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Art --- Minimal --- minimal art --- anno 1960-1969 --- Art, American --- Minimal art --- James Meyer --- kunst --- schilderkunst --- beeldhouwkunst --- installaties --- galeries --- kunstkritiek --- neon --- minimalisme --- twintigste eeuw --- Verenigde Staten --- André Carl --- Baer Jo --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Bourdon David --- Burn Ian --- Chave Anna C. --- Chicago Judy --- Coplans John --- Crimp Douglas --- De Maria Walter --- Di Suvero Mark --- Flavin Dan --- Foster Hal --- Fried Michael --- Glaser Bruce --- Greenberg Clement --- Gregor Harold --- Hesse Eva --- Humphrey Ralph --- Judd Donald --- Kramer Hilton --- Krauss Rosalind --- Leider Philip --- LeWitt Sol --- Lippard Lucy R. --- McCracken John --- McShine Kynaston --- Mangold Robert --- Marden Brice --- Martin Agnes --- Merleau-Ponty Maurice --- Meyer Ursula --- Michelson Annette --- Mogenson Paul --- Morris Robert --- Novros David --- Rainer Yvonne --- Rose Barbara --- Rosenblum Robert --- Ryman Robert --- Serra Richard --- Smith Tony --- Smithson Robert --- Stella Frank --- Truitt Anne --- Wagstaff Jr. Samuel J. --- 7.038 --- art history --- Chave Anna C --- Lippard Lucy R --- Wagstaff Jr. Samuel J --- Art, Minimal --- Minimalism (Art) --- Minimalist art --- Systematic painting --- Art, Abstract --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- United States --- Art [Modern ] --- 20th century

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The first anthology to address the rise of the "design-art" phenomenon—the breakdown of boundaries between art and architectural, graphic, or product design begun in the Pop and Minimalist eras. This reader in Whitechapel's Documents of Contemporary Art series investigates the interchange between art and design. Since the the Pop and Minimalist eras—as the work of artists ranging from Andy Warhol to Dan Graham demonstrates—the traditional boundaries between art and architectural, graphic, and product design have dissolved in critically significant ways. Design and Art traces the rise of the "design-art" phenomenon through the writings of critics and practitioners active in both fields.The texts include writings by Paul Rand, Hal Foster, Miwon Kwon, and others that set the parameters of the debate; utopian visions, including those of architect Peter Cook and writer Douglas Coupland; project descriptions by artists (among them Tobias Rehberger and Jorge Pardo) juxtaposed with theoretical writings; surveys of group practices by such collectives as N55 and Superflex; and views of the artist as mediator—a role assumed in the past to be the province of the designer—as seen in work by Frederick Kiesler, Ed Ruscha, and others. Finally, a book that doesn't privilege either the art world or the design world but puts them in dialogue with each other. Contributors David Bourdon, Peter Cook/Archigram, Douglas Coupland, Kees Dorst, Charles Eames, Experimental Jetset, Vilém Flusser, Hal Foster, Liam Gillick, Dan Graham, Clement Greenberg, Richard Hamilton, Donald Judd, Frederick Kiesler, Miwon Kwon, Maria Lind, M/M, N55, George Nelson, Lucy Orta, Jorge Pardo, Norman Potter, Rick Poynor, Paul Rand, Tobias Rehberger, Ed Ruscha, Joe Scanlan, Mary Anne Staniszewski, Superflex, Manfredo Tafuri, Rirkrit Tiravanija, Paul Virilio, Joep van Lieshout, Andy Warhol, Benjamin Weil, Mark Wigley, Andrea Zittel.

hedendaagse kunst --- design [discipline] --- Art --- art [fine art] --- philosophy of art --- ontwerpen --- Contemporary [style of art] --- Tiravanija, Rirkrit --- Jongerius, Hella --- Warhol, Andy --- Ruscha, Ed --- Gillick, Liam --- Lieshout, van, Joep --- Judd, Donald --- Graham, Dan --- Schouwenberg, Louise --- Eames, Charles --- Rehberger, Tobias --- Pardo, Jorge --- Rams, Dieter --- Zittel, Andrea --- Cook, Peter --- Scanlan, Joe --- Hamilton, Richard --- Rand, Paul --- Orta, Lucy --- Nelson, George --- N55 [Copenhagen] --- Experimental Jetset [Amsterdam] --- M/M (Paris) --- Superflex [Copenhagen] --- anno 2000-2009 --- anno 1900-1999 --- Design --- Art and design --- Philosophy --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunst en design --- design --- aalto Alvar --- Arad Ron --- Archigram --- Experimental Jetset --- Flavin Dan --- Gillick Liam --- Gropius Walter --- Huyghe Pierre --- Jongerius Hella --- Judd Donald --- Kiesler Frederick --- Loos Adolf --- Mau Bruce --- Mevis Armand --- M/M --- N55 --- Oldenburg Claes --- Orta Lucy --- Panton Verner --- Moholy-Nagy Laszlo --- Pardo Jorge --- Parreno Philippe --- Rams Dieter --- Roth Dieter --- Rehberger Tobias --- Ruscha Ed --- Superflex --- Tiravanija Rirkrit --- Van Deursen Linda --- van Lieshout Joep --- Venturi Robert --- Warhol Andy --- Zittel Andrea --- Bourdon David --- Cook Peter --- Coupland Douglas --- Dorst Kees --- Eames Charles --- Flusser Vilém --- Foster Hal --- Graham Dan --- Greenberg Clement --- Hamilton Richard --- Kwon Miwon --- Lind Maria --- Nelson George --- Potter Norman --- Poynor Rick --- Rand Paul --- Scanlan Joe --- Staniszewski Mary Anne --- Tafuri Manfredo --- Virilio Paul --- Weil Benjamin --- Wigley Mark --- 7.01 --- 7.038 --- 745.01 --- Art and design. --- Philosophy. --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over kunst en design --- Kunst en architectuur --- Kunst en grafisch en industrieel ontwerp --- Flusser, Vilém --- Design and art --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Kunst --- vormgeving --- kunstfilosofie --- N55 [Kopenhagen] --- SUPERFLEX [Kopenhagen] --- MAD-faculty 14 --- kunst en filosofie --- SUPERFLEX [Copenhagen] --- Design - Philosophy --- art [discipline]