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Das Werk umfasst neben Vorreden und Ehrentexten 38 Lieder, die sich den fünf katechetischen ,Hauptstücken' (Dekalog, Apostolisches Glaubensbekenntnis, Vaterunser, Taufe, Abendmahl) widmen, während sich 12 weitere Lieder mit der dem Kleinen Katechismus beigegebenen Haustafel befassen. Rists Ziel ist es, gemeisam mit seinen Komponisten einen spezifisch lyrisch-musikalischen Beitrag zur memorialen Aneignung des Katechismus zu leisten, der im frühneuzeitlichen Luthertum im Anschluss an den Wittenberger Reformator als das fundamentale Basislehrbuch des christlichen Glaubens und als ,kleine Biblia' galt. Die Kompositionen lieferten der Zittauer Organist Andreas Hammerschmidt und der Lüneburger Kantor Michael Jacobi. Die Quellentexte werden durch einen textkritischen Apparat und einen reichhaltigen Stellenkommentar (Nachweis von Traditionsgut, Klärung prosopographischer, bibliographischer und historischer Sachverhalte) sowie durch editorische Berichte, Nachworte und Register präzise erschlossen. Ein umfänglicher Anhang bietet sämtliche verfügbaren (teils archivalischen) Dokumente zur Entstehungsgeschichte des Werkes und zur Kooperation Rists mit seinen Komponisten dar.
Gospel music. --- Contemporary Christian music. --- CCM (Contemporary Christian music) --- Christian contemporary music --- Christian music, Contemporary --- Christian popular music --- Evangelical popular music --- Jesus music --- Popular music, Christian --- Gospel music --- Popular music --- Sacred vocal music --- African Americans --- Sacred songs
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In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960's and 1970's has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier generation, the idea of combining conservative Christianity with rock--and its connotations of nonreligious, if not antireligious, attitudes--may have seemed impossible. Today, however, Christian rock and pop comprises the music of worship for millions of Christians in the United States, with recordings outselling classical, jazz, and New Age...
Contemporary Christian music --- Popular music --- Evangelicalism --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- CCM (Contemporary Christian music) --- Christian contemporary music --- Christian music, Contemporary --- Christian popular music --- Evangelical popular music --- Jesus music --- Popular music, Christian --- Gospel music --- Sacred vocal music --- History and criticism. --- Religious aspects. --- Musique populaire chrétienne --- Musique populaire --- Evangélisme --- History and criticism --- Religious aspects --- Histoire et critique --- Aspect religieux
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This book explores how young people living in a former ethnic homeland in post-apartheid Namibia imagine the nation through songs they compose and perform. The author argues that these Oshiwambo-speaking youth draw on conflicting ideologies-hierarchical and egalitarian, nationalist and cosmopolitan-to construct a complex sense of national identity.
Catholic youth --- Contemporary Christian music --- Music --- Nationalism in music. --- Nationalism --- Consciousness, National --- Identity, National --- National consciousness --- National identity --- International relations --- Patriotism --- Political science --- Autonomy and independence movements --- Internationalism --- Political messianism --- Nationalism and music --- National music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- CCM (Contemporary Christian music) --- Christian contemporary music --- Christian music, Contemporary --- Christian popular music --- Evangelical popular music --- Jesus music --- Popular music, Christian --- Gospel music --- Popular music --- Sacred vocal music --- Christian youth --- History and criticism. --- Social aspects --- History and criticism
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This volume sheds new light on an array of late ancient Christian liturgical sources, practices, and traditions emerges from these multidisciplinary studies on the interplay of New Testament writings, ancient music, liturgical spaces, biblical interpretation, and reception history.
Liturgics --- Church history --- 246.8 <082> --- 246.8 <082> Religieuze muziek--Feestbundels. Festschriften --- Religieuze muziek--Feestbundels. Festschriften --- Apostolic Church --- Christianity --- Church, Apostolic --- Early Christianity --- Early church --- Primitive and early church --- Primitive Christianity --- Fathers of the church --- Great Apostasy (Mormon doctrine) --- Liturgiology --- Liturgy --- Public worship --- Liturgies --- Contemporary Christian music --- Gospel music --- Rhythm and blues music --- African Americans --- Popular music --- Blues (Music) --- Soul music --- Sacred songs --- CCM (Contemporary Christian music) --- Christian contemporary music --- Christian music, Contemporary --- Christian popular music --- Evangelical popular music --- Jesus music --- Popular music, Christian --- Sacred vocal music
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