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Before the advent of television, cinema offered serialised films as a source of weekly entertainment. This book traces the history from the days of silent screen heroines to the sound era's daring adventure serials, unearthing a thriving film culture beyond the self-contained feature. Through extensive archival research, Ilka Brasch details the aesthetic appeals of film serials within their context of marketing and exhibition and that they adapt the pleasures of a flourishing crime fiction culture to both serialised visual culture and the affordances of the media-modernity of the early 20th century. The study furthermore traces how film serials brought the broadcast model of radio and television to the big screen and thereby introduced models of serial storytelling that informed popular culture even beyond the serial's demise.

Motion pictures --- Silent films --- History. --- Moving pictures, Silent --- Silent motion pictures --- Film serials --- History and criticism. --- History --- Chapterplay films --- Cliffhanger films --- Episode films --- Motion picture serials --- Moving-picture serials --- Serials, Film --- Film serials. --- ART --- PERFORMING ARTS --- Theatre studies. --- Film theory & criticism. --- Electronic, holographic & video art. --- Film & Video. --- Film --- History & Criticism. --- Show business --- Arts --- Performance art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Aesthetics --- Art, Primitive --- General & world history