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Qui est donc Sidi Larbi Cherkaoui, homme si apparemment zen et pourtant en colère ? Arabe qui ne se devine pas, Flamand qui n?en porte pas le nom, le chorégraphe belge bouscule et enchante le public depuis une quinzaine d?années, par ses créations nerveusement métissées, solidement ancrées dans le monde. Revendiquant cette identité composite avec laquelle il fertilise sa vie et son travail, Sidi Larbi Cherkaoui hisse la différence et les blessures intimes en fondamentaux d?une danse existentielle et impétueuse. Mu par un désir increvable d?adhérer à l?autre pour mieux le rencontrer, le chorégraphe multiplie les collaborations et partage l?affiche. Son plateau accueille toutes les danses (kathak, kuchipundi, flamenco, tango?), toutes les musiques, toutes les cultures à travers des pièces aux accents de rituels contemporains. Ce livre-parcours donne la parole à ses principaux partenaires de jeu. Tous disent sa rage d?apprendre, son appétit pour l?autre, son plaisir à danser et à transmettre. Le livre se focalise sur une quinzaine de ses créations : Rien de rien (2000), D?Avant (2002), Foi (2003), Tempus Fugit (2004), In Memoriam (2004), Zero Degrees (2005), Myth (2007), Apocrifu (2007), Sutra (2008), Dunas (2009), Babel (Words) (2010), Play (2010), Puzzle (2012), Tezuka (2012), Boléro (2013), M¡longa (2013)
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This book analyses the world-renowned Belgian choreographer’s key approaches and dramaturgical strategies through selected case studies from his oeuvre between 2000 and 2010, from Rien de Rien to Babel(words). It investigates Cherkaoui’s choreographic and dramaturgic interventions in debates on the nation, culture, religion and language, by emphasising the transcultural, transreligious and geopolitical dimensions of the dialogues and exchanges he explored during this initial decade. Engaged spectatorship refers to the ongoing thinking, talking, research and writing that the spectator is invited to do in order to fulfil the work’s macro-dramaturgical potential to resist nationalism, populism and religious fundamentalism. The book meticulously explores Cherkaoui’s rich, multi-layered theatrical imagery and aural landscapes to demonstrate the agile and ever-shifting interpretive acts the works elicit from their audiences. Offering a full-length analysis of Cherkaoui’s work, the book is essential reading for students, researchers, practitioners and Cherkaoui fans.
Choreographers --- Choreographers. --- Choreography --- Choreography. --- History. --- Cherkaoui, Sidi Larbi --- Cherkaoui, Sidi Larbi. --- Criticism and interpretation. --- Belgium. --- Dance. --- Performing arts. --- Performing Arts. --- Show business --- Arts --- Performance art --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
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Cherkaoui, Sidi Larbi --- Khan, Akram --- Butcher, Rosemary --- Fargion, Matteo --- Burrows, Jonathan --- Etchells, Tim --- Caspersen, Dana --- Platel, Alain
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Ballet Vlaanderen bestaat 50 jaar, en dat moet gevierd worden! Het verhaal van het gezelschap wordt verteld vanuit het perspectief van de zes artistieke directeurs, die elk hun hart en ziel aan de dans hebben gewijd. Wat hen allen verbindt is een drang naar diversiteit, weerspiegeld in hun unieke visies op wat ballet kan betekenen in de wereld.0Deze visuele geschiedenis biedt een inzicht in de hoogtepunten van Ballet Vlaanderen, de bredere evoluties binnen het gezelschap en de schoonheid van een buitengewone kunstvorm.
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Belgian-Moroccan Sidi Larbi Cherkaoui and British-Bengali Akram Khan are two of today's most prolific choreographers. Given their respective backgrounds and the practices they pursue, their artistic universes are largely built around their identity in-between dance cultures. Dramaturg Guy Cools, who accompanied both, situates their work within the larger critical debate on the (post)modern and (post-)migrant identity. With a uniquely privileged insight into their creative practices, Cools details some of their iconic pieces. He also shows how they invent a new and much-needed social imagery ̶ which is both dialogical and embedded in a lived, migratory experience ̶ for present-day living in a globalized environment. As such, In-between Dance Cultures offers a complementary view on questions of cultural identity taking the contemporary dancer’s somatic awareness and knowledge of the body as its starting point.
Cherkaoui, Sidi Larbi --- Khan, Akram --- 712 --- Dans --- 793.01 --- 793.039 --- 793.07 --- Cherkaoui, Sidi Larbi °1976 (°Antwerpen, België) --- Khan, Akram °1974 (°London, Engeland) --- Kunst en migratie --- Dans ; theorie, filosofie, esthetica --- Dans ; 2000 - 2050 --- Dans ; choreografen --- Dance --- Choreographers --- Modern dance --- Choreography --- Danse --- Identité culturelle --- Migration --- Social aspects --- Belgique --- Angleterre --- Grande-bretagne --- Dance - Social aspects --- Choreographers - Belgium --- Choreographers - England --- Choreography - Social aspects
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