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Valentin de Boulogne --- Boulogne, de, Valentin --- Boulogne, Valentin de --- de Boulogne, Valentin. --- de Boulogne, Valentin

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"Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalist painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers . . . With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the artist's superlative depictions of daily life and the tumultuous context in which they were produced . . . Rich with incident and insight, and beautifully illustrated with Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later." -- Book jacket.

Painting --- naturalists --- easel paintings [paintings by form] --- Manfredi, Bartolomeo --- Caravaggio, da, Michelangelo M. --- Boulogne, de, Valentin --- Tournier, Nicolas --- France --- Influence (Literary, artistic, etc.) --- Valentin, --- Caravaggio, Michelangelo Merisi da, --- Influence --- Karavadzho, Mikelʹandzhelo da, --- Merizi, Mikelʹandzhelo, --- Merisi, Michelangelo, --- Amerighi, Michelangelo, --- Caravaggio, --- Merisio, Michelangelo, --- Da Caravaggio, Michelangelo Merisi, --- Merisi da Caravaggio, Michelangelo, --- Caravage, --- Merisi, Michelange, --- Caravage, Michelange de, --- Caravaggi, M. de --- קרוואג׳יו --- Jean, --- Valentin, Jean, --- Boulogne, Valentin de, --- Valentin, Moïse, --- Painting, Baroque --- Painting, French --- Peinture baroque --- Peinture française --- Exhibitions --- Expositions --- Caravaggio --- barok --- Boulogne, Valentin de --- 17de eeuw --- Peinture française --- barok. --- de Boulogne, Valentin. --- Caravaggio. --- Manfredi, Bartolomeo. --- Tournier, Nicolas. --- 17de eeuw. --- de Boulogne, Valentin

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Caravaggism --- Manfredi, Bartolomeo --- Caravaggisme --- Caravaggio --- Von Sandrart, Joachim --- Seghers, Gerard --- Baburen, Dirck van --- Honthorst, Gerard van --- Régnier, Nicolas --- Vouet, Simon --- Boulogne, Valentin de --- Tournier, Nicolas --- 17de eeuw --- Manfredi, Bartolomeo, --- Criticism and interpretation. --- Criticism and interpretation --- Catalogs --- caravaggisme --- Van Baburen, Dirck --- caravaggisme. --- Manfredi, Bartolomeo. --- Caravaggio. --- Von Sandrart, Joachim. --- Seghers, Gerard. --- Van Baburen, Dirck. --- Honthorst, Gerard van. --- Régnier, Nicolas. --- Vouet, Simon. --- de Boulogne, Valentin. --- Tournier, Nicolas. --- 17de eeuw. --- invloed van Italiaanse school --- de Boulogne, Valentin

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A very important part of Caravaggios production consists of pictorial narratives, mostly religious. Thus, according to early modern aesthetics, Caravaggio practiced the artistic genre of the istoria: the most discussed and thoroughly defined pictorial institution of his time. Unanimously, seventeenth-century artists and art theorists censored and condemned Caravaggios art for its numerous deficiencies and faults in regard to the principles of the istoria. In spite of all these testimonies, Caravaggios innovations in and misuses of the techniques specific to early modern pictorial narrative have never been systematically studied, debated, and put into historical perspective. In this volume, Lorenzo Pericolo argues that Caravaggios multiple experimentations with the traditional devices of the istoria not only represent the core of an unprecedented "poetics of dislocation," but also unsettled, dismantled, and expanded the scope of pictorial narrative in ways that would have redefined and deeply transformed the concept of painting and artistic creation, had Caravaggios enterprise not have been ferociously criticized and stigmatized as both aberrant and defective. To solidly establish the importance and groundbreaking charge of Caravaggios work, Pericolo examines the notion of Leon Battista Albertis istoria as interpreted and developed by early modern artists and theoristsfrom Leonardo to Vasari, from Lomazzo to Poussin, and from Michelangelo to Belloriin vast surveys in which the concepts of diachrony, duration, eurythmy, propriety, verisimilitude, and pictorial truth among othersare carefully examined on a theoretical and practical level. By analyzing the paintings of Caravaggios followers such as Cecco del Caravaggio, Battistello Caracciolo, Valentin de Boulogne and, not least, Diego Velázquez, Pericolo explores how Caravaggios innovations in the domain of pictorial narrative were variously construed, elaborated upon, and brought to fruition in the aftermath of the masters death in 1610, thereby offering a critical explanation of the implosion and extinction of the Caravaggesque movement in the 1630s. Among the flood of recent books devoted to Caravaggio, whose popularity now stands at the zenith, Lorenzo Pericolos profound and passionate study stands out for its sensitive and learned presentation of an argument that is both historically true and critically revealing to present-day sensibilities. Thoroughly at home in the vast literature devoted to Baroque art in general and to Caravaggio in particular, Pericolo also brings to his subject an unrivaled understanding of modern theoretical techniques on the one hand, and, on the other, an unrivaled mastery of seventeenth-century artistic theory, profoundly based in Aristotelian poetics and in rhetorical techniques. Through extended close readings of Caravaggios paintings, arranged in roughly chronological order, Pericolo brilliantly teases out the theoretical and practical choices that confronted Caravaggio, and that further determined reception of his work, both in the positive and negative senses, by highly sophisticated contemporary audiences. Beyond this, Pericolo is a remarkably sensitive guide to Caravaggios expression of profound, wrenching and often painful, emotions caught in eternal suspension, the sources of both his contemporaries discomfort and our own, modern, recognition and appreciation. Truly a distinguished achievement, this book is required reading for general readers as well as specialists in the history of art.

istoria --- Caravaggio, da, Michelangelo M. --- Painters --- Painting, Italian --- Peintres --- Peinture italienne --- History. --- Histoire --- Caravaggio, Michelangelo Merisi da, --- Influence. --- Caravaggisme --- iconografie --- techniek --- Caravaggio --- Marino, Giovan Battista --- Titiaan --- Alberti, Leon Battista --- Velázquez, Diego --- Boulogne, Valentin de --- 16de eeuw --- 17de eeuw --- History --- Influence --- Caravage, Le --- Italian painting --- Karavadzho, Mikelʹandzhelo da, --- Merizi, Mikelʹandzhelo, --- Merisi, Michelangelo, --- Amerighi, Michelangelo, --- Caravaggio, --- Merisio, Michelangelo, --- Da Caravaggio, Michelangelo Merisi, --- Merisi da Caravaggio, Michelangelo, --- Caravage, --- Merisi, Michelange, --- Caravage, Michelange de, --- Caravaggi, M. de --- קרוואג׳יו --- Caravaggio, Michelangelo Merisi da --- Italy --- Painting [Italian ] --- caravaggisme --- Painters - Italy --- Painting, Italian - History --- Caravaggio, Michelangelo Merisi da, - 1573-1610 --- Caravaggio, Michelangelo Merisi da, - 1573-1610 - Influence --- caravaggisme. --- iconografie. --- techniek. --- Caravaggio. --- Marino, Giovan Battista. --- Titiaan. --- Alberti, Leon Battista. --- Velázquez, Diego Rodriguez de Silva y. --- de Boulogne, Valentin. --- 16de eeuw. --- 17de eeuw. --- istoria [critical concept] --- Velázquez, Diego Rodriguez de Silva y --- de Boulogne, Valentin