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Ein Frauenbuch des frühen Humanismus : Untersuchungen zu Boccaccios De mulieribus claris
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ISBN: 3515060286 9783515060288 Year: 1992 Volume: 40 Publisher: Stuttgart Steiner

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Lessico critico decameroniano
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ISBN: 8833909158 Year: 1995 Publisher: Torino Boringhieri

Retorica e mimica nel "Decameron" e nella commedia del Cinquecento
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ISBN: 8822234030 Year: 1986 Volume: vol 35 Publisher: Firenze Olschki

A Mirror for magistrates and the De casibus tradition
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ISBN: 128204219X 9786612042195 1442670398 9781442670396 0802047173 9780802047175 6612042192 Year: 2000 Publisher: Toronto, [Canada] ; Buffalo, [New York] ; London, [England] : University of Toronto Press,

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Situates the often neglected collection of English Renaissance narrative poems A Mirror for Magistrates in the cultural context of its production, locating it not as a primitive form of tragedy, but as the epitome of the de casibus literary tradition.


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Boccaccio's fabliaux
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ISBN: 0813050030 0813048664 9780813048666 9780813049175 0813049172 9780813050034 Year: 2014 Publisher: Gainesville

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Provides a new and provocative interpretation of the relationship between medieval French fabliaux and Boccaccio's Decameron, examining their formal similarities.


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Boccaccio deutsch : die Dekameron-Rezeption in der deutschen Literatur (15.-17. Jahrhundert)
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ISBN: 1283543087 9786613855534 9401207755 9789401207751 9781283543088 9789042035003 9042035005 6613855537 Year: 2012 Publisher: Amsterdam ; New York : Rodopi,

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Auf der Basis einer neuen Sichtung der italienischen, lateinischen und deutschsprachigen Überlieferung in Handschrift und Druck hat diese Studie zum Ziel, die Frühphase der Boccaccio-Rezeption im deutschsprachigen Raum neu zu schreiben. Zwei Phasen zeichnen sich ab: Einer ersten, humanistischen, die in den 1460er Jahren einsetzt und über lateinische Zwischenstufen verläuft, folgt eine zweite, populäre, in der die Novellen in der Mehrheit aus Kompilationen gezogen sind. Die Publikation des um 1476/77 ins Deutsche übertragenen Dekameron situiert sich dazwischen. Ältere und neuere Fragestellungen um die Diffusion der Novellen und den Kulturtransfer zwischen Italien und Deutschland, um Figuren wie Niklas von Wyle, Arigo, Albrecht von Eyb und seine Paveser Universitätskommilitonen sowie Georg Wickram werden hier aufgegriffen und neu beantwortet. Die Analyse der Novellen, die vereinzelt gedruckt wurden, dabei bleibt die in der Forschung am meisten untersuchte “Griseldis” im Hintergrund, während sich “Guiscard und Sigismunde” als der rote Faden durch mehrere Kapitel zieht – schließt mit der anonymen Übersetzung der “Francisca”-Novelle ( Dekameron IX,1), einem Neufund, ab. Band zwei bietet, neben einem umfassenden Katalog der handschriftlichen und gedruckten Novellen, ihre philologisch-kritische Textedition neben einer Neuausgabe von Wyles Übertragung von Dekameron IV,1 sowie der “Cymon”-Novelle von Johann Haselberg (1516).


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Reconsidering Boccaccio
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ISBN: 1487513941 9781487513948 9781487501785 148751395X 9781487513955 Year: 2018 Publisher: Toronto

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Reconsidering Boccaccio explores the exceptional social, geographic, and intellectual range of the Florentine writer Giovanni Boccaccio, his dialogue with voices and traditions that surrounded him, and the way that his legacy illuminates the interconnectivity of numerous cultural networks.


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Boccaccio and the invention of Italian literature : Dante, Petrarch, Cavalcanti, and the authority of the vernacular
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ISBN: 9781107300484 9781107041660 9781461950790 1461950791 1107300487 110704166X 1107521297 1139893394 1107501237 110750662X 1107516994 1107497264 1107503922 1316619699 9781107521292 9781139893398 9781107501232 9781107516991 9781107497269 9781107503922 Year: 2013 Publisher: Cambridge : Cambridge University Press,

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Giovanni Boccaccio played a pivotal role in the extraordinary emergence of the Italian literary tradition in the fourteenth century, not only as author of the Decameron, but also as scribe of Dante, Petrarch and Cavalcanti. Using a single codex written entirely in Boccaccio's hand, Martin Eisner brings together material philology and literary history to reveal the multiple ways Boccaccio authorizes this vernacular literary tradition. Each chapter offers a novel interpretation of Boccaccio as a biographer, storyteller, editor and scribe, who constructs arguments, composes narratives, compiles texts and manipulates material forms to legitimize and advance a vernacular literary canon. Situating these philological activities in the context of Boccaccio's broader reflections on poetry in the Decameron and the Genealogy of the Gentile Gods, the book produces a new portrait of Boccaccio that integrates his vernacular and Latin works, while also providing a new context for understanding his fictions.


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Boccaccio's corpus : allegory, ethics, and vernacularity
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ISBN: 0268104514 0268104492 9780268104528 0268104522 9780268104511 9780268104498 Year: 2019 Publisher: Notre Dame, Indiana : University of Notre Dame Press,

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In Boccaccio's Corpus, James C. Kriesel explores how medieval ideas about the body and gender inspired Boccaccio's vernacular and Latin writings. Scholars have observed that Boccaccio distinguished himself from Dante and Petrarch by writing about women, erotic acts, and the sexualized body. On account of these facets of his texts, Boccaccio has often been heralded as a protorealist author who invented new literatures by eschewing medieval modes of writing. This study revises modern scholarship by showing that Boccaccio's texts were informed by contemporary ideas about allegory, gender, and theology. Kriesel proposes that Boccaccio wrote about women to engage with debates concerning the dignity of what was coded as female in the Middle Ages. This encompassed varieties of mundane experiences, somatic spiritual expressions, and vernacular texts. Boccaccio championed the feminine to counter the diverse writers who thought that men, ascetic experiences, and Latin works had more dignity than women and female cultures. Emboldened by literary and religious ideas about the body, Boccaccio asserted that his “feminine” texts could signify as efficaciously as Dante's Divine Comedy and Petrarch's classicizing writings. Indeed, he claimed that they could even be more effective in moving an audience because of their affective nature— namely, their capacity to attract, entertain, and stimulate readers. Kriesel argues that Boccaccio drew on medieval traditions to highlight the symbolic utility of erotic literatures and to promote cultures associated with women.

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