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Christian art and symbolism --- Art, Islamic --- Byzantine Empire --- Art, Medieval --- Islamic art --- Art médiéval --- Art islamique --- Art, Islamic. --- Roman --- Histoire de l'art --- Art roman --- Art mérovingien --- Art gothique --- Art carolingien --- Art byzantin --- Architecture militaire --- Architecture islamique --- Architecture gothique --- Moyen-âge --- Art médiéval --- Art et symbolisme chrétiens --- History of civilization --- Art --- anno 500-1499 --- Architecture --- Europe --- Moyen Âge --- Christian art and symbolism - Medieval, 500-1500. --- Christian art and symbolism - Byzantine Empire --- Moyen Age --- Christian art and symbolism - Medieval, 500-1500

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Byzantine --- Byzantijnse kunst --- muurschilderkunst --- Art --- mural painting [image-making] --- anno 800-1199 --- anno 700-799 --- Northern Africa --- Eastern and Central Europe --- Asian Turkey --- Art, Byzantine --- Painting, Byzantine --- Architecture, Byzantine --- Sculpture, Byzantine --- Art byzantin --- Peinture byzantine --- Architecture byzantine --- Sculpture byzantine --- Christian art and symbolism --- Art, Byzantine. --- Histoire de l'art --- Byzantine Empire --- Byzance --- 7.033.2 --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Byzantine art --- Art, Medieval --- Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- -Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- 7.033.2 Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- North Africa --- -Byzantine art --- Art, Christian --- Religious art --- Byzantine [culture and style] --- Symbolism in art --- 700 --- Byzance (Constantinople) --- kunst algemeen --- art généralités --- Christian art and symbolism - Byzantine Empire --- Civilisation --- Civilisation byzantine

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In mittelalterlicher Kunst und Frömmigkeit spielen Reliquien eine grosse Rolle. Die als heilig verehrte Materie - Splitter des (angeblichen) Kreuzes Christi und Knochenreste von Heiligen - wurde in kostbaren Gefässen, den Reliquiaren, aufbewahrt. Ab ungefähr 1200 werden sie zunehmend als Schaugefässe gestaltet, so dass das Heiligengebein unter Bergkristallabdeckungen visuell erfahrbar wird. Wie kommt es zu diesem Wandel von der Unsichtbarkeit zur sichtbaren Präsentation des Heiligen? Die Autorin verwirft die traditionelle und weit verbreitete Ansicht, der Wandel habe mit einer im Spätmittelalter grassierenden 'Schaufrömmigkeit' zu tun. Stattdessen verweist sie auf die Begegnung der Kreuzfahrer des 12. und 13. Jahrhunderts mit heiliger Kreuz- und Knochenmaterie. Mit vielen Beispielen schildert Gia Toussaint, wie die Reliquien als Souvenir und Beutegut in den Westen gebracht und dann als Trophäen ausgestellt wurden.

Relics --- Reliquaries, Medieval --- Crusades --- Reliques --- Reliquaires médiévaux --- Croisades --- Cult --- History --- Culte --- Histoire --- Christian art and symbolism --- Goldwork --- Byzantine Empire --- 231.739 --- 27 "11/13" --- Relikwieën --- Kerkgeschiedenis--?"11/13" --- 231.739 Relikwieën --- Reliquaires médiévaux --- Relics and reliquaries --- Bones --- Religious articles --- Gold articles --- Gold work --- Goldsmithing --- Art metal-work --- Metal-work --- Jewelry making --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Symbolism in art --- Christian art and symbolism - Byzantine Empire --- Christian art and symbolism - Europe - History - 12th century --- Christian art and symbolism - Europe - History - 13th century --- Goldwork - Byzantine Empire - History - 12th century --- Goldwork - Byzantine Empire - History - 13th century --- Goldwork - Europe - History - 12th century --- Goldwork - Europe - History - 13th century --- Relics - Byzantine Empire - History - 12th century --- Relics - Byzantine Empire - History - 13th century --- Relics - Europe - History - 12th century --- Relics - Europe - History - 13th century --- Croix --- Reliquaires

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In spite of the Orthodox liturgy's reputation for resistance to change, Byzantine liturgical dress underwent a period of extraordinary elaboration from the end of the eleventh century onwards. As part of this development, embroideries depicting holy figures and scenes began to appear on the vestments of the clergy. Examining the surviving Byzantine vestments in conjunction with contemporary visual and textual evidence, Woodfin relates their embroidered imagery both to the program of images used in churches, and to the hierarchical code of dress prevailing in the imperial court. Both sets of visual cross-references serve to enforce a reading of the clergy as living icons of Christ. Finally, the book explores the competing configurations of the hierarchy of heaven as articulated in imperial and ecclesiastical art. It shows how the juxtaposition of real embroidered vestments with vestments depicted in paintings, allowed the Orthodox hierarchy to represent itself as a direct extension of the hierarchy of heaven.

Church vestments --- Ecclesiastical embroidery, Byzantine. --- Christian art and symbolism --- Vêtements liturgiques --- Broderie religieuse byzantine --- Art et symbolisme chrétiens --- Orthodox Eastern Church --- Eglise orthodoxe --- Ecclesiastical embroidery, Byzantine --- Byzantine Empire --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Byzantine ecclesiastical embroidery --- Orthodox Eastern Church. --- Vêtements liturgiques --- Art et symbolisme chrétiens --- 264.019 --- 264.019 Byzantijns-orthodoxe patriarchale Kerk: Constantinopel; Alexandrië; Antiochië; Jeruzalem; Cyprus --- Byzantijns-orthodoxe patriarchale Kerk: Constantinopel; Alexandrië; Antiochië; Jeruzalem; Cyprus --- Religious art --- Symbolism in art --- Church vestments - Orthodox Eastern Church --- Christian art and symbolism - Byzantine Empire --- Costume liturgique --- Byzance --- Liturgie byzantine

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Art, Byzantine --- Art byzantin --- Erzbischöflichen Diözesanmuseum Paderborn --- Byzantine Empire --- Empire byzantin --- Civilization --- Religion --- Civilisation --- Art objects, Byzantine --- Jewelry --- Christian art and symbolism --- 949.5 <064> --- 7.033.2 --- 739 --- -Jewelry --- -Jewellery --- Jewelry, Primitive --- Jewels --- Decorative arts --- Dress accessories --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Byzantine art --- Art, Medieval --- Byzantine art objects --- Geschiedenis van Byzantium en Griekenland--Tentoonstellingscatalogi. Museumcatalogi --- Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- Edelsmeedkunst. Kunstsmederij. --- Exhibitions --- -Geschiedenis van Byzantium en Griekenland--Tentoonstellingscatalogi. Museumcatalogi --- 739 Edelsmeedkunst. Kunstsmederij. --- 7.033.2 Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- 949.5 <064> Geschiedenis van Byzantium en Griekenland--Tentoonstellingscatalogi. Museumcatalogi --- -Byzantine art --- Jewellery --- Erzbischöflichen Diözesanmuseum Paderborn --- Religious art --- Edelsmeedkunst. Kunstsmederij --- Medieval, 500-1500 --- Art objects [Byzantine ] --- Symbolism in art --- Middle Ages, 500-1500 --- Religion. --- Art, Byzantine - Exhibitions --- Art objects, Byzantine - Exhibitions --- Jewelry - Byzantine Empire - Exhibitions --- Christian art and symbolism - Byzantine Empire - Exhibitions