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La culture chrétienne est constitutive de notre littérature comme la mythologie est constitutive de la littérature antique. Ce manuel en propose les rudiments, aujourd’hui méconnus, insistant sur les structures conceptuelles qui les sous-tendent. Cet accent mis sur le sens devrait permettre de retrouver l’état d’esprit des écrivains et de leurs publics, et, par suite, d’accéder à une meilleure perception des textes, aussi bien littéraires que philosophiques ou historiques. Ce manuel s’adresse prioritairement aux étudiants en lettres, à qui une partie pratique présente quelques exemples d’application simple des connaissances acquises à l’analyse de textes du Moyen Âge à nos jours. Mais il pourra rendre bien des services à ceux qui étudient l’histoire, la sociologie, ainsi qu’à tous ceux qui sont concernés par l’histoire des idées. Nous espérons encore offrir aux professeurs soucieux d’enrichir ou de varier leur enseignement un moyen simple d’aborder ce point de vue essentiel, et à tout amateur cultivé, des clés pour mieux comprendre ses racines ainsi que des outils (bibliographie, index) qui le guideront dans l’approfondissement de ses connaissances.
Literature --- Philosophy --- Christian dogmatics --- Christianity --- Christianity in literature --- French literature --- Christian influence --- Christianity in literature. --- Christian influence. --- Christian culture. --- Religions --- Church history --- Christianity - France --- French literature - Christian influence
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Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder's writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder's musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder's own interpretive practice as a translator of languages and cultures, providing today's readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.
Folk songs --- Nationalism in music. --- National characteristics. --- Characteristics, National --- Identity, National --- Images, National --- National identity --- National images --- National psychology --- Psychology, National --- Anthropology --- Nationalism --- Social psychology --- Collective memory --- Ethnopsychology --- Exceptionalism --- Nationalism and music --- National music --- History and criticism. --- History and criticism --- Herder, Johann Gottfried, --- Criticism and interpretation. --- von Herder, Johann Gottfried --- Von Herder, J. G. --- academic. --- aesthetics. --- analytical. --- christian influence. --- christian. --- christianity. --- composer. --- culture. --- essays. --- ethnomusicologist. --- global history. --- intellectual. --- johann gottfried herder. --- language translation. --- language. --- music theory. --- musical composition. --- musician. --- nationalism. --- religion. --- religious studies. --- religious thought. --- sacred music. --- sacred songs. --- scholarly. --- volkslieder.
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