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S17/0100 --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections

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Architecture --- Palais --- Chine --- S17/0100 --- S17/1610 --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- China: Art and archaeology--Civil architecture

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Asie --- Azië --- Beeldhouwkunst --- Geschiedenis van de Oudheid --- Histoire de l'Antiquité --- Sculpture --- Sculpture, Chinese --- Sculpture chinoise --- S17/0100 --- S17/0800 --- -China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- China: Art and archaeology--Traditional lay sculpture (incl. sculpture and reliefs, clay figurines) --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- Sculpture [Chinese ] --- History

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What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.

Motion pictures --- Cinéma --- S17/2000 --- S17/0100 --- China: Art and archaeology--Film --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism

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Painting, Chinese --- S17/0100 --- S17/0630 --- Chinese painting --- Paintings, Chinese --- Indexes --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- China: Art and archaeology--Contemporary painting after 1911 (also European influence) --- Indexes.