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La photographie est pour Cartier-Bresson un moyen parmi d'autres d'exercer son intelligence du monde, de créer un "imaginaire d'après nature". Cet "outil" est toujours resté en relation avec sa pratique première de la peinture et du dessin. L'art du tir à l'arc zen, auquel il se réfère, vient insérer la photographie dans un cadre symbolique original qui couronne une réflexion profonde, invalidant les distinctions propres à la culture occidentale entre discipline physique, exercice spirituel et activité artistique. Le photographe-archer devient ainsi maître de l'instant en pratiquant un art sans art. Henri Cartier-Bresson apporte son éthique au reportage, faisant du photographe le Seigneur de l'occasion, le Maître des coïncidences. Puis, les noeuds qu'il a si vivement ourdis avec le temps grâce à l'outil photographique seront patiemment renoués avec le dessin. En présentant au lecteur à la fois les peintures, les dessins et les photographies d'Henri Cartier-Bresson, cet ouvrage propose un regard neuf tant sur son oeuvre que sur l'art des reporters photographes dont il se réclame.

Photographic criticism --- 77.071 CARTIER-BRESSON --- CDL --- Photography --- Photography criticism --- Criticism --- Cartier-Bresson, Henri, --- Bresson, Henri Cartier-, --- Criticism and interpretation. --- Cartier-Bresson, Henri --- Criticism and interpretation --- France --- 790 --- photographie --- kunstenaars --- artistes --- Photographies. --- Critique et interprétation.

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Photographic criticism --- Cartier-Bresson, Henri, --- Criticism and interpretation --- Cartier-Bresson Henri --- fotografie --- Frankrijk --- twintigste eeuw --- 77.071 CARTIER-BRESSON --- Conferences - Meetings --- Photography --- Photography criticism --- Criticism --- Bresson, Henri Cartier-, --- Photographic criticism - France - Congresses --- Cartier-Bresson, Henri, - 1908-2004 - Criticism and interpretation - Congresses --- Cartier-Bresson, Henri, - 1908-2004

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Photographers --- Photography, Artistic. --- Photojournalism. --- fotografie --- Frankrijk --- reportagefotografie --- fotojournalistiek --- documentaire fotografie --- twintigste eeuw --- Cartier-Bresson Henri --- 77.071 CARTIER-BRESSON --- Camera journalism --- Editorial photography --- Journalism, Camera --- Journalistic photography --- News photography --- Photo journalism --- Photography, Journalistic --- Photography for the press --- Press photography --- Commercial photography --- Journalism --- Illustrated periodicals --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Artists --- Aesthetics --- Cartier-Bresson, Henri, --- Bresson, Henri Cartier-, --- 20th century --- Biography --- Photography, Artistic --- Photojournalism

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Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre. In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual, but to the type; not to the 'reality' of the street but to its 'romance'

77.03 --- 77.041.7 --- fotografie --- fotografietheorie --- straatfotografie --- Frankrijk --- Parijs --- fotografie en schilderkunst --- negentiende eeuw --- twintigste eeuw --- Collard Hippolyte-Auguste --- Kertész André --- Doisneau Robert --- Wols --- Lartigue Jacques-Henri --- Renoir Auguste --- Manet Edouard --- Bovis Marcel --- Caillebotte Gustave --- Bucquet Maurice --- Izis --- Pissarro Camille --- Atget Eugène --- Krull Germaine --- Seeberger Frères --- Brassaï --- Colomb Denise --- Nègre Charles --- 77.01 --- 77.046 --- 77.041.7 Fotografie van het dagelijks leven. Narratieve fotografie --- Fotografie van het dagelijks leven. Narratieve fotografie --- 77.03 Documentaire fotografie --- Documentaire fotografie --- Photography --- Street photography --- History. --- Atget, Eugène, --- Cartier-Bresson, Henri, --- Cityscape photography --- Outdoor photography --- Bresson, Henri Cartier-, --- Atget, Jean-Eugène,