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This book aims to provide a synthesis of the history, generation, use, and transfer of images in scientific practice. It delves into the rich reservoir of case studies on visual representations in scientific and technological practice that have accumulated over the past couple of decades by historians, sociologists, and philosophers of science. The main aim is thus located on the meta-level. It adopts an integrative view of recurrently noted general features of visual cultures in science and technology, something hitherto unachieved and believed by many to be a mission impossible.By systematic comparison of numerous case studies, the purview broadens away from myopic microanalysis in search of overriding patterns. The many different disciplines and research areas involved encompass mathematics, technology, natural history, medicine, the geosciences, astronomy, chemistry, and physics. The chosen examples span the period from the Renaissance to the late 20th century. The broad range of visual representations in scientific practice is treated, as well as schooling in pattern recognition, design and implementation of visual devices, and a narrowing in on the special role of illustrators and image specialists.

Scientific illustration --- Visual communication in science --- 5/6 (09) --- Science --- Illustration, Scientific --- Science illustration --- Scientific literature --- Art and science --- Illustration of books --- Drawing --- Technical illustration --- Geschiedenis van de exacte en toegepaste wetenschappen --- Illustration --- Scientific applications --- Scientific illustration. --- Visual communication in science. --- Technology --- Illustration scientifique --- Communication visuelle en sciences --- Technique --- Sciences --- History. --- Histoire --- Communication visuelle en sciences. --- Histoire.

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This handbook covers the areas of scientific communication that a student, researcher, or scientistneeds to know and to master in order to successfully promote his or her research and career. Written inan accessible and easy-to-understand manner, the book begins with several chapters on the basics ofthe scientific writing style. It then builds on these by applying the presented principles to all types ofscientific documents. The book also covers academic presentations and posters in detail. Applicable inthe fields of life sciences, medicine, psychology, chemistry, physics, and engineering, it is ideal as astand-alone textbook or as a reference guide.

Communication in science. --- Visual communication in science. --- Scientific literature. --- Technical writing. --- Information scientifique. --- Communication visuelle en sciences. --- Sciences --- Rédaction scientifique et technique. --- Documentation. --- Communication in science --- Scientific literature --- Technical writing --- Science

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20.07 art criticism, art review. --- Atlas (Divinité grecque) --- Atlas. --- Atlases. --- Atlases. --- Communication visuelle dans l'art. --- Communication visuelle en sciences. --- Image (Philosophie). --- Image (Philosophy). --- Image (Philosophy). --- Imaginaire (Philosophie). --- Imagination (Philosophy). --- Imagination (Philosophy). --- Visual communication in art. --- Visual communication in art. --- Visual communication in science. --- Visual communication in science. --- Art. --- Atlas, --- Atlas, --- Warburg, Aby, --- In art. --- Mnemosyne (Warburg, Aby).

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The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media, from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.

Art victorien. --- Art et sciences --- Illustration scientifique --- Art, Victorian. --- Art and science --- Scientific illustration --- Art, Victorian --- Natural history in art --- Arts --- Medical illustration --- Culture --- Science --- Art objects --- Objectivity in literature --- Architecture --- Communication visuelle en sciences --- Illustrateurs scientifiques --- Illustration en sciences naturelles --- Objectivité. --- Sciences --- Sciences naturelles --- Art --- Objets d'art. --- Illustration médicale --- History --- Philosophy. --- Aesthetics. --- Esthétique. --- Dans la littérature --- Histoire. --- Burne-Jones, Edward Coley, --- Hughes, Arthur, --- MacDonald, George, --- Burne-Jones, Edward Coley --- MacDonald, George --- Great Britain --- Grande-Bretagne --- Scientific illustration. --- Science. --- Objectivity in literature. --- Natural history in art. --- Medical illustration. --- Culture. --- Arts. --- Art and science. --- England. --- Victorian art --- Art, Modern --- Science and art --- Illustration, Scientific --- Science illustration --- Scientific literature --- Illustration of books --- Drawing --- Technical illustration --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- Illustration, Medical --- Medicine and art --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Bric-a-brac --- Objects, Art --- Objets d'art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- Natural science --- Natural sciences --- Science of science --- Illustration --- Scientific applications --- Social aspects --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- 1800-1899