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Armory Show (1913 : New York, N.Y.) --- Art, American --- Modernism (Art) --- Art américain --- Modernisme (Art) --- Art américain --- Art [American ] --- 19th century --- 20th century --- United States --- Camera Work (New York, N.Y.)

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Stieglitz, Alfred --- Photography, Artistic --- Photographie artistique --- Stieglitz, Alfred, --- fotografie --- twintigste eeuw --- Stieglitz Alfred --- Verenigde Staten --- negentiende eeuw --- avant-garde --- portretfotografie --- architectuurfotografie --- naaktfotografie --- schilderkunst --- New York --- Camera Work --- 291 --- Photo-Secession --- New York Secession --- 77.071 STIEGLITZ --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Aesthetics --- Art

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artistieke fotografie --- cultuurgeschiedenis --- Photography --- Photographie --- History --- Histoire --- Fotografie ; geschiedenis ; 19de en 20ste eeuw ; tot 2000 --- Mary Warner Marien --- fotografie --- 77(091) --- 77 <09> --- twintigste eeuw --- negentiende eeuw --- fotografiegeschiedenis --- naslagwerk --- Niépce Nicéphore --- Daguerre Louis Jacques Mandé --- daguerreotypie --- Talbot William Henry Fox --- fotografie en wetenschap --- reportagefotografie --- portret --- portretfotografie --- Brady Mathew --- Gardner Alexander --- antropologie --- etnografie --- fotografie en etnografie --- exotisme --- natuur --- natuurfotografie --- gender studies --- Cameron Julia Margaret --- Carroll Lewis --- pictorialisme --- picturalisme --- Photo-Secession --- Stieglitz Alfred --- Steichen Edward --- Camera Work --- Käsebier Gertrude --- Riis Jacob --- politiek --- fotografie en politiek --- futurisme --- Gilbreth Frank B. --- oorlogsfotografie --- Sovjet-Unie --- dadaïsme --- fotomontage --- fotocollages --- surrealisme --- fotografie en film --- reclamefotografie --- Farm Security Administration --- Lange Dorothea --- Bourke-White Margaret --- Sander August --- Family of Man --- Alvarez Bravo Manuel --- Tomatsu Shomei --- landschap --- landschapsfotografie --- kunst en fotografie --- Salgado Sebastiao --- postmodernisme --- kinderen --- kinderfotografie --- lichamelijkheid --- 77.03 --- Fotografie ; geschiedenis --- Fotografie--Geschiedenis van ... --- 77 <09> Fotografie--Geschiedenis van ... --- Gilbreth Frank B --- Fotografie--Geschiedenis van .. --- Fotografie--Geschiedenis van . --- Fotografie--Geschiedenis van

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A compelling theory that places the origin of human picture making in the bodyIn this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.The book demonstrates these ideas with a series of compelling case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.

Ethnology in art. --- Visual anthropology. --- Visual sociology. --- Alex Katz. --- Allegory. --- Analogy. --- Anecdote. --- Anthropology of art. --- Anthropology of media. --- Antithesis. --- Aphorism. --- Archaeology. --- Art criticism. --- Art history. --- Art. --- Body image. --- Camera Work. --- Camera. --- Case study. --- Close-up. --- Coat of arms. --- Conceptual art. --- Consciousness. --- Countermovement. --- Creation myth. --- Creative work. --- Cultural anthropology. --- Cultural geography. --- Cultural heritage. --- Cultural history. --- Cultural memory. --- Dichotomy. --- Emblem. --- Emerging technologies. --- Escutcheon (heraldry). --- Explanation. --- Film theory. --- Fine art. --- Funerary art. --- Genre. --- Georges Bataille. --- Gudea. --- Historical anthropology. --- Historicity. --- Historiography. --- Human figure (aesthetics). --- Humanism. --- Humanities. --- Iconicity. --- Iconoclasm. --- Iconography. --- Iconology. --- Illustration. --- Imagery. --- Inference. --- Intentionality. --- Invention. --- Mark So. --- Masaccio. --- Medium theory. --- Mental image. --- Metaphor. --- Metonymy. --- Modernity. --- Necromancy. --- Neuromancer. --- On Photography. --- Philosophical anthropology. --- Philosophy. --- Photogram. --- Photograph. --- Photography. --- Photojournalism. --- Physiognomy. --- Pictorialism. --- Pigment. --- Primitive culture. --- Primitivism. --- Propaganda. --- Provenance. --- Religious image. --- Reproducibility. --- Secularization. --- Semiotics. --- Sightline. --- Simulacrum. --- Social anthropology. --- Special effect. --- Special rights. --- Structural anthropology. --- Subtitle (captioning). --- Symptom. --- Technology. --- Terminology. --- Theory. --- Thought. --- Uniqueness. --- Visual artifact. --- Visual arts. --- Visual culture. --- Visual rhetoric. --- Work of art. --- Writing.