Vyrōn --- Lord Byron --- Byron --- Byron, George Gordon Noël --- Authors and readers - England - History - 19th century --- Byron, George Gordon Byron - Appreciation - England