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Buckminster Fuller, Richard 1895-1983 (°Milton, Massachusetts, Verenigde Staten) --- Architectuur 20ste eeuw R. Buckminster Fuller --- Architectuurtheorie --- 72.01 --- 72.038 --- 72.07 --- Architectuur theorie, filosofie, esthetica --- Architectuurgeschiedenis 1950 - 2000 --- Architecten. Stedenbouwkundigen A - Z --- Architects --- Engineers --- Inventors --- Architectuur ; 20ste eeuw ; R. Buckminster Fuller --- Engineering personnel --- Biography --- Biography. --- Architectuur ; theorie, filosofie, esthetica --- Architectuurgeschiedenis ; 1950 - 2000 --- Fuller, R. Buckminster
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Building design --- Architecture --- Fuller, Richard Buckminster --- U.S.A. --- industrial design --- theorie --- R. Buckminster Fuller --- 745.071 --- designers --- Richard Buckminster Fuller --- Fuller, R. Buckminster --- Richard Buckminster Fuller 1895-1983 (° Milton, Mass., VS) --- Architectuur van de toekomst --- Architectuur ; visionaire ; futuristische --- Architectuur ; 20ste eeuw ; R. Buckminster Fuller --- Architectuurtheorie --- Architectuur ; ruimtelijke structuren ; veelvlakken ; polyhedra --- 72.07 --- (069) --- 72.036 <73> --- Architecten. Stedenbouwkundigen A - Z --- (Musea. Collecties) --- Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- 72.036 <73> Moderne bouwkunst. Architectuur van de 20e eeuw--Verenigde Staten van Amerika. VSA. USA --- Design --- Creation (Literary, artistic, etc.) --- Fuller, Buckminster, --- Fuller, Bucky, --- Fuller, Richard Buckminster, --- Verenigde Staten --- Fuller, Buckminster --- Fuller, Bucky --- Buckminster Fuller, R.
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Fuller, R. Buckminster 1895-1983 (°Milton, Massachusetts, Verenigde Staten) --- Architectuur ; 20ste eeuw ; R. Buckminster Fuller --- Architectuur van de toekomst --- Architectuur ; visionaire ; futuristische --- 72.07 --- 72.01 --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; theorie, filosofie, esthetica
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Fuller, R. Buckminster --- Fuller, Richard Buckminster --- 72.07 --- 72.038 --- Architectuur ; 20ste eeuw ; R. Buckminster Fuller --- Architectuur ; ruimtelijke structuren ; veelvlakken ; polyhedra --- Fuller, R. Buckminster 1895-1983 (°Milton, Massachusetts, Verenigde Staten) --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000
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La Dymaxion House (1929-1946) de R. Buckminster Fuller a ouvert un territoire de recherche nouveau, défiant les normes de conception du logement jusqu'à mettre en crise la propre nature de l'espace domestique. A travers une série d'histoires entrecroisées, Federico Neder explore la spatialité conflictuelle du prototype de Fuller et traque ses transformations successives qui font émerger un univers déroutant où se croisent des véhicules, du mobilier, des vêtements, des appareils ménagers. D'autres exemples de maisons "plus célèbres" sont invitées à participer à un dialogue imaginaire au cours duquel l'auteur montre comment les visions de Fuller ont dépassé les frontières de la carapace scintillante de ses prototypes, anticipant des changements d'ordre technologique, social et même culturel de l'art d'habiter des XXe et XXIe siècles.
Prototype --- Architecture mobile --- Plan circulaire --- Maison individuelle --- Buckminster Fuller, Richard --- Utopies architecturales --- Habitations individuelles --- Fuller, Richard Buckminster --- Engineering design. --- Conception technique --- Architecture, Domestic. --- Architecture domestique --- Dwellings. --- Habitations --- Fuller, R. Buckminster --- Fuller, Richard Buckminster, --- Fuller, Richard Buckminster, 1895-1983
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Bucky Inc' offers a deep exploration of Richard Buckminster Fuller's work and thought to shed new light on the questions raised by our increasingly electronic world. It shows that Fuller's entire career was a multi-dimensional reflection on the architec-ture of radio. He always insisted that the real site of architecture is the electromagnet-ic spectrum. His buildings were delicate mobile instruments for accessing the invisible universe of overlapping signals. Every detail was understood as a way of tuning into hidden waves. Architecture was built in, with, for and as radio. Bucky Inc. rethinks the legacy of one of the key protagonists of the twentieth-century. It draws extensively on Fuller's archive to follow his radical thinking from toilets to telepathy, plastic to prosthetics, and data to deep-space. It shows how the critical arguments and materi-al techniques of arguably the single most exposed designer of the last century wereoverlooked at the time but have become urgently relevant today.--Provided by publisher.
Engineering design. --- 72.07 --- 72.038 --- 72.01 --- Architectuur ; 20ste eeuw ; R. Buckminster Fuller --- Biografieën ; architecturale ; R. Buckminster Fuller --- Fuller, R. Buckminster 1895-1983 (°Milton, Massachusetts, Verenigde Staten) --- Design, Engineering --- Engineering --- Industrial design --- Strains and stresses --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- Architectuur ; theorie, filosofie, esthetica --- Design --- Fuller, R. Buckminster --- Fuller, Buckminster, --- Fuller, Bucky, --- Fuller, Richard Buckminster, --- Architecture --- Visionary architecture --- History --- Fuller, R. Buckminster, --- Engineering design --- Fuller, Richard Buckminster --- Fuller, Buckminster --- Fuller, Bucky
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Avant-garde films --- Cinematografie --- Cinematography --- Cinéma expérimental --- Cinématographie --- Experimental films --- Experimentele films --- Home movies --- Personal films --- Photography--Animated pictures --- Photography--Motion pictures --- Underground films --- Gene Youngblood ; introd. by R. Buckminster Fuller --- film --- nieuwe media --- computers --- synesthetiche film --- Belson Jordan --- cybernetica --- televisie --- holografie --- 791.41
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Deux ans après la mise en orbite du Spoutnik (1957), Nixon et Khrouchtchev inaugurent l'Exposition nationale américaine à Moscou. Auprès de la maison " Splitnik " exposant les articles et les valeurs de la société de consommation " à l'américaine ", les designers Charles et Ray Eames sont chargés d'offrir un aperçu flatteur des USA. En un blitz de 12 minutes projeté sur 7 rétroviseurs géants abrités sous un dôme géodésique doré de Buckminster Fuller, cette pacifique guerre-éclair consiste à " cerner par les images " des Soviétiques ébahis. Prologue au pop art américain, le succès est total et immédiat. Les USA lancent le premier satellite de télécommunications Telstar et la mondovision en 1962. L'architecture de l'après-Spoutnik vient de naître...
Mass media and architecture --- Artificial satellites --- Architecture, American --- Médias et architecture --- Satellites artificiels --- Architecture américaine --- History --- Histoire --- Eames, Charles --- Eames, Ray --- American National Exhibition --- Arts ménagers --- Design --- Buckminster Fuller, Richard --- Eames, Charles, --- Eames, Ray, --- Médias et architecture --- Architecture américaine --- Fuller, Richard Buckminster, --- Eames, Charles. --- Eames, Ray. --- Fuller, Richard Buckminster, 1895-1983
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