Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Bourriaud, Nicolas --- Sans, Jérôme

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art, Modern --- Themes, motives --- Bourriaud, Nicolas.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

- Theoretical frameworks. The poetics of the Open work / Umberto Eco ##- The death of the author / Roland Barthes ##- The negation of the autonomy of art by the Avant-garde / Peter Bürger ##- The inoperative community / Jean-Luc Nancy ##- Poetics of relation / Édouard Glissant ##- Chaosmosis: an ethico-aesthetic paradigm / Félix Guattari ##- Problems and transformations in critical art / Jacques Rancière. Artists writings. Towards a situationist international / Guy Debord ##- Notes on the elimination of the audience / Allan Kaprow ##- Dance in my experience / Hélio Oiticica ##- Letters 1968-69 / Lygia Clark and Hélio Oiticica ##- Project for the experimental art series, Rosario / Graciela Carnevale ##- Report of a day's proceedings at the Bureau for Direct Democracy / Joseph Beuys and Dirk Schwarze ##- I am searching for field character / Joseph Beuys ##- Ten appearances ##- Notes on funk, I-II / Adrian Piper ##- On democracy ##- Transnacionala/A journey from the East to the West / Eda Cufer ##- The Baudouin/Boudewijn experiment: a deliberate, non-fatalistic, large-scale group experiment in deviation / Carsten Höller ##- The battle of Orgreave / Jeremy Deller ##- No ghosts in the wall / Rirkrit Tiravanija ##- 24h Foucault / Thomas Hirschhorn. Critical and curatorial positions. Relational aesthetics / Nicolas Bourriaud ##- Social aesthetics / Lars Bang Larsen ##- What is a station? / Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija ##- Chat rooms / Hal Foster.

art criticism --- kunstenaarsgeschriften --- philosophy of art --- hedendaagse kunst --- art [fine art] --- kunstbeschouwing --- Contemporary [style of art] --- Art --- interactive art --- Tiravanija, Rirkrit --- Höller, Carsten --- Hirschhorn, Thomas --- Beuys, Joseph --- Clark, Lygia --- Deller, Jeremy --- Kaprow, Allan --- Oiticica, Hélio --- Interactive art --- Arts audiences --- Authorship --- Sociological aspects --- kunst --- nineties --- eenentwintigste eeuw --- participatie --- 82:7 --- interactieve kunst --- interactiviteit --- kunsttheorie --- Barthes Roland --- Beuys Joseph --- Bourriaud Nicolas --- Bürger Peter --- Carnevale Graciela --- Clark Lygia --- Collective Actions --- Cufer Eda --- Debord Guy --- Deller Jeremy --- Eco Umberto --- Foster Hal --- Glissant Edouard --- Group Material --- Guattari Félix --- Hirschhorn Thomas --- Höller Carsten --- Kaprow Allan --- Larsen Lars Bang --- Nancy Jean-Luc --- Nesbit Molly --- Obrist Hans Ulrich --- Oiticica Hélio --- Piper Adrian --- Rancière Jacques --- Schwarze Dirk --- Tiravanija Rirkrit --- 7.038/039 --- Literatuur en kunst --- Arts audiences. --- Interactive art. --- Sociological aspects. --- 7.01 --- 82:7 Literatuur en kunst --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over interactie ; participatie ; dialoog met het publiek --- public art --- community art --- Kunst --- gemeenschapskunst --- openbare kunst --- kunstkritiek --- kunstfilosofie --- Rapport du spectateur à l'objet créé --- Participation --- Performance --- Eco, Umberto --- Barthes, Roland, --- Bourriaud, Nicolas --- Bürger, Peter --- Carnevale, Graciela --- Cufer, Eda --- Debord, Guy --- Foster, Hal --- Glissant, Édouard, --- Guattari, Félix --- Hirschhorn, Thomas, --- Larsen, Lars Bang --- Nancy, Jean-Luc --- Nesbit, Molly --- Obrist, Hans Ulrich --- Piper, Adrian, --- Rancière, Jacques, --- Schwarze, Dirk --- artists' statements --- Authorship - Sociological aspects --- Barthes, Roland, 1915-1980 --- Glissant, Édouard, 1928-2011 --- Guattari, Félix 1930-1992 --- Hirschhorn, Thomas, 1957 --- -Höller, Carsten --- Piper, Adrian, 1948 --- -Rancière, Jacques, 1940 --- -Schwarze, Dirk

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Important documents and appraisals of appropriation art from Duchamp's readymades to feminist and postcolonial critique. Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of “stealing” images and forms from other makers. Among the diverse, often contestatory strategies included under the heading “appropriation” are the readymade, détournement, pastiche, rephotography, recombination, simulation and parody. Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation's significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures. Artists surveyed include Akasegawa Genpei, Santiago Álvarez, Art Workers Coalition, Ross Bleckner, Marcel Broodthaers, Victor Burgin, Maurizio Cattelan, Hans-Peter Feldmann, Douglas Gordon, Johan Grimonprez, Peter Halley, Hank Herron, Pierre Huyghe, Mike Kelley, Idris Khan, Barbara Kruger, Sherrie Levine, Glenn Ligon, Steve McQueen, Alexandra Mir, Keith Piper, Richard Prince, Jorma Puranen, Cindy Sherman, John Stezaker, Retort, Martha Rosler, Philip Taaffe. Writers include Malek Alloula, Jean Baudrillard, Walter Benjamin, Nicolas Bourriaud, Benjamin H. D. Buchloh, Johanna Burton, Douglas Crimp, Thomas Crow, Guy Debord, Georges Didi-Huberman, Marcel Duchamp, Okwui Enwezor, Jean-Luc Godard, Isabelle Graw, Boris Groys, Raoul Hausmann, Sven Lütticken, Cildo Meireles, Kobena Mercer, Slobodan Mijuskovic, Laura Mulvey, Jo Spence, Elisabeth Sussman, Lisa Tickner, Reiko Tomii, Andy Warhol.

Appropriation (Art) --- Art, Modern --- kunst --- appropriation art --- appropriation --- eenentwintigste eeuw --- twintigste eeuw --- Alvarez Santiago --- Genpei Akasegawa --- Art Workers Coalition --- Broodthaers Marcel --- Burgin Victor --- Cattelan Maurizio --- Gordon Douglas --- Grimonprez Johan --- Halley Peter --- Huyghe Pierre --- Kelley Mike --- Khan Idris --- Kruger Barbara --- Levine Sherrie --- Ligon Glenn --- McQueen Steve --- Mir Aleksandra --- Piper Keith --- Prince Richard --- Puranen Jorma --- Retort --- Rosler Martha --- Sherman Cindy --- Stezaker John --- Taaffe Philip --- Alloula Malek --- Baudrillard Jean --- Benjamin Walter --- Bourriaud Nicolas --- Buchloh Benjamin H.D. --- Burton Johanna --- Crimp Douglas --- Crow Thomas --- Debord Guy --- Didi-Huberman Georges --- Duchamp Marcel --- Enwezor Okui --- Godard Jean-Luc --- Graw Isabelle --- Groys Boris --- Hausmann Raoul --- Lüttiken Sven --- Meireles Cildo --- Mercer Kobena --- Mijuskovic Slobodan --- Mulvey laura --- Spence Jo --- Sussman Elisabeth --- Tickner Lisa --- Tomii Reiko --- Warhol Andy --- Welchman John C. --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; 21ste eeuw --- Appropriaton Art --- hedendaagse kunst --- Contemporary [style of art] --- Art --- appropriation [imagery] --- anno 1900-1999 --- Appropriation (Art). --- Buchloh Benjamin H.D --- Welchman John C --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet de récupération --- Ready made --- Dadaïsme --- Situationnisme --- Kunst --- pastiche [ontlening] --- Appropriation (art) --- Simulationnisme. --- Art, Modern - 20th century

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- Sculpture --- History --- art history --- sculpting --- Starling, Simon --- Philipsz, Susan --- Wallinger, Mark --- Arp, Hans --- Arad, Ron --- Horn, Rebecca --- Macuga, Goshka --- Islam, Runa --- Neto, Ernesto --- Cragg, Tony --- Rakowitz, Michael --- Gowda, Sheela --- Ataman, Kutlug --- Lissitzky, El --- Putrih, Tobias --- Nara, Yoshitomo --- Reyers, Zeger --- Cruzvillegas, Abraham --- Oiticica, Hélio --- Orta, Jorge --- Batchelor, David --- Creed, Martin --- Langlands & Bell --- Perry, Grayson --- Shonibare, Yinka --- Turk, Gavin --- Paik, Nam June --- Kienholz, Edward --- Saraceno, Tomás --- Hein, Jeppe --- Caro, Anthony --- El Anatsui --- Altmejd, David --- Warhol, Andy --- Kuball, Mischa --- White, Pae --- Oldenburg, Claes --- Othoniel, Jean-Michel --- Hazoumè, Romuald --- Absalon --- Boyce, Martin --- Breitz, Candice --- Cardiff, Janet --- Chen, Zhen --- Deller, Jeremy --- Elmgreen, Michael --- Dragset, Ingar --- Fischer, Urs --- Gallaccio, Anya --- Grünfeld, Thomas --- Gupta, Subodh --- Hiller, Susan --- Mach, David --- McQueen, Steve --- Miyajima, Tatsuo --- Muniz, Vik --- Murakami, Takashi --- Parreno, Philippe --- Piccinini, Patricia --- Plensa, Jaume --- Puryear, Martin --- Sosnowska, Monika --- Tayou, Pascale Marthine --- Woodrow, Bill --- Duchamp, Marcel --- Lee, Bul --- Los Carpinteros --- Abdessemed, Adel --- Al-Hadid, Diana --- Picasso, Pablo --- Baghramian, Nairy --- Kippenberger, Martin --- Barclay, Claire --- Berg, Hans --- Bhabha, Huma --- Bircken, Alexandra --- Black, Karla --- Bourriaud, Nicolas --- Bove, Carol --- Büchel, Christoph --- Burr, Tom --- Campana Brothers --- Choi Jeong Hwa --- Damm, Ursula --- Darbyshire, Matthew --- Dolven, A.K. --- Donovan, Tara --- Ekblad, Ida --- Segal, George --- Pistoletto, Michelangelo --- Gabellone, Giuseppe --- Gaillard, Cyprien --- Morris, Robert --- Bourgeois, Louise --- Gonzales-Torres, Felix --- Gréaud, Loris --- Greenfort, Tue --- Bruyckere, De, Berlinde --- Guyton, Wade --- Houseago, Thomas --- Jeanne-Claude --- Jacir, Emily --- Jackson, Matthew Day --- Kac, Eduardo --- Kimsooja --- Kneebone, Rachel --- Kawamata, Tadashi --- Smithson, Robert --- Korina, Irina --- Kuśmirowski, Robert --- Lambie, Jim --- Janssens, Ann Veronica --- Laric, Oliver --- Löhr, Christiane --- Fulton, Hamish --- Løw, Camilla --- Lozano-Hemmer, Rafael --- Delvoye, Wim --- Margolles, Teresa --- McCall, Anthony --- Meckseper, Josephine --- Mendizabal, Asier --- Morgan, Polly --- Beuys, Joseph --- Nelson, Mike --- Nepomuceno, Maria --- Neudecker, Mariele --- Noble, Tim --- Ortega, Damián --- Özkaya, Serkan --- Paine, Roxy --- Yu Peng --- Pich, Sopheap --- Rechmaoui, Marwan --- Reyle, Anselm --- Rothschild, Eva --- Saputra, Handiwirman --- Nash, David --- Shahroudy Farmanfarmaian, Monir --- Suda, Yoshihiro --- Suh, Do Ho --- Sui Jianguo --- Sun Yuan --- Szejnoch, Kamila --- Long, Richard --- Trouvé, Tatiana --- Vasconcelos, Joana --- Boltanski, Christian --- Warren, Rebecca --- Kabakov, Ilija Iosefovich --- Webb, Gary --- Webster, Sue --- Wermers, Nicole --- Steinbach, Haim --- Koons, Jeff --- Xu Bing --- Yue Minjun --- Zhan Wang --- Zheng Guo Gu --- Aoki, Katsuyo --- Chaw Ei Thein --- Cinti, Laura --- Finer, Jem --- Herzcka, Mateusz --- Horne, Pip --- Meekyoung, Shin --- Paterson, Toby --- Streitmatter-Tran, Richard --- West, Franz --- Moholy-Nagy, László --- Allora and Calzadilla --- Breuer, Marcel --- Penone, Giuseppe --- Kubisch, Christina --- Cai Guo Qiang --- Munster, van, Jan --- Serra, Richard --- Tuttle, Richard --- Rodin, Auguste --- Hatoum, Mona --- McCarthy, Paul --- Hadid, Zaha --- Kiefer, Anselm --- Ray, Charles --- Merz, Mario --- Kelley, Mike --- Schütte, Thomas --- Moore, Henry --- Morellet, François --- Beeck, Op de, Hans --- Sonnier, Keith --- Friedman, Tom --- Graham, Dan --- Holzer, Jenny --- Cattelan, Maurizio --- Kusama, Yayoi --- Salcedo, Doris --- Messager, Annette --- Judd, Donald --- Eliasson, Olafur --- Bałka, Mirosław --- Balkenhol, Stephan --- Turrell, James --- Dion, Mark --- Chapman, Jake --- Dean, Tacita --- Emin, Tracey --- Fischli, Peter --- Flavin, Dan --- Fleury, Sylvie --- Gilbert and George --- Gillick, Liam --- Gygi, Fabrice --- Hesse, Eva --- Hirschhorn, Thomas --- Hirst, Damien --- Honert, Martin --- Kapoor, Anish --- Kingelez, Bodys Isek --- Kounellis, Jannis --- Lucas, Sarah --- Mori, Mariko --- Muñoz, Juan --- Nauman, Bruce --- Pardo, Jorge --- Rhoades, Jason --- Rist, Pipilotti --- Rondinone, Ugo --- Schneider, Gregor --- Shrigley, David --- Sze, Sarah --- Thater, Diana --- Tiravanija, Rirkrit --- Veilhan, Xavier --- Weiss, David --- Höller, Carsten --- Smith, Kiki --- Lieshout, van, Joep --- Alÿs, Francis --- Gober, Robert --- Fritsch, Katharina --- Pernice, Manfred --- Parker, Cornelia --- Bulloch, Angela --- Orozco, Gabriel --- Mueck, Ron --- Houshiary, Shirazeh --- Banner, Fiona --- Burden, Chris --- Schwitters, Kurt --- Erkmen, Ayşe --- Floyer, Ceal --- Genzken, Isa --- Gormley, Antony --- Kienholz, Nancy --- Kosice, Gyula --- Ligon, Glenn --- Lin, Maya --- Mendieta, Ana --- Nicolai, Olaf --- Orta, Lucy --- Oursler, Tony --- Potrč, Marjetica --- Quinn, Marc --- Rehberger, Tobias --- Venet, Bernar --- Whiteread, Rachel --- Wilson, Fred --- Wodiczko, Krysztof --- Zittel, Andrea --- Evans, Cerith Wyn --- Gonzalez-Foerster, Dominique --- Weinberger, Lois --- Olde Wolbers, Saskia --- Harrison, Rachel --- Stelarc --- Jaar, Alfredo --- Sierra, Santiago --- Ai Weiwei --- Wilson, Richard --- Deacon, Richard --- Calder, Alexander --- Szapocznikow, Alina --- Matta-Clark, Gordon --- Djurberg, Nathalie --- Kosuth, Joseph --- Atelier Van Lieshout [Rotterdam] --- SUPERFLEX [Copenhagen] --- Yangjiang Group --- anno 1900-1999 --- anno 2000-2099