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Burt Korall is widely recognized as the most authoritative writer on jazz drumming. His first book Drummin' Men--The Heartbeat of Jazz: The Swing Era is considered a classic. Now, in this exciting sequel, Korall offers a richly informative history of drumming in the Bebop era. Korall looks at this music through the eyes of the musicians themselves, covering a whole range of important jazz drummers, but focusing upon the most original and significant--principally Kenny Clarke, Max Roach, and Art Blakey. Korall provides a knowledgeable background about the history of bebop--and the unfortunate

Drummers (Musicians) --- Jazz musicians --- Bop (Music) --- Be-bop (Music) --- Bebop (Music) --- Rebop (Music) --- Jazz --- Drum players --- Percussionists --- History and criticism.

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Jazz musicians --- African American musicians. --- Bop (Music) --- Musiciens de jazz --- Musiciens noirs américains --- Bop (Musique) --- History and criticism. --- Histoire et critique

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Bop (Music) --- Cool jazz --- Jazz --- Bop (Musique) --- Jazz cool --- History and criticism --- Social aspects --- Histoire et critique --- Aspect social --- United States --- Gillespie, Dizzy --- Parker, Charles Christopher --- Monk, Thelonious Sphere --- Davis, Miles Dewey --- Getz, Stan --- Tristano, Leonard Joseph --- History and criticism.

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Jazz. --- Bop (Music) --- Great Britain --- History. --- Be-bop (Music) --- Bebop (Music) --- Rebop (Music) --- Jazz --- Accordion and piano music (Jazz) --- Clarinet and piano music (Jazz) --- Cornet and piano music (Jazz) --- Double bass and piano music (Jazz) --- Jazz duets --- Jazz ensembles --- Jazz music --- Jazz nonets --- Jazz octets --- Jazz quartets --- Jazz quintets --- Jazz septets --- Jazz sextets --- Jazz trios --- Jive (Music) --- Saxophone and piano music (Jazz) --- Vibraphone and piano music (Jazz) --- Wind instrument and piano music (Jazz) --- Xylophone and piano music (Jazz) --- African Americans --- Music --- Third stream (Music) --- Washboard band music --- England --- History

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It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer's brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and per

529 --- Muziekgeschiedenis (jazz en lichte muziek) --- 812 --- Jazz en lichte muziek - Muziekgeschiedenis Jazz --- Bop (Music) --- History and criticism --- Jazz --- 1951-1960 --- 1961-1970 --- African Americans --- Music --- Accordion and piano music (Jazz) --- Clarinet and piano music (Jazz) --- Cornet and piano music (Jazz) --- Double bass and piano music (Jazz) --- Jazz duets --- Jazz ensembles --- Jazz music --- Jazz nonets --- Jazz octets --- Jazz quartets --- Jazz quintets --- Jazz septets --- Jazz sextets --- Jazz trios --- Jive (Music) --- Saxophone and piano music (Jazz) --- Vibraphone and piano music (Jazz) --- Wind instrument and piano music (Jazz) --- Xylophone and piano music (Jazz) --- Third stream (Music) --- Washboard band music --- Be-bop (Music) --- Bebop (Music) --- Rebop (Music) --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Music&delete& --- History and criticism. --- Black people