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Neubeginn und Tradition : Bücher und Buchgestaltung vor dreissig Jahren
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Year: 1975 Publisher: Leipzig : Deutsche Bücherei,


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Makers and users of medieval books : essays in honour of A.S.G. Edwards
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ISBN: 9781843843757 1843843757 9781782042754 178204275X Year: 2014 Publisher: Suffolk : Boydell & Brewer,

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Abstract

Late medieval manuscripts and early modern print history form the focus of this volume. It includes new work on the compilation of some important medieval manuscript miscellanies and major studies of merchant patronage and of a newly revealed woman patron, alongside explorations of medieval texts and the post-medieval reception history of Langland, Chaucer and Nicholas Love. It thus pays a fitting tribute to the career of Professor A.S.G. Edwards, highlighting his scholarly interests and demonstrating the influence of his achievements. Carol M. Meale is Senior Research Fellow at the University of Bristol; Derek Pearsall is Professor Emeritus at Harvard University and Honorary Research Professor at the University of York. Contributors: Nicolas Barker, J.A. Burrow, A.I. Doyle, Martha W. Driver, Susanna Fein, Jane Griffiths, Lotte Hellinga, Alfred Hiatt, Simon Horobin, Richard Linenthal,Carol M. Meale, Orietta Da Rold, John Scattergood, Kathleen L. Scott, Toshiyuki Takamiya., John J. Thompson.

Keywords

Book history --- anno 500-1499 --- 09 <082 EDWARDS, A.S.G.> --- 091 --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--EDWARDS, A.S.G. --- Handschriftenkunde. Handschriftencatalogi --- Festschrift - Libri Amicorum --- Buchproduktion. --- Textproduktion. --- Leser. --- Edwards, Anthony Stockwell Garfield, --- Großbritannien --- Großbritannien. --- Manuscripts, Medieval --- Books and reading --- Books --- History --- Edwards, A. S. G. --- 091 Handschriftenkunde. Handschriftencatalogi --- Manuscripts, English (Middle) --- Literary patrons --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften--EDWARDS, A.S.G --- Early printed books --- Incunabula --- Appraisal of books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- History. --- Appraisal --- Evaluation --- Edwards, Anthony S. G. --- Edwards, Tony, --- Manuscripts, Medieval - History --- Books and reading - Europe - History - To 1500 --- Books and reading - Europe - History --- Books and reading - England - History --- Books - History - 400-1450 --- Books - History - 1450-1600 --- Edwards, A. S. G. - (Anthony Stockwell Garfield), - 1942 --- -Manuscripts, Medieval --- -Buchproduktion. --- Book Culture. --- Chaucer. --- Langland. --- Medieval Manuscripts. --- Medieval Texts. --- Merchant Patronage. --- Nicholas Love. --- Woman Patron.


Book
Born to write : literary families and social hierarchy in early modern France
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ISBN: 9780198852391 Year: 2020 Publisher: Oxford : Oxford University Press,

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It is easy to forget how deeply embedded in social hierarchy was the literature and learning that has come down to us from the early modern European world. From fiction to philosophy, from poetry to history, works of all kinds emerged from and through the social hierarchy that was a fundamental fact of everyday life. Paying attention to it changes how we might understand and interpret the works themselves, whether canonical and familiar or largely forgotten. But a second, related fact is much overlooked too: works also often emanated from families, not just from individuals. Families were driving forces in the production—that is, in the composing, editing, translating, or publishing—of countless works. Relatives collaborated with each other, edited each other, or continued the unfinished works of deceased family members; some imitated or were inspired by the works of long-dead relatives. The reason why this second fact (about families) is connected to the first (about social hierarchy) is that families were in the period a basic social medium through which social status was claimed, maintained, threatened, or lost. So producing literary works was one of the many ways in which families claimed their place in the social world. The process was however often fraught, difficult, or disappointing. If families created works as a form of socio-cultural legacy that might continue to benefit their future members, not all members benefited equally; women sometimes produced or claimed the legacy for themselves, but they were often sidelined from it. Relatives sometimes disagreed bitterly about family history, identity (not least religious), and so about the picture of themselves and their family that they wished to project more widely in society through their written works, whether printed or manuscript. So although family was a fundamental social medium out of which so many works emerged, that process could be conflictual as well as harmonious. The intertwined role of family and social hierarchy within literary production is explored in this book through the case of France, from the late fifteenth to the mid-seventeenth century. Some families are studied here in detail, such as that of the most widely read French poet of the age, Clément Marot. But the extent of this phenomenon is quantified too: some two hundred families are identified as each containing more than one literary producer, and in the case of one family an extraordinary twenty-seven.


Book
Die illuminierten Handschriften, Inkunabeln und Frühdrucke der Oberösterreichischen Landesbibliothek in Linz : Handschriften und Frühe Drucke 1440-1540 : Teil 1 : Österreich, Passau, Italien
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ISBN: 9783700180319 3700180314 3700183224 9783700183228 Year: 2018 Publisher: Wien : Verlag der Österreichischen Akademie der Wissenschaften,

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The present catalogue comprises detailed descriptions of approx. 90 illuminated manuscripts and early printed books from the collection of the Upper Austrian State Library in Linz. It focuses on the art-historical classification of the presented items for which the in-depth analysis of the books’ and fragments’ decorations constitutes the main basis. Through its many findings on the origin of the described works the catalogue can be regarded as a major contribution to the research on book-illumination and book-production in the late Middle Ages; furthermore it provides the reader with a large number of newly discovered historical data.Text see: http://e-book.fwf.ac.at/o:1160

Keywords

Illumination of books and manuscripts --- Manuscripts --- Incunabula --- Early printed books --- Enluminure --- Manuscrits --- Incunables --- Livres anciens --- Oberösterreichische Landesbibliothek --- Manuscripts, Medieval --- Illumination of books and manuscripts, Medieval --- Bibliography --- Books --- Cradle books (Early printed books) --- Painting, Medieval --- Medieval manuscripts --- Oberösterreichische Landesbibliothek --- Oö. Landesbibliothek --- Upper Austrian State Library --- Bundesstaatliche Studienbibliothek Linz --- 091 <436 LINZ> --- 094 <436> --- 091.31 --- 093.1 <436> --- 093.1 <436> Incunabelen: bibliografie--Oostenrijk --- Incunabelen: bibliografie--Oostenrijk --- 094 <436> Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Oostenrijk --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Oostenrijk --- 091.31 Verluchte handschriften --- Verluchte handschriften --- 091 <436 LINZ> Handschriftenkunde. Handschriftencatalogi--Oostenrijk--LINZ --- Handschriftenkunde. Handschriftencatalogi--Oostenrijk--LINZ --- Catalogs. --- Catalogs and collections --- Catalogues --- Book Illumination --- Book Production --- Research on Manuscripts --- Research on Incunabula --- History of Libraries --- Mediaeval Art History --- Mediaeval History --- Buchmalerei --- Buchproduktion --- Handschriftenkunde --- Inkunabelforschung --- Bibliotheksgeschichte --- Kunstgeschichte des Mittelalters --- Geschichte des Mittelalters --- Linz --- Manuskript --- Mondsee --- Provenienz --- Wien --- Catalogue de manuscrits --- Manuscrits enluminés

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