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"From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book-against a background of today's "sculpture wars"-Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century African American sculptor Edmonia Lewis, as well as by generations of now-forgotten weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes some fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.Published in association with the National Gallery of Art, Washington, DC"--

Kings and rulers --- Power (Social sciences) in art --- Emperors --- Art, Roman --- Art --- History of civilization --- power --- portraits --- rulers [people] --- Roman emperors --- Portraits --- Power (Social sciences) in art. --- History / Ancient / Rome --- Art / History / General --- Kings and rulers - Portraits --- Emperors - Rome - Portraits --- Art, Roman - Influence --- Kings and rulers. --- Emperors. --- ART / History / General. --- HISTORY / Ancient / Rome. --- Roman art --- Classical antiquities --- Czars (Emperors) --- Rulers --- Sovereigns --- Tsars --- Tzars --- Czars (Kings and rulers) --- Kings and rulers, Primitive --- Monarchs --- Royalty --- Heads of state --- Queens --- Influence. --- Rome (Empire) --- Aeneid. --- Agrippina the Younger. --- Alessandro Farnese (cardinal). --- Ancient Rome. --- Ancient art. --- Ancient history. --- Andrea Fulvio. --- Andrea Mantegna. --- Anselm Kiefer. --- Antistrophe. --- Antoninus Pius. --- Antonio Verrio. --- Assassination. --- Aubrey Beardsley. --- Augustan History. --- Autocracy. --- Banality (sculpture series). --- Bembo. --- Brindisi. --- Bust (sculpture). --- Caesarism. --- Camerino. --- Capitoline Museums. --- Caption (comics convention). --- Caracalla. --- Cardinal Mazarin. --- Chris Riddell. --- Christina, Queen of Sweden. --- Classicism. --- Claudius. --- Commodus. --- Cosimo de' Medici. --- Crucifixion of Jesus. --- Decapitation. --- Della Rovere. --- Denarius. --- Domitian. --- Domus Aurea. --- Egypt (Roman province). --- Elagabalus. --- Engraving. --- Giambattista della Porta. --- Giulio Romano. --- Gonzaga Cameo. --- Hans Memling. --- Heroic nudity. --- Illustration. --- Imperial Armour. --- Imperialism. --- Ippolito Buzzi. --- James Gillray. --- Judas Iscariot. --- Kerameikos. --- La Dolce Vita. --- Lawrence Alma-Tadema. --- Livilla. --- Longevity. --- Manuscript. --- Marcantonio Raimondi. --- Max Beerbohm. --- Messalina. --- Middle class. --- Misogyny. --- Nativity scene. --- Nicolas Coustou. --- Nobility. --- Oliver Cromwell. --- Ostia (Rome). --- Paganism. --- Palinode. --- Peace treaty. --- Petrarch. --- Phrenology. --- Placard. --- Portland Vase. --- Putto. --- Roman Empire. --- Roman Imperial Coinage. --- Roman sculpture. --- Ruler. --- Sandro Botticelli. --- Satire. --- Schatzkammer. --- Scientific Method. --- Sculpture. --- Sophocles. --- Statue. --- Suetonius. --- Sulla. --- Tapestry. --- The Caesars (TV series). --- The Twelve Caesars. --- Thomas Couture. --- Tintoretto. --- Titian. --- Trajan's Column. --- Trajan. --- Vitellius. --- William Makepeace Thackeray. --- Writing. --- cultuurgeschiedenis

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The Canal du Midi, which threads through southwestern France and links the Atlantic to the Mediterranean, was an astonishing feat of seventeenth-century engineering--in fact, it was technically impossible according to the standards of its day. Impossible Engineering takes an insightful and entertaining look at the mystery of its success as well as the canal's surprising political significance. The waterway was a marvel that connected modern state power to human control of nature just as surely as it linked the ocean to the sea. The Canal du Midi is typically characterized as the achievement of Pierre-Paul Riquet, a tax farmer and entrepreneur for the canal. Yet Chandra Mukerji argues that it was a product of collective intelligence, depending on peasant women and artisans--unrecognized heirs to Roman traditions of engineering--who came to labor on the waterway in collaboration with military and academic supervisors. Ironically, while Louis XIV and his treasury minister Jean-Baptiste Colbert used propaganda to present France as a new Rome, the Canal du Midi was being constructed with unrecognized classical methods. Still, the result was politically potent. As Mukerji shows, the project took land and power from local nobles, using water itself as a silent agent of the state to disrupt traditions of local life that had served regional elites.Impossible Engineering opens a surprising window into the world of seventeenth-century France and illuminates a singular work of engineering undertaken to empower the state through technical conquest of nature.

Appointee. --- Benedict Anderson. --- Bernard Palissy. --- Book. --- Bountiful Harvest. --- Bruno Latour. --- C. Wright Mills. --- Calculation. --- Cambridge University Press. --- Canal du Midi. --- Carcassonne. --- Cardinal Mazarin. --- Chartism. --- Chauvinism. --- Civil engineer. --- Civil engineering. --- Classical tradition. --- Colonialism. --- Contentious politics. --- Courtesy. --- De re metallica. --- Discipline and Punish. --- Divine right of kings. --- Drug court. --- Eminent domain. --- Engineer. --- Engineering design process. --- Engineering. --- Experiential knowledge. --- Fernand Braudel. --- For the Glory. --- Fratricide. --- Friedrich Nietzsche. --- God's Grace. --- Governance. --- Governmentality. --- Handbook. --- Homeschooling. --- Huguenot. --- Hydraulic engineering. --- Immanuel Wallerstein. --- Inception. --- Intendant. --- Jean Bodin. --- Laborer. --- Languedoc. --- Local Hero. --- Logistics. --- Lou Henry Hoover. --- Luc Boltanski. --- Malpas Tunnel. --- Marin Mersenne. --- Market town. --- Metallurgy. --- Museum. --- Neoliberalism. --- Nicolas Fouquet. --- Noel Malcolm. --- Pierre Bourdieu. --- Political alliance. --- Politics. --- Politique. --- Posthumanism. --- Pozzolana. --- Precedent. --- Presses Universitaires de France. --- Revolution. --- Roman Empire. --- Roman aqueduct. --- Roman engineering. --- Royal Canal. --- Salt tax. --- Scaffolding. --- Seawall. --- Setback (architecture). --- Siege of Landau (1702). --- Siege. --- Simon Singh. --- Sophistication. --- Sovereignty. --- State formation. --- Subcontractor. --- Supervisor. --- Tacit knowledge. --- Talcott Parsons. --- Tax. --- Technocracy. --- The Practice of Everyday Life. --- Toulouse. --- Vichy France. --- Visigoths. --- Vitruvius. --- Wall. --- War of Devolution. --- War. --- Warfare. --- Water supply. --- Waterway. --- Wild river. --- Wonders of the World.