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Ballard, J.G.

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Ballard, J.G.

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The mediascapes of late capitalism reconfigure erotic responses and trigger primal aggression; under constant surveillance, we occupy simulations of ourselves, private estates on a hyperconnected globe; fictions reprogram reality, memories are rewritten by the future…Fleeing the excesses of ’90s cyberculture, a young researcher sets out to systematically analyse the obsessively reiterated themes of a writer who prophesied the disorienting future we now inhabit. The story of his failure is as disturbingly psychotropic as those of his magus—J.G. Ballard, prophet of the post-postmodern, voluptuary of the car crash, surgeon of the pathological virtualities pulsing beneath the surface of reality.Plagued by obsessive fears, defeated by the tedium of academia, yet still certain that everything connects to Ballard, his academic thesis collapses into a series of delirious travelogues, deranged speculations and tormented meditations on time, memory, and loss. Abandoning literary interpretation and renouncing all scholarly distance, he finally accepts the deep assignment that has run throughout his entire life, and embarks on a rogue fieldwork project: Applied Ballardianism, a new discipline and a new ideal for living. Only the darkest impulses, the most morbid obsessions, and the most apocalyptic paranoia, can uncover the technological mutations of inner space.An existential odyssey inextricably weaving together lived experience and theoretical insight, this startling autobiographical hyperfiction surveys and dissects a world where everything connects and global technological delirium is the norm—a world become unmistakably Ballardian.

Ballard, J. G.,

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Dean, Tacita --- Ballard, J.G. --- Smithson, Robert

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An innovative volume of interdisciplinary essays on the significant British writer J. G. Ballard (1930-2009), exploring the physical, cultural and intertextual landscapes in several key novels with a central focus on The Atrocity Exhibition (1970), one of the most challenging texts in contemporary literature. Contributors include established critics of Ballard alongside newcomers. Different spatial concepts underpin the essays, from the landscapes of Ballard’s youth in Shanghai and his life in suburban London, to nuclear testing spaces and outer space exploration. Figurative locations typical of Ballard’s work are explored, including the beach, the motorway, the high-rise and the shopping mall. Textual spaces are explored through Ballard’s affiliation with modernist literary forms, including surrealist prose writing and collage, and poetic romanticism.

Ballard, J. G., --- Ballard, J. G. --- Ballard, James Graham --- Criticism and interpretation.