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"Cold War Camera explores the visual mediation of the Cold War and illuminates photography's role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East/West and US/USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the "revolutionary Vietnamese woman" in the 1960s and 1970s, photographs connected with the coming of independence and decolonization in West Africa, family photograph archives in China and travel snapshots by Soviet citizens, photographs of apartheid in South Africa, and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera's capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and to advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it. Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn Le̲ Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, A̹ngeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta Zie̷tkiewicz."--
Cold War --- War photography. --- World politics --- Cold War in mass media. --- Photography.
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Despite the non-governmental status of the UNESCO-affiliated International Theatre Institute (ITI), its organisational structures enabled its member states to use it as an instrument of cultural representation for national and Cold War purposes. In the late 1970s and early 1980s, the East German national centre of the ITI hosted several seminars and colloquia for theatre artists from the Global South. These events focussed heavily on playwright Bertolt Brecht as a figurehead of East German theatre since his plays and theories were of great interest to the international theatre community. This chapter examines how the GDR centre used the international community of the ITI to find and contact artistically and politically suitable participants from emerging countries and how they conceptualized and adjusted their presentation of Brecht's work and methods not only according to their participants' needs, but also to build a specific national brand of soft power designed to appeal to artists and cultural policy makers in the non-aligned countries: the GDR and the East German artists as partners and supporters of nation building.
Cold War in popular culture. --- Cold War in mass media. --- Decolonization.
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In sub-Saharan Africa a number of national theatres were established from the 1950s onwards. Their construction involved British colonial administration, American philanthropy and Chinese development aid. While each history is particular, they share certain common experiences that can be read as an allegory of postcolonial history. This narrative is bracketed by the seemingly contradictory terms modular modernity and cultural heritage: modernity with its promise of the new, cultural heritage with its ideology of preservation. While apparently oppositional terms, they are in fact two points on a continuum of Western and Asian influence on the African continent. There is a direct through-line connecting modular modernity with cultural heritage discourse of the post-Cold War period. This chapter's main example is the National Theatre in Uganda which can read as a test case of shifting discourses and agendas in the context of the Cultural Cold War and its long-term implications.
Cold War in popular culture. --- Decolonization. --- Cold War in mass media.
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In sub-Saharan Africa a number of national theatres were established from the 1950s onwards. Their construction involved British colonial administration, American philanthropy and Chinese development aid. While each history is particular, they share certain common experiences that can be read as an allegory of postcolonial history. This narrative is bracketed by the seemingly contradictory terms modular modernity and cultural heritage: modernity with its promise of the new, cultural heritage with its ideology of preservation. While apparently oppositional terms, they are in fact two points on a continuum of Western and Asian influence on the African continent. There is a direct through-line connecting modular modernity with cultural heritage discourse of the post-Cold War period. This chapter's main example is the National Theatre in Uganda which can read as a test case of shifting discourses and agendas in the context of the Cultural Cold War and its long-term implications.
Cold War in popular culture. --- Decolonization. --- Cold War in mass media.
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Despite the non-governmental status of the UNESCO-affiliated International Theatre Institute (ITI), its organisational structures enabled its member states to use it as an instrument of cultural representation for national and Cold War purposes. In the late 1970s and early 1980s, the East German national centre of the ITI hosted several seminars and colloquia for theatre artists from the Global South. These events focussed heavily on playwright Bertolt Brecht as a figurehead of East German theatre since his plays and theories were of great interest to the international theatre community. This chapter examines how the GDR centre used the international community of the ITI to find and contact artistically and politically suitable participants from emerging countries and how they conceptualized and adjusted their presentation of Brecht's work and methods not only according to their participants' needs, but also to build a specific national brand of soft power designed to appeal to artists and cultural policy makers in the non-aligned countries: the GDR and the East German artists as partners and supporters of nation building.
Cold War in popular culture. --- Cold War in mass media. --- Decolonization.
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The Cold War was not only about the imperial ambitions of the super powers, their military strategies, and antagonistic ideologies. It was also about conflicting worldviews and their correlates in the daily life of the societies involved. The term "Cold War Culture" is often used in a broad sense to describe media influences, social practices, and symbolic representations as they shape, and are shaped by, international relations. Yet, it remains in question whether - or to what extent - the Cold War Culture model can be applied to European societies, both in the East and the West. While every
Cold War --- Cold War in literature. --- Cold War in motion pictures. --- Cold War in mass media. --- Cold War in popular culture. --- Collective memory --- Social aspects
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Sociology of culture --- anno 1950-1959 --- United States --- Cold War in mass media --- Guerre froide dans les mass média --- Koude oorlog in de massamedia --- American literature --- Cold War --- Popular culture --- Cold War in mass media. --- Discourse analysis, Narrative --- Conformity --- Dissenters --- Littérature américaine --- Guerre froide --- Culture populaire --- Guerre froide dans les médias --- Analyse du discours narratif --- Conformisme --- Dissidents --- Social aspects --- History --- Aspect social --- Histoire --- Etats-Unis --- Civilization --- Social conditions --- Civilisation --- Conditions sociales --- Politique et culture --- Dans les médias --- Littérature américaine --- Guerre froide dans les médias --- 20th century --- Discourse analysis [Narrative ] --- 1945 --- -United States --- -Cold War --- -Sociology of culture --- Dans les médias. --- -Guerre froide --- -American literature --- United States of America
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World's Fairs and International Exhibitions have a political as well as a commercial and cultural context. This book details the significant role played by architects and designers in shaping America's image during the cultural Cold War.
Cold War --- Exhibitions --- Cold War in mass media --- Architecture and society --- Guerre froide --- Expositions --- Guerre froide dans les médias --- Architecture et société --- Social aspects --- History --- Aspect social --- Histoire --- 725.91 --- 94.036 --- Koude oorlog --- Exhibition buildings --- Cold War in mass media. --- Architecture and society. --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Mass media --- World politics --- Event centers --- Events centers --- Exhibit buildings --- Exhibit halls --- Exhibition centers --- Exhibition halls --- Exposition buildings --- Exposition centers --- Fair buildings --- Buildings --- Exhibits --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- Paviljoenen (architectuur) --- Tentoonstellingsgebouwen --- Wereldtentoonstellingen (architectuur) --- Geschiedenis 20ste eeuw --- Social aspects. --- Human factors --- Guerre froide dans les médias --- Architecture et société --- Expos (Exhibitions)
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Philosophy and psychology of culture --- Political philosophy. Social philosophy --- Philosophical anthropology --- Polemology --- Thematology --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- Western Europe --- Eastern and Central Europe --- Cold War --- Cold War in literature. --- Cold War in motion pictures. --- Cold War in mass media. --- Cold War in popular culture. --- Collective memory --- Guerre froide --- Guerre froide dans la culture populaire --- Mémoire collective --- Social aspects --- Aspect social --- Au cinéma. --- Dans l'art. --- Dans les médias
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This provocative history of early cold war America recreates a time when World War III seemed imminent. Headlines were dominated by stories of Soviet slave laborers, brainwashed prisoners in Korea, and courageous escapees like Oksana Kasenkina who made a "leap for freedom" from the Soviet Consulate in New York. Full of fascinating and forgotten stories, Cold War Captives explores a central dimension of American culture and politics-the postwar preoccupation with captivity. "Menticide," the calculated destruction of individual autonomy, struck many Americans as a more immediate danger than nuclear annihilation. Drawing upon a rich array of declassified documents, movies, and reportage-from national security directives to films like The Manchurian Candidate-his book explores the ways in which east-west disputes over prisoners, repatriation, and defection shaped popular culture. Captivity became a way to understand everything from the anomie of suburban housewives to the "slave world" of drug addiction. Sixty years later, this era may seem distant. Yet, with interrogation techniques derived from America's communist enemies now being used in the "war on terror," the past remains powerfully present.
Cold War in literature. --- Cold War in motion pictures. --- Cold War in mass media. --- Brainwashing --- Defection --- Repatriation --- Political prisoners --- Captivity narratives. --- Cold War --- Popular culture --- Motion pictures --- Mass media --- Brain control --- Brain-washing --- Forced indoctrination --- Indoctrination, Forced --- Menticide --- Mind control --- Thought control --- Control (Psychology) --- Mental suggestion --- Psychological warfare --- Change of allegiance --- Asylum, Right of --- Aliens --- Emigration and immigration --- Emigration and immigration law --- International law --- Refoulement --- Return migration --- Prisoners of conscience --- Prisoners --- Autobiography --- Prose literature --- History --- Social aspects --- United States --- 20th century --- Captivity in motion pictures --- Cold War in motion pictures --- Cold War in mass media --- Vogeler, Robert A. --- Prisoners of war --- Crimes against --- Korea --- Korean War, 1950-1953 --- 20th century american history. --- 20th century american politics. --- american culture. --- american history. --- brainwashing scare. --- captivity. --- cold war mobilization. --- cold war. --- communism. --- communist enemies. --- cultural history. --- defection. --- drug addiction. --- early cold war america. --- government and governing. --- gulag consciousness. --- historical. --- history. --- imprisonment. --- individual autonomy. --- korean war captivity. --- menticide. --- national security. --- popular culture. --- postwar america. --- prison. --- prisoners. --- repatriation. --- robert vogeler. --- united states of america.
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