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Acker, Kathy --- Young, Marguerite --- Brooke-Rose, Christine
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In den letzten Jahrzehnten spielt die Figur des Dolmetschers in literarischen Werken vermehrt eine Hauptrolle. An ihr werden aktuelle Themen wie die Suche nach Identität, Fremd- und Anderssein, Migration und kulturelle Hybridität anschaulich dargestellt. Ausgewählte Werke von zwölf Schriftstellern, unter denen sich so bekannte Autoren wie Ivo Andrió, Ingeborg Bachmann oder Javier Marías finden, werden von der Autorin einer eingehenden Analyse unterzogen. Den literarischen Darstellungen werden kultur-, sprach- und translationswissenschaftliche Erkenntnisse gegenübergestellt. Auf diese Weise wird nicht nur die Kluft zwischen Fiktion und Realität deutlich, sondern auch die Notwendigkeit einer berufsethischen Diskussion zum Rollenbild und Selbstverständnis von Dolmetscherinnen und Dolmetschern. Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Theory of literary translation --- tolken --- Interpreting --- Sociolinguistics --- Tolken in de letterkunde --- 82.033 --- Literatuur. Algemene literatuurwetenschap. Tolken --- Tolken in de letterkunde. --- Translators in literature --- Translators --- Brooke-Rose, Christine --- Friel, Brian --- Marías, Javier --- Andric, Ivo --- Bachmann, Ingeborg --- Frayn, Michael
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Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.
Literature, Modern --- American literature --- Drama --- European literature --- Literature --- Poetry, Modern --- Popular literature. --- History and criticism --- Theory, etc. --- Stories, plots, etc. --- Brooke Rose, Christine, --- Ernaux, Annie, --- Kesey, Ken. --- Mosley, Walter.
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Experiments in Life-Writing: Intersections of Auto/Biography and Fiction probes the wealth and diversity of literary forms that fuse auto/biography and fiction in ingenious ways and interact with other artistic media. The international scholars and practitioners who have contributed to this unique volume engage with daring experiments in the dynamic genre of life-writing and enrich current debates in a flourishing field of study. -Monica Latham, Professor of British Literature, Université de Lorraine, France This volume examines innovative intersections of life-writing and experimental fiction in the 20th and 21st centuries, bringing together scholars and practicing biographers from several disciplines (Modern Languages, English and Comparative Literature, Creative Writing). It covers a broad range of biographical, autobiographical, and hybrid practices in a variety of national literatures, among them many recent works: texts that test the ground between fact and fiction, that are marked by impressionist, self-reflexive and intermedial methods, by their recourse to myth, folklore, poetry, or drama as they tell a historical character’s story. Between them, the essays shed light on the broad range of auto/biographical experimentation in modern Europe and will appeal to readers with an interest in the history and politics of form in life-writing: in the ways in which departures from traditional generic paradigms are intricately linked with specific views of subjectivity, with questions of personal, communal, and national identity. The Introduction of this book is open access under a CC BY 4.0 license.
Philosophy --- Linguistics --- Literature --- geletterdheid --- filosofie --- literatuur --- Brooke-Rose, Christine --- Kay, Jackie --- Schumann, Clara --- Cary, Elizabeth --- Johnston, B.S. --- Soler, Jordi --- Romano, Lalla --- Handke, Peter --- Marías, Javier --- anno 1900-1999
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This innovative volume establishes autofiction as a new and dynamic area of theoretical research in English. Since the term was coined by Serge Doubrovsky, autofiction has become established as a recognizable genre within the French literary pantheon. Yet unlike other areas of French theory, English-language discussion of autofiction has been relatively limited - until now. Starting out by exploring the characteristic features and definitions of autofiction from a conceptual standpoint, the collection identifies a number of cultural, historical and theoretical contexts in which the emergence of autofiction in English can be understood. In the process, it identifies what is new and distinctive about Anglophone forms of autofiction when compared to its French equivalents. These include a preoccupation with the conditions of authorship; writing after trauma; and a heightened degree of authorial self-reflexivity beyond that typically associated with postmodernism. By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up new avenues in life writing and authorship research.
Philosophy --- Linguistics --- Literature --- geletterdheid --- filosofie --- literatuur --- Brooke-Rose, Christine --- Kay, Jackie --- Barry, Lynda --- Gloeckner, Phoebe --- Burnside, John --- Williams, Charlotte --- Eggers, Dave --- Kosinski, Jerzy --- O'Brien, Tim --- anno 1900-1999
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“Through a synthesis of biographical research and textual analysis Joseph Darlington's monograph grounds Brooke-Rose’s fascinating novels in a new way, showing how they were responses to the circumstances of the author’s eventful life and concerns at the time of writing. In so doing, it links the array of disciplinary fields Brooke-Rose was significant in and allows the reader to see her contribution as a sum of its many parts.” —Glyn White, Senior Lecturer in Twentieth Century Literature and Culture, University of Salford, UK This book utilizes archive research, interviews and historical analysis to present a comprehensive overview of the works of Christine Brooke-Rose. A writer well-known for her idiosyncratic and experimental approaches to the novel form; this work traces her development from her early years as a social satirist, through her space-aged experimentalism in the 1960s, to her later poststructuralism and interest in digital computing and genetics. The book gives an overview of her writing and intellectual career with new archival research that places Brooke-Rose’s work in the context of the historically important events in which she was a participant: Bletchley Park codebreaking in the Second World War, the events in Paris during May 1968, the dawning of the internet and the rise of poststructuralism. Joseph Darlington begins with Brooke-Rose’s first novels written in the late 1950s of social satire, studies her experimental phase of writing and finally illuminates her unique approach to autobiography, arguing for reevaluating this interdisciplinary author and her contribution to poststructuralism, life writing and post-war literature. Joseph Darlington is a writer and academic from Manchester, UK. He is programme leader for the animation degree at Futureworks Media School, and is the author of British Terrorist Novels of the 1970s (Palgrave Macmillan 2018) and co-editor of the Manchester Review of Books. He was awarded a Harry Ransom Fellowship for his work on Brooke-Rose in 2012, and has published a number of research papers exploring her work.
English fiction --- History and criticism. --- Brooke-Rose, Christine, --- Criticism and interpretation. --- Influence. --- Brooke-Rose, Christine --- Rose, Christine Brooke-, --- Literature, Modern --- Poststructuralism. --- Fiction. --- Language and languages --- Postmodernism. --- World history. --- Twentieth-Century Literature. --- Fiction Literature. --- Philosophy of Language. --- Post-Modern Philosophy. --- World History, Global and Transnational History. --- Universal history --- History --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Post-structuralism --- Structuralism --- 20th century. --- Philosophy. --- Philosophy
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