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Générique (audiovisuel) --- Affiches de cinéma. --- Bass, Saul,
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Iconic graphic designer and Academy Award--winning filmmaker Saul Bass (1920--1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger''s The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock''s Vertigo (1958) and North by Northwest (1959), and Billy Wilder''s The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass''s stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design--a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.
Bass, Saul --- Criticism and interpretation. --- Cinéma --- Affiches de cinéma. --- Générique (audiovisuel) --- Production et réalisation. --- Publicité.
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968, avec des réalisateurs comme George Romero ou Stanley Kubrick, le cinéma intègre l'idée que l'humain peut et doit changer. Le "changement" est un prétexte pour faire réfléchir le spectateur sur la place qu'il occupe dans la société ou dans l'univers. Dans la continuité, Saul Bass, graphiste surdoué, sort en 1974, en collaboration avec Mayo Simon, son unique long-métrage : Phase IV. Suite à un événement cosmique (solaire), des fourmis deviennent plus intelligentes, plus sociales (entre espèces) et font peser sur l'humanité la menace d'une extinction.La réponse des hommes : l'extermination chimique. Mais les fourmis ne sont pas des monstres : elles veulent forcer les hommes à sortir de leur évolution, de leur "dôme". Une régénération écologique, voilà l'enjeu du film. Les soleils hantent tous les films de Bass, ce sont des symboles du renouveau et de création. Explorant le film par ses aspects graphiques, cinématographiques et philosophiques, ce livre a été conçu comme une introduction à l'oeuvre filmique de Saul Bass.
Écologie humaine --- Cinéma --- Au cinéma. --- Thèmes, motifs. --- Bass, Saul --- Critique et interprétation. --- Phase IV
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Commercial art --- Graphic arts --- History --- History --- Bass, Saul. --- Chermayeff, Ivan. --- Glaser, Milton. --- Rand, Paul, --- Tanaka, Ikkō, --- Tomaszewski, Henryk,
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"This is the first book to be published on one of the greatest American designers of the 20th century, who was as famous for his work in film as for his corporate identity and graphic work. Saul Bass (1920-1996) created some of the most compelling images of American postwar visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best-known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta"--Publisher's web site.
Bass, Saul. --- Graphisme --- Publicité --- Logotype --- Affiche --- Emballage --- Bass, Saul --- Biografie --- Graphic artists --- Credit titles (Motion pictures, television, etc.) --- Graphistes --- Générique (Cinéma, télévision, etc.) --- Biography. --- Biographies --- Catalogs --- Criticism and interpretation. --- 766.071 BASS --- Bass Saul --- Verenigde Staten --- affiches --- corporate identity --- film --- film en grafische vormgeving --- filmaffiches --- filmtitels --- generieken --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- huisstijl --- logo's --- posters --- twintigste eeuw --- 753 --- grafische vormgevers --- regisseurs --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Ontwerpers --- Vormgevers --- 766.07 --- Bass, Saul 1920-1996 (°New York, Verenigde Staten) --- Grafische vormgeving ; met betrekking tot film --- Affiches ; filmaffiches --- Grafische vomgeving en film ; titels ; openingstitels --- Grafische vormgeving ; labels ; etiketten ; logo's ; merken --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Ontwerper --- Vormgever
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Film --- Art --- art [fine art] --- motion pictures [visual works] --- Bob & Bob --- Arnold, Steven --- Bereal, Ed --- Baca, Judith --- Altoon, John --- Bell, Larry --- Ader, Bas Jan --- Diebenkorn, Richard --- Arnoldi, Charles --- Corita --- Bojórquez, Chaz --- Berlant, Tony --- Buren, Daniel --- Celmins, Vija --- Baldessari, John --- Feitelson, Lorser --- Divola, John --- Shaw, Jim --- Borofsky, Jonathan --- Cointet, de, Guy --- Gerowitz, Judy --- Duncan, John --- Brittin, Charles --- Berman, Wallace --- Anger, Kenneth --- DeLap, Tony --- Bengston, Billy Al --- Pettibon, Raymond --- Asher, Michael --- Bass, Saul --- Antin, Eleanor --- Buchanan, Nancy --- Burden, Chris --- Alexander, Peter --- Davis, Ron --- Chicago, Judy --- Asco --- anno 1900-1999 --- United States --- Los Angeles --- History of arts - US arts - California. --- Art, American --- 1945-1990 --- Exhibitions --- Art [American ] --- California --- Los Angeles (Calif.) --- 20th century --- Artists --- Los Angeles [California] --- Baca, Judith F. --- Kent, Corita --- art [discipline] --- United States of America
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